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Views from the Choir Loft

Coming Full Circle in the Circle City

Andrew R. Motyka · July 3, 2013

his whole blogging thing can be a difficult thing to manage on a schedule (not to mention my children’s supernatural sense that something productive is happening in this room right now). “Come up with something good to talk about, right now” is not one of my talents. Talking? I’m a master (just ask my wife). Having something substantive to say, not so much. Therefore, I was grateful when Jeff Ostrowski gave me a great idea for this week: the CMAA Colloquium, specifically next year’s installment. Allow me to express my excitement.

My first experience with the Church Music Association of America came when I attended the Colloquium in 2010 at Duquesne University in Pittsburgh. I was living about a half hour away and it was an easy commute. As most people who have attended will tell you, it is nothing less than sublime, musically. You spend all week mingling and learning, but mostly singing. When is the last time you got to do so much singing? My interest in Gregorian chant and the restoration of the sacred in liturgical music was already in full swing, but the Colloquium was positively energizing, and fed me with information and the knowledge that there were like-minded people out there. Also, I met a guy named Jeff Ostrowski. I was able to attend again in 2011 (mainly because of some generosity from CMAA for which I am grateful), furthering my appreciation for the organization and this beautiful annual event.

I was unable to attend the Colloquium for the following two year in Salt Lake City, both because of distance and due to circumstances evolving in my professional life. When I began at my current position as the Archdiocesan Director of Music in Indianapolis, I thought, “At some point, I’m going to try to get CMAA to bring the Colloquium here.”

Well the Lord works in mysterious and frequently hilariously in-your-face ways. Since I was settled, I contacted CMAA to ask if there was anything I could help with, despite not being able to attend the Colloquium this year, and I was greeted with, “So how do you think Indianapolis would be for hosting a Colloquium?” In a veritable hurricane of productivity, Arlene Oost-Zinner made it happen. The 2014 CMAA Colloquium will be in Indianapolis.

The Downtown Sheraton will be the site of the rehearsals and breakouts, which is right on center circle from which the city gets its nickname. Only a few blocks away, we will celebrate at the historic Saint John the Evangelist Church, a beautiful place to worship. St. John is currently undergoing a thorough renovation due to a fire this past Lent, and will be in its best condition in years by the time of next year’s musical get-together.

The 2014 CMAA Colloquium promises once again to be a “slice of musical heaven,” as it has been called before. I hope to see many of you there.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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