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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Failure, The Liturgy, & Today’s Mr. Know-It-All

Jeff Ostrowski · May 27, 2013

SUBMITTED AN ARTICLE to Homiletic & Pastoral Review, which is a wonderful publication, but it was rejected. Let me explain what happened.

I’ve been published in HPR in the past. About two years ago, I started considering submitting another article, and after a few months, I finally found the time to sit down and write it. Then, I had to wait for it to be proofread. Then, I finally found the time to place it in the mail (summer 2012). Their organization recently changed editors, and they lost my submission. I sent it again. Finally, on 20 November 2012, they said they enjoyed the article but decided not to print it. The priest who rejected it was very professional, polite, and encouraging.

So, here’s my dilemma: the process took so long, I don’t even like my article anymore! Here it is, in case you want to read it:

      * *  Moving Forward with Liturgical Reform: Positive Steps [pdf]

I’m beginning to wonder if I should continue to write articles. Has anyone had a similar experience? Feel free to share your thoughts in the combox.

REMEMBER: I’m not saying HPR should have printed my article. They probably get hundreds of wonderful submissions. I’m merely relating what happened.

I BEGAN TO PONDER ARTICLES. What is an article? Is it only to be published when it contains newly-discovered information? It seems to me that certain successful authors publish the same ideas over and over.

In a certain sense, we live in a very strange age. We are taught never to use the personal pronoun “I” when writing articles. We are told we must project the image of an omniscient, objective, modern “scholar,” and personal pronouns detract from this. How ironic, since ours is the same age that denies the existence of absolute Truth! In graduate school, we had to attend numerous conferences and symposia where papers were presented by musicologists who could barely play a C Major scale. We listened to presentations on the great choral works of history from theorists who could not even sing in tune. One time, a professor marked an error on my paper because I had pointed out an interesting fact about a certain composition. His red pen wrote, “Let your readers decide if that is interesting.” I’m sure he wanted me to congratulate him on how “objective” he was. By the way, I just committed a sin by writing, “His red pen wrote.” Another one of my professors would have asked me, “Did HE write, or did his PEN write?” Enough. You get the point.

If only our modern day “know-it-all” professors would take the time to look back into former decades, they would see that musicologists and theorists who actually knew their stuff did indeed use the personal pronoun “I” throughout their works. They were not at all embarrassed to say things like, “I have not found any mediaeval source containing such-and-such.” They were quite comfortable in their own knowledge as well as the fact that they were not infallible. We need more scholars like them!

The worst is when I see an article by somebody touted as “one of the leading experts on the Catholic liturgy.” I’ve pretty much “seen it all” in this regard. I’ve seen articles published about the liturgy by “scholars” who are comfortable preaching heresy. I’ve seen articles on the liturgy by Bishops who don’t even say Mass each day (according to people who work for them). I’ve seen articles on the liturgy published by “priest scholars” who don’t even say their office each day and allow every manner of terrible music at their Masses.

In fact, only those who have suffered can understand the liturgy. And only those who understand the liturgy ought to publish articles about it.

At the liturgy, we come face-to-face with God. Imagine! And we can pray to Him, telling Him all our troubles, worries, and woes.

In some ways, the Canon and the Propers are the most moving parts of Mass. You might ask, “Why the Propers? Why not the Readings.” The answer is the same reason which accounts for the popularity of Blogs. Blogs are popular because the entries are not too long, and we have short attention spans. The same with the Propers: they pick out the perfect little “nuggets” to carefully reflect on.

Where else can we go and enter into anything of such antiquity? Many of these prayers go back untold ages. All of a sudden, images confront one. Emperor Heraclius, Thomas Aquinas, Pope Hadrian, Saint Augustine, and a thousand others. Especially during the Roman Canon, when the names of so many ancient saints are recounted. Especially when the Canon is read with love and care, as in this audio excerpt by Most Rev. Bishop Gracida. Especially in the quiet solitude of one’s soul.

Some people think that the mere fact of owning a lot of old books with copious footnotes makes one a scholar. I promise you, it doesn’t. Only those who live the liturgy ought to write and speak about it. Books are books. People are people. God is God. Life is not the internet. Life is not fancy footnotes. Life is being in communion with God, and the liturgy allows us to do this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“Saint Pius X restored to the faithful the two essential means of participation: communion and chant. Unfortunately, owing to prevailing ideas and circumstances, there was a tendency (it still persists) to separate the two, and one consequence of the increase of communions has been the desertion of high Mass; a distinction has grown up between communion Mass (anomalous term) and sung Mass, as if the two were incompatible.”

— Lancelot Capel Sheppard (22 Jan 1955)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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