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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sung Propers: Various Simple Settings In English

Corpus Christi Watershed · May 27, 2013

ILBERT K. CHESTERTON said famously, “Christianity has not been tried and found wanting; it has been found difficult and not tried.” When it comes to the Sung Propers, we can say that, in general, they have not even been found, much less tried. But if they were to be found, they might be judged too difficult to begin immediately. Therefore, the following resources have been provided to assist choirmasters. During this demonstration, we shall consider the Introit from Pentecost (some documents refer to it as the “Entrance Chant”). As with the vast majority of the Mass Propers, this chant is very ancient. To see more versions, click here.

Here’s how the PENTECOST INTROIT looked around the year 970AD:

The official version of the PENTECOST INTROIT in our modern chant books can be found in the Gregorian Missal. The entire Gregorian Missal can be downloaded for free courtesy of the CMAA, but watch out because it’s a large download (26MB). By the way, here’s a website with video recordings and organ accompaniments for every chant in the Gregorian Missal.


1. Gregorian Missal

Here’s how the PENTECOST INTROIT looks in the Gregorian Missal:


2. Graduale Parvum

Is that version too difficult for you? One alternative might be the simplified version (in Latin & English) found in the Graduale Parvum, a book being created by Fr. Guy Nicholls at a new institute. The Graduale Parvum can be downloaded for free courtesy of the James MacMillan’s Blog.

Here’s how the PENTECOST INTROIT looks in the Graduale Parvum:


3. Simple English Propers

Another simplified version can be found in the Simple English Propers, published by the Church Music Association of America. The complete book can be downloaded for free courtesy of the CMAA, but be advised it’s a large download (11.3MB).

Here’s how the PENTECOST INTROIT looks in the Simple English Propers:


4. Arbogast Propers

Yet another simplified setting can be found in a 1964 collection by Fr. Paul Arbogast. His complete book can be downloaded for free courtesy of the CMAA. Be careful with this book, because the Propers don’t always perfectly match the Ordinary Form, since the Ordinary Form was not complete until 1969.

Here’s how the PENTECOST INTROIT looks in the Arbogast Propers:


5. Lalemant Propers

If you require the absolute simplest Mass Propers, try the musical settings in the Lalemant Propers. The entire book (391 pages) can be downloaded for free.

Here’s how the PENTECOST INTROIT looks in the Lalemant Propers:


We have examined simple musical settings of the Propers, mainly in English, but it should be noted that before the Second Vatican Council, many simplified versions were also done in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The translator desires in conclusion to protest that if, (which he hopes and believes is not the case,) either the translation itself, or the footnotes, should contain anything which a faithful Catholic ought not to have written, he has written such passage inadvertently.”

— John Crichton-Stuart (27 June 1879)

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