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Views from the Choir Loft

Sung Propers: Various Simple Settings In English

Corpus Christi Watershed · May 27, 2013

ILBERT K. CHESTERTON said famously, “Christianity has not been tried and found wanting; it has been found difficult and not tried.” When it comes to the Sung Propers, we can say that, in general, they have not even been found, much less tried. But if they were to be found, they might be judged too difficult to begin immediately. Therefore, the following resources have been provided to assist choirmasters. During this demonstration, we shall consider the Introit from Pentecost (some documents refer to it as the “Entrance Chant”). As with the vast majority of the Mass Propers, this chant is very ancient. To see more versions, click here.

Here’s how the PENTECOST INTROIT looked around the year 970AD:

The official version of the PENTECOST INTROIT in our modern chant books can be found in the Gregorian Missal. The entire Gregorian Missal can be downloaded for free courtesy of the CMAA, but watch out because it’s a large download (26MB). By the way, here’s a website with video recordings and organ accompaniments for every chant in the Gregorian Missal.


1. Gregorian Missal

Here’s how the PENTECOST INTROIT looks in the Gregorian Missal:


2. Graduale Parvum

Is that version too difficult for you? One alternative might be the simplified version (in Latin & English) found in the Graduale Parvum, a book being created by Fr. Guy Nicholls at a new institute. The Graduale Parvum can be downloaded for free courtesy of the James MacMillan’s Blog.

Here’s how the PENTECOST INTROIT looks in the Graduale Parvum:


3. Simple English Propers

Another simplified version can be found in the Simple English Propers, published by the Church Music Association of America. The complete book can be downloaded for free courtesy of the CMAA, but be advised it’s a large download (11.3MB).

Here’s how the PENTECOST INTROIT looks in the Simple English Propers:


4. Arbogast Propers

Yet another simplified setting can be found in a 1964 collection by Fr. Paul Arbogast. His complete book can be downloaded for free courtesy of the CMAA. Be careful with this book, because the Propers don’t always perfectly match the Ordinary Form, since the Ordinary Form was not complete until 1969.

Here’s how the PENTECOST INTROIT looks in the Arbogast Propers:


5. Lalemant Propers

If you require the absolute simplest Mass Propers, try the musical settings in the Lalemant Propers. The entire book (391 pages) can be downloaded for free.

Here’s how the PENTECOST INTROIT looks in the Lalemant Propers:


We have examined simple musical settings of the Propers, mainly in English, but it should be noted that before the Second Vatican Council, many simplified versions were also done in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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