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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Distracting Prayer of the Faithful

Dr. Peter Kwasniewski · May 16, 2013

N THE SPIRIT OF THE Reform of the Reform, one might well question the role of the Prayer of the Faithful (or General Intercessions) in the new Mass. A motley collection of petitions, usually poorly written and even more poorly read, disturbs the natural flow of the liturgy as it proceeds from the readings into the Profession of Faith, which is the natural response to God’s revelation of Himself, and into the Offertory. The homily already threatens to disturb the liturgical flow, because it represents more the temporal human axis of liturgy, but a good homily need not last for more than a few minutes, and if it is truly good, it has whetted the soul’s appetite for the Bread of Life through pondering the Word of God. With the solemn chanting of the Creed, the eternal divine axis of the liturgy decisively reasserts itself, as the soul exercises the gift of faith and prepares to bring gifts to the altar, where the Lord will transform them into the gift of Himself. Seen from “above,” looking at the structure and flow of the liturgical action, the intercessory prayers mark a most awkward caesura in the liturgical action.

It is different in the Good Friday liturgy because this liturgy is already radically different from the form that evolved for the other days of the year. The public intercessory prayers have all the more power and force for being specially and solemnly recited on Good Friday, the day on which we recall the historical event of the Lord’s sacrifice and death. One is almost knocked over by the power of the Good Friday liturgy; one only waters down its forcefulness by borrowing its features and distributing them widely, albeit superficially, throughout the year.

One can make a similar argument regarding the low Mass and the Requiem, which served as models for the Novus Ordo. As long as they were done in their own limited context, the low Mass and the Requiem perfectly served their purposes. As soon as certain features of the Requiem low Mass became the standard Mass, the balance was destroyed. If the reformers were so concerned about the hegemony of the merely recited Mass and the daily Mass for the Dead, they should have found intelligent ways to limit these practices rather than effectively allowing them to take over completely. Nowadays, almost every Mass is a low Mass, and the Mass for the Dead itself has been “lowered” to such an extent that it seldom seems to be what it actually is. Even the qualities that were precious in the low Mass and Requiem were destroyed, ironically by taking the “low” elements and lowering them as far as possible without vitiating the validity of the Mass as such.

Returning to the intercessory prayers: it is unnecessary to establish a separate part of the liturgy for them as long as one retains (as one should) the Roman Canon, with its beautiful intercessions for the Church, the Pope, the Bishop, priests, and the people, and, after consecration, for the faithful departed. There is a pause at the Memento, Domine, famularum famulorumque tuorum for remembering those for whom we have promised to pray and “all those dear” to us. Once more, the Placeat tibi is intercessory, and rightly so: it brings to a full close the majestic action of the sacrifice begun at the Suscipe, Domine and tracing an arc whose apogee is the elevation and whose perigee, if I may so speak, is the Domine, non sum dignus, when the glorified Lamb of God, of infinite holiness, is besought to heal our souls, that he may enter and make His dwelling there. The end joins to the beginning in a cycle that is not Nietzsche’s despairing eternal recurrence but the joyous certainty of faith: He who created the world at the beginning, He who re-created it by His incarnation, will come again in glory to judge the living and the dead, and will give to His faithful servants the reward of everlasting happiness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.”

— ‘Rev. Adrian Fortescue (THE MASS, page 397)’

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