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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1989 Preface to the Douay-Rheims Bible

Corpus Christi Watershed · July 1, 2013

HE DOUAY-RHEIMS BIBLE is a scrupulously faithful translation into English of the Latin Vulgate Bible which St. Jerome (342-420) translated into Latin from the original languages. The Vulgate quickly became the Bible universally used in the Latin Rite (by far the largest rite of the Catholic Church).

St. Jerome, who was one of the four great Western Fathers of the Church, was a man raised up by God to translate the Holy Bible into the common Latin tongue of his day. He knew Latin and Greek perfectly. He was 1500 years closer to the original languages than any scholar today, which would make him a better judge of the exact meaning of any Greek or Hebrew word in the Scriptures. Besides being a towering linguistic genius, he was also a great saint, and he had access to ancient Hebrew and Greek manuscripts of the 2nd and 3rd centuries which have since perished and are no longer available to scholars today. St. Jerome’s translation, moreover, was a careful, word-for-word rendering of the original texts into Latin.

The Latin Vulgate Bible has been read and honored by the Western Church for 1500 years! It was declared by the Council of Trent to be the official Latin version of the original. Hear what the Sacred Council decreed: “Moreover, the same Holy Council … ordains and declares that the old Latin Vulgate Edition, which, in use for so many hundred years, has been approved by the Church, be in public lectures, disputatious, sermons and expositions held as authentic, and so no one dare or presume under any pretext whatsoever to reject it.” (Fourth Session, April 8, 1546). As Pope Pius XII stated in his 1943 encyclical letter Divino Afflante Spiritu, this means the Vulgate is “free from any error whatsoever in matters of faith and morals.” And the Douay-Rheims bible is a faithful, word-for-word translation of the Latin Vulgate Bible of St. Jerome.

In their translation, the Douay-Rheims translators took great pains to translate exactly. Contrary to the procedure of the modern Bible translators, when a passage seemed strange and unintelligible they left it alone, even if obscure, and “let the chips fall as they may.” The modern Bible translators, on the other hand, will often look at an obscure passage, decide what they think it means, then translate into words that bring out that meaning. The result is that the English is usually (not always!) easier to understand, but it is not necessarily what the Bible says; rather, it is their interpretation and understanding of what the Bible says. Moreover, the Holy Ghost may have hidden several additional meanings in the passage. Those meanings may well be completely translated out!

Sometimes the question is raised: Why translate from a translation (the Latin Vulgate) rather than from the original Greek and Hebrew? This question was also raised in the 16th century when the Douay-Rheims translators (Fr. Gregory Martin and his assistants) first published the Rheims New Testament. They gave ten reasons, ending up by stating that the Latin Vulgate “is not only better than all other Latin translations, but than the Greek text itself, in those places where they disagree.” (Preface to the Rheims New Testament, 1582). They state that the Vulgate is “more pure than the Hebrew or Greek now extant” and that “the same Latin hath bene farre better conserved from corruption.” (Preface to the Douay Old Testament, 1609).

The present Bible is the Challoner revision (1749-1752) of the Douay-Rheims Bible. Catholics owe the saintly Bishop Richard Challoner (1691-1781) a great debt of gratitude for undertaking this work. Challoner was one of those courageous priests who traveled around offering Mass secretly for small groups during the religious persecutions in England. Such Catholics needed a Bible, and had needed one for 100 years. The Douay-Rheims Bible had been printed a few times on the Continent but had never really spread to England. Some Catholics in England were even reading the King James version — a situation which Bishop Challoner knew had to be rectified.

Some of the passages in the original Douay-Rheims Bible were needlessly obscure. As an extreme example, Ephesians 6:12 read, “For our wrestling is not against flesh and bloud: but against Princes and Potestats, against the rectors of the world of this dankness, against the spirituals of wickedness in the celestials.” The spellings were archaic, and the verses were not set off by new lines for clarity. Challoner rectified these problems, checking carefully against the Clementine Vulgate and the original-language texts. On the whole, Bishop Challoner’s revisions were minor. He replaced certain anglicized Latin words and archaic words and expressions, rearranged the word order of the sentences, and yet maintained the overall word-for-word accuracy of the 16th/17th-century Douay-Rheims Bible.

The Challoner revision of the Douay-Rheims Bible was a godsend. It became the standard Catholic Bible in English until the mid-20th century (when the Confraternity Bible was published). It continued to be called the “Douay-Rheims” because of its similarity to the original Douay-Rheims Bible. The great work English Versions of the Bible, by Frs. Pope and Bullough, states that English-speaking Catholics the world over owe Dr. Challoner an immense debt of gratitude, for he provided them for the first time in history with a portable, cheap and readable version of the Bible, which has stood the test of 200 years of use. Moreover, it is more accurate than any modern Bible because it is based on ancient texts, no longer extant, which were “captured” and “frozen,” so to speak, by St. Jerome (342-420) in his Latin Vulgate. The Douay-Rheims is thus the most reliable English-language Bible there is. We look forward to the day when the Christian world will rediscover this fact and come to a renewed appreciation of the monumental work of St. Jerome, of the Douay-Rheims translators and of Bishop Richard Challoner — men who were raised up by God to make the Bible available to the English-speaking world.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

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  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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