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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Latin Mass Training Videos (FSSP/EWTN)

Corpus Christi Watershed · May 30, 2013

How to say Mass in the Extraordinary Form:
1 of 20 • Preparation of the Altar
2 of 20 • Vesting in the Sacristy
3 of 20 • Chapter 3: Procession & Arrival at the Altar
4 of 20 • Chapter 4: Prayers at the Foot of the Altar
5 of 20 • Chapter 5: The Introit
6 of 20 • Chapter 6: Kyrie & Gloria
7 of 20 • Chapter 7: The Collect & Epistle
8 of 20 • Chapter 8: The Gospel & Creed
9 of 20 • Chapter 9: The Offertory (Part I)
10 of 20 • Chapter 10: Offertory (Part II)
11 of 20 • Chapter 11: The Preface
12 of 20 • Chapter 12: The Canon (Part I)
13 of 20 • Chapter 13: The Consecration
14 of 20 • Chapter 14: The Canon (Part II)
15 of 20 • Chapter 15: The Pater Noster & Fractio
16 of 20 • Chapter 16: The Communion of the Priest
17 of 20 • Chapter 17: The Ablutions
18 of 20 • Chapter 18: The Postcommunion & Final Blessing
19 of 20 • Chapter 19: The Last Gospel & Leonine Prayers
20 of 20 • Chapter 20: The Recession & Unvesting

Preliminary Videos
Introduction • Fr. John Berg, Superior General of the Priestly Fraternity of St. Peter
Summorum Pontificum • Reflections by Darío Cardinal Castrillón Hoyos
Introduction • Fr. Calvin Goodwin, FSSP

Additional Videos
Latin Polyphony • Motets for three voices
Variations when celebrating the Traditional Latin Mass
Principles of Movement and Gesture in the Liturgy
Spiritual Commentary • 40 minutes long • Fr. Calvin Goodwin
FSSP Video Trailer (High Resolution) • (Low Resolution)

Training Videos Produced by the Vatican (Low Mass)
English Introduction • Darío Cardinal Castrillón Hoyos
Part I • Sections 1-3
Part II • Sections 4-5
Part III • Section 6
Part IV • Sections 7-9
Part V • Sections 10-11

Mass with Deacon & Subdeacon
Solemn High Latin Mass • 1941, Our Lady of Sorrows • Narration by Fulton J. Sheen

Longer versions of the FSSP YouTube Videos (above)
1 of 3 • 30 minutes long • Chapters 1-8
2 of 3 • 30 minutes long • Chapters 9-14
3 of 3 • 24 minutes long • Chapters 15-20

Click here to learn more.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

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