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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What is epiclesis?

Andrew R. Motyka · July 10, 2013

o, last week, I was complaining about having a difficult time coming up with a topic. This week I’m going to tackle something about which a doctoral dissertation could be based. How ambitious. I attempt to give some bare-bones basics. A friend asked me this past week about epiclesis, and I remembered how many times I was in graduate school, learning something about the liturgy, when I asked myself “Why doesn’t everyone learn about this stuff?” My specific studies were so spiritually enriching that I wish everyone could experience them, however small they were.

Epiclesis is the invocation of the Holy Spirit upon the bread and wine, implicitly or explicitly, in the Eucharistic Prayer. In the Orthodox churches, the epiclesis completes the consecration. In Catholic theology, the Words of Institution (or anamnesis, for those of you starved for Greek terms) are consecratory. In our (Roman Catholic) Eucharistic Prayers, the epiclesis is “split,” occurring both before and after the consecration.

When I was in graduate school, a small group of us went out in the dead of night to grab some fast food to break up the studying. I drove. After going through the drive-through, I asked my friend in the back seat to pass me my drink. He said, “Preparing to pass the soda.” Pause. “Passing the soda.” I asked him what in the world that was. He was an Army major and explained that in military operations, you would frequently give a command of preparation immediately prior to the command of execution. It worked; I was ready to receive the drink instead of clumsily spilling it into my lap (which is more than likely what I would have done absent the warning).

Similar to this preparatory command is the epiclesis in the Eucharistic Prayers. In the Roman Canon (Eucharistic Prayer I), the first portion of the epiclesis is implicit with the words:

Be pleased, O God, we pray, to bless, acknowledge, and approve this offering in every respect; make it spiritual and acceptable, so that it may become for us the Body and Blood of your most beloved Son, our Lord Jesus Christ.

These words themselves are not consecratory; the Words of Institution that follow them are. The epiclesis is the “command of preparation” before the executing “command of execution.” It’s an imperfect analogy, but we’re talking about miracles, here. Work with me.

The epiclesis (epicleses? epicleses’s?) in Eucharistic Prayers II, III, and IV are much easier to identify; they explicitly invoke the Holy Spirit. For example, in EP II:

Make holy, therefore, these gifts, we pray by sending down your Spirit upon them like the dewfall, so that they may become for us the Body and Blood of our Lord Jesus Christ.

Very clear. There is also an epiclesis of sorts after the consecration. It is the prayer by which we ask the Holy Spirit to unify the faithful by their participation in this sacrament. Again, in the Roman Canon this is implicit:

In humble prayer we ask you, almighty God: command that these gifts be borne by the hands of your holy Angel to your altar on high in the sight of your divine majesty, so that all of us, who through this participation at the altar receive the most holy Body and Blood of your Son, may be filled with every grace and heavenly blessing. (Through Christ our Lord. Amen.)

While in the other Eucharistic Prayers this is explicit, for example in EP III:

Look, we pray, upon the oblation of your Church and, recognising the sacrificial Victim by whose death you willed to reconcile us to yourself, grant that we, who are nourished by the Body and Blood of your Son and filled with his Holy Spirit, may become one body, one spirit in Christ.

This “second epiclesis” is always oriented toward the unity of the Faithful. This culminates with the Doxology (Through Him, with Him, and in Him…in the unity of the Holy Spirit…), which in the Roman Canon is the only explicit mention of Holy Spirit.

We see that the epiclesis is the request for the Holy Spirit’s intercession in the Eucharistic Prayer, first to sanctify the gifts of bread and wine, and then to sanctify the gifts of the faithful. This makes special sense in that the sanctification of the faithful is one of the primary goals of the Eucharist.

This concludes this week’s session of Andy’s Ten Minute Liturgical Theology. I’m sure I have left something out or mis-phrased something that makes me look like a heretic, so do the web-thing and correct me in the comments. Thanks, and be sure to tune in next time!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

Recent Posts

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  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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