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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Distracting Prayer of the Faithful

Dr. Peter Kwasniewski · May 16, 2013

N THE SPIRIT OF THE Reform of the Reform, one might well question the role of the Prayer of the Faithful (or General Intercessions) in the new Mass. A motley collection of petitions, usually poorly written and even more poorly read, disturbs the natural flow of the liturgy as it proceeds from the readings into the Profession of Faith, which is the natural response to God’s revelation of Himself, and into the Offertory. The homily already threatens to disturb the liturgical flow, because it represents more the temporal human axis of liturgy, but a good homily need not last for more than a few minutes, and if it is truly good, it has whetted the soul’s appetite for the Bread of Life through pondering the Word of God. With the solemn chanting of the Creed, the eternal divine axis of the liturgy decisively reasserts itself, as the soul exercises the gift of faith and prepares to bring gifts to the altar, where the Lord will transform them into the gift of Himself. Seen from “above,” looking at the structure and flow of the liturgical action, the intercessory prayers mark a most awkward caesura in the liturgical action.

It is different in the Good Friday liturgy because this liturgy is already radically different from the form that evolved for the other days of the year. The public intercessory prayers have all the more power and force for being specially and solemnly recited on Good Friday, the day on which we recall the historical event of the Lord’s sacrifice and death. One is almost knocked over by the power of the Good Friday liturgy; one only waters down its forcefulness by borrowing its features and distributing them widely, albeit superficially, throughout the year.

One can make a similar argument regarding the low Mass and the Requiem, which served as models for the Novus Ordo. As long as they were done in their own limited context, the low Mass and the Requiem perfectly served their purposes. As soon as certain features of the Requiem low Mass became the standard Mass, the balance was destroyed. If the reformers were so concerned about the hegemony of the merely recited Mass and the daily Mass for the Dead, they should have found intelligent ways to limit these practices rather than effectively allowing them to take over completely. Nowadays, almost every Mass is a low Mass, and the Mass for the Dead itself has been “lowered” to such an extent that it seldom seems to be what it actually is. Even the qualities that were precious in the low Mass and Requiem were destroyed, ironically by taking the “low” elements and lowering them as far as possible without vitiating the validity of the Mass as such.

Returning to the intercessory prayers: it is unnecessary to establish a separate part of the liturgy for them as long as one retains (as one should) the Roman Canon, with its beautiful intercessions for the Church, the Pope, the Bishop, priests, and the people, and, after consecration, for the faithful departed. There is a pause at the Memento, Domine, famularum famulorumque tuorum for remembering those for whom we have promised to pray and “all those dear” to us. Once more, the Placeat tibi is intercessory, and rightly so: it brings to a full close the majestic action of the sacrifice begun at the Suscipe, Domine and tracing an arc whose apogee is the elevation and whose perigee, if I may so speak, is the Domine, non sum dignus, when the glorified Lamb of God, of infinite holiness, is besought to heal our souls, that he may enter and make His dwelling there. The end joins to the beginning in a cycle that is not Nietzsche’s despairing eternal recurrence but the joyous certainty of faith: He who created the world at the beginning, He who re-created it by His incarnation, will come again in glory to judge the living and the dead, and will give to His faithful servants the reward of everlasting happiness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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