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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

High School Students

Fr. David Friel · July 21, 2013

IGH SCHOOL KIDS are busy. If you have a high schooler in your family or extended family, you know that’s true. They’re into a lot of things, and they try to balance their responsibilities to their family with the desire to spend time with their friends. During the school year, they have projects and homework and reading and tests to do. Some of them get heavily involved in sports. Others get into the band. Some of them have jobs. They devote a lot of time and energy to friends and relationships. And I can only imagine how much time they devote to building their digital profile through Vine and Instagram and whatever. With all that they do, high school kids can be a lot like Martha—Martha, who was “anxious and worried about many things.”

But Jesus insists: “there is need of only one thing.” What is that one, necessary thing? Spending time with Him. Of course, that is what Mary, Martha’s sister, does. She sits “at the feet” of Jesus, “listening to Him speak.” This time last week, I was on retreat with almost 25 high school students from my parish. It was an awesome experience—a very enthusiastic, energetic, energizing experience. You might not think of that as a great environment for listening to the Lord, but it was. They chose to put aside the tendency to be like Martha for a whole weekend so that they could practice being like Mary. Instead of rushing around, being busy about many things, they went on retreat. Unlike so many of their peers, these young men & women spent last Friday and Saturday night . . . in adoration of the Blessed Sacrament.

Of course, things are different back home. Peter, James, & John could not stay atop Mount Tabor, and neither can we. Nevertheless, even though things are different, there is nothing to stop us from having a powerful experience of God at home, wherever we are. Since God can be found in all things, one need not be in a specific place to experience Him.

Many of the young people in our group mentioned to me how deeply moved they were during the time they spent in adoration of the Blessed Sacrament. The good news is that the Eucharist we worshipped last week on retreat is the very same Eucharist present in the tabernacle of our church here in Philadelphia. Think about it: in the story of Martha & Mary, where was Mary when she had her encounter with Jesus? Where was she as she sat at His feet? She was in her own home.

Lots of times it is easier to experience God when we are on retreat or on a pilgrimage. There is nothing wrong with that, but the challenge is to keep searching for Him when we return home. Home, in fact, is where we should be most comfortable sitting at Jesus’ feet and listening to Him. I pray that all who search for God will do so with energy and enthusiasm. No matter how intensely we search for God, He will always be searching a thousand times more intensely for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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  • “Adeste Fideles” • Too Many Translations!

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