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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Begin From the Beginning—Interesting Things Will Happen

Richard J. Clark · June 28, 2013

EFORE ONE CAN EVEN BEGIN talking about music in the liturgy, one must understand something about the Sacred Liturgy itself. No conversation about liturgical music based on personal taste can yield much fruit without fundamental understanding of the purpose of the mass.

In his 1903 Motu Proprio, Tra le Sollecitudini (“Instruction on Sacred Music”) Pope Saint Pius X begins his “instruction” as he describes the overall purpose of the liturgy as “the glory of God and the sanctification, the edification of the faithful.”

Sacrosanctum Concilium echoes this statement in The Nature of the Sacred Liturgy and Its Importance in the Church’s Life: (§7) “Christ indeed always associates the Church with Himself in this great work wherein God is perfectly glorified and men are sanctified.”

Further echoing Saint Pius X: “For His humanity, united with the person of the Word, was in the instrument of our salvation…The wondrous redemption of the whole Church.” (Sacrosanctum Concillium, §5)

That the singularly most important purpose of the mass is to glorify God seems like something we could not possibly forget, yet it happens and sometimes quite frequently. It is easy to become too mindful of ourselves and of our own problems, or of our own importance in context of the liturgy. God already knows our most inner thoughts and needs, and certainly we must bring our prayers and petitions to God. But preoccupied self-absorption or self-importance (I am very guilty of this more than just occasionally!) distorts the nature of the Sacred Liturgy. Quite happily, focus on God alone points to the second part of Saint Pius X’s statement: “the edification and sanctification of the people.” God finds us and gives us the grace we need despite our sins and flaws.

Giving glory to God alone leads to our sanctification and edification! Singing God’s praises is necessary for personal and communal sanctification and edification.

Therefore, as a community joins together to praise God, something quite interesting happens: not only do individuals grow in faith, but also the community unifies and intensifies with greater strength than ever. In a sense, the “vertical” strengthens the “horizontal”. Ultimately, the goal of the community and of the whole Church is Christ-like living: Lex orandi, lex credendi, lex Vivendi – the law of prayer is the law of belief, which points to the law of how Christians must live. More simply put, the liturgy reminds us if we truly believe what we pray, we must respond to God’s call by that way that we live.

NOTHER IMPORTANT QUESTION about the liturgy was posed by Bishop Sample at the CMAA Sacred Music Colloquium. While the mass is a celebration, perhaps we must ask what it is we are celebrating. Is it a party? Is it a shared communal meal? Is it self-affirmation? These are not necessarily bad things, and in fact they can be quite good and helpful in the right context. But during the liturgy they distort what is essential for our souls: Jesus who died for us redeems us by His Body and Blood. We are a saved people! (This is why we celebrate Easter for 50 days after a Lenten preparation of 40 days.) That we are saved is all quite remarkable and joyful.

But our redemption is not possible without the Sacrifice of our Savior. We cannot sidestep nor gloss over the Sacrifice. Without Good Friday, there is no Easter Sunday. Without the dying, there is no rising. God alone is the center of our prayer. From this, flows our redemption.

Sacrosanctum Concillium (§5) furthermore states under The Nature of the Sacred Liturgy and Its Importance in the Church’s Life, “For His humanity, united with the person of the Word, was in the instrument of our salvation…The wondrous redemption of the whole Church.”

OK, we may know all of this already. But it is remarkable that we may joyfully embrace in our hearts our redemption through Christ’s Sacrifice. This is what we celebrate every Sunday and every day at every mass! In the words of the anamnesis: “Save us, Savior of the world, that by your cross and Resurrection, you have set us free.”

Sacrosanctum Concillium (§2): “For the liturgy, ‘through which the work of our redemption is accomplished.’ (Secret of the ninth Sunday after Pentecost) most of all in the divine sacrifice of the Eucharist, is the outstanding means by whereby the faithful may express in their lives, and manifest to others, the mystery of Christ and the real nature of the true Church.”

As we are united in the Eucharist, in Christ’s loving act of self-sacrifice is this not worthy of joyful praise of God and God alone?

I have not even begun to speak of music at liturgy, music worthy of praising the God who loves us to the point of death on a cross. Where will this understanding lead us in our sacred music? Interesting things happen in our lives when we worship God.

So, perhaps this discussion on music for the Sacred Liturgy must begin from the beginning:
Soli Deo Gloria! Give glory to God alone!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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