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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Coming Full Circle in the Circle City

Andrew R. Motyka · July 3, 2013

his whole blogging thing can be a difficult thing to manage on a schedule (not to mention my children’s supernatural sense that something productive is happening in this room right now). “Come up with something good to talk about, right now” is not one of my talents. Talking? I’m a master (just ask my wife). Having something substantive to say, not so much. Therefore, I was grateful when Jeff Ostrowski gave me a great idea for this week: the CMAA Colloquium, specifically next year’s installment. Allow me to express my excitement.

My first experience with the Church Music Association of America came when I attended the Colloquium in 2010 at Duquesne University in Pittsburgh. I was living about a half hour away and it was an easy commute. As most people who have attended will tell you, it is nothing less than sublime, musically. You spend all week mingling and learning, but mostly singing. When is the last time you got to do so much singing? My interest in Gregorian chant and the restoration of the sacred in liturgical music was already in full swing, but the Colloquium was positively energizing, and fed me with information and the knowledge that there were like-minded people out there. Also, I met a guy named Jeff Ostrowski. I was able to attend again in 2011 (mainly because of some generosity from CMAA for which I am grateful), furthering my appreciation for the organization and this beautiful annual event.

I was unable to attend the Colloquium for the following two year in Salt Lake City, both because of distance and due to circumstances evolving in my professional life. When I began at my current position as the Archdiocesan Director of Music in Indianapolis, I thought, “At some point, I’m going to try to get CMAA to bring the Colloquium here.”

Well the Lord works in mysterious and frequently hilariously in-your-face ways. Since I was settled, I contacted CMAA to ask if there was anything I could help with, despite not being able to attend the Colloquium this year, and I was greeted with, “So how do you think Indianapolis would be for hosting a Colloquium?” In a veritable hurricane of productivity, Arlene Oost-Zinner made it happen. The 2014 CMAA Colloquium will be in Indianapolis.

The Downtown Sheraton will be the site of the rehearsals and breakouts, which is right on center circle from which the city gets its nickname. Only a few blocks away, we will celebrate at the historic Saint John the Evangelist Church, a beautiful place to worship. St. John is currently undergoing a thorough renovation due to a fire this past Lent, and will be in its best condition in years by the time of next year’s musical get-together.

The 2014 CMAA Colloquium promises once again to be a “slice of musical heaven,” as it has been called before. I hope to see many of you there.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

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  • PDF • “Music List” (Xmas Midnight Mass)

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