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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can We Ever “Understand” the Mass?

Dr. Peter Kwasniewski · June 6, 2013

HE CLAIM that the common people, before Vatican II, did not understand the Mass—that they no longer understood what it meant, the significance of its rituals and prayers, and so, as a result, the liturgy had to be updated, modernized, simplified—can be decisively refuted.

First, as is well attested in writing and photographs, all over the world there were immense numbers of Catholics who loved the liturgy and attended it as often as possible—including ordinary peasants and manual laborers. Whatever they cognitively derived from the exact prayers or gestures is insignificant compared to the overall shape, the seriousness and focus, the opportunity to adore in fear and trembling, which the sacred liturgy provided for their spiritual lives. (Related to this fact is the extremely strong preconciliar participation in the sacrament of penance, which also went out the window after the “reform” of the liturgy—perhaps suggesting a more than incidental connection between the form of the Mass and the virtue of penance itself.) The credibility of this historical data is verified by the crowds of people, young and old, who today devoutly and devotedly attend the Tridentine Mass wherever it has been re-introduced, because of the mystical attraction it exercises over serious Catholics who recognize it as a profound immersion in the prayer of Jesus Christ and His Church.

Second, due to the Liturgical Movement in its original fervor, countless missals and prayer books were published and disseminated, containing clear translations of, and often meditations based on, the prayers and gestures of the Mass. As Joseph Ratzinger recollects in Salt of the Earth, there were even “graduated” missals for children, so that at each stage of their maturity they could take one further step in intimacy with the Church’s grand liturgy. People everywhere grew familiar with the Mass, its calendar, ritual, processions, and music, in a far deeper way than anyone now does with the Novus Ordo; the liturgy grew into their hearts, it took root there and found a permanent home. There was never a lack of opportunities for the faithful to enter into the letter and the spirit of the liturgy. A particularly fine example of the resources made available in the nineteenth century would be The Liturgical Year by Dom Gueranger, which continues to nourish readers today.

And a last point should be recalled, in our era more than ever, when preaching has reached an all-time nadir in both content and style. If there was occasionally some failure to understand or appreciate the spiritual-theological depths of divine worship, this was chiefly the fault of priests and bishops. It is their duty to preach about the liturgy no less than about Sacred Scripture and Catholic doctrine, and, in the preconciliar period, faithful priests did just that—witness Romano Guardini’s beautiful Meditations Before Mass, intended for and well appreciated by the “people in the pews.” We see here the pastoral solicitude urged by Pope Francis when he tells pastors to feed their flocks.

A concerted, widespread effort to preach the Mass in all its richness would have sufficed for stirring up a profound renewal of the participation of the faithful at the time of the Second Vatican Council and into our times. This prudent and courageous approach appears never to have been even considered; the choice was made, instead, to simplify to the point of infantilism, so that there would be nothing that needed explanation—which is to say, nothing of mystery, nothing profound, nothing transcendent, nothing rooted in ageless tradition. The reformed liturgy represents the final capitulation of the priesthood to the democratic spirit of modernity: the priest gave up, or was practically compelled to give up, his role as teacher and ruler. As the sociologists and anthropologists were saying back in the seventies, those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Let us do our part to see to it that our own efforts to worship Almighty God (and, depending on our calling, to improve the ars celebrandi of the public worship in which we play some role) are based on a sane and sound understanding of the very heart of worship—the grandeur, majesty, transcendence, and holiness of God, which we cannot comprehend and which we do well to fear and to love with all our souls.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

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