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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An FYI on EP in the OF – Introduction

Andrew R. Motyka · May 15, 2013

o you’ve been asked to plan Evening Prayer (aka “Vespers”) at your parish. This is a wonderful opportunity for common prayer in your community, and is strongly recommended by the Church:

Where possible, the principal Hours should be celebrated communally in church by other groups of the faithful. The most important of these groups are the local parishes – the cells of the diocese – established under a pastor acting for the bishop. These “represent in some degree the visible Church established throughout the world.” (General Instruction on the Liturgy of the Hours #21)

The only problem is that you have no idea how this is supposed to go. Sure, you’re picked up the latest edition of Magnificat, or maybe even have a book of Christian Prayer. However, you’re a music director, and you’ve never sung Vespers before. What do you do? Let’s take a walk through Evening Prayer in the Ordinary Form, and offer some good suggestions (that are by no means exhaustive) to use in St. Joe Schmoe’s Average Parish.

Note: If you’ve been asked to prepare sung Morning Prayer, you’re in luck. It is identical to Evening Prayer in every way except for the Gospel Canticle, which is the Canticle of Zechariah in the morning where it is the Canticle of Mary in the evening. Also, Morning Prayer takes place in the morning instead of the evening, in case you need everything laid out for you.

The order of liturgy (and yes, Evening Prayer is liturgy) follows:

Introduction
Hymn
1st Psalm
2nd Psalm
Canticle
Reading
(Homily)
Responsory
Gospel Canticle (Canticle of Mary, AKA the Magnificat)
Intercessions
Our Father
Prayer
Conclusion

The first thing you might notice is that there is neither an entrance nor a concluding procession. That is simply because, in the Liturgy of the Hours, there is not the same significance of a priest’s entrance as there is in the Holy Sacrifice of the Mass. A celebration of Evening Prayer does not require a priest or deacon at all. However, if a priest or deacon leads the prayer, there are slight differences in the liturgy, especially at the introduction and conclusion.

The second thing I would call your attention to is the fact that nearly all, if not all, of this liturgy is sung. The Liturgy of the Hours is sung prayer, especially because they are primarily marked by the proclamation of the Psalms, which are the Church’s song. Keep this in mind as you prepare for this liturgy. Historically, Evening Prayer has been the focus of much effort on the part of composers, more so than any other Hour of the day. This is primarily because it took place at the end of the day, when workers could easily attend the rite, and is evidenced by the overwhelming number of choral Magnificats, which greatly outnumber their counterpart canticles in the other Hours.

Next week, we will begin with suggestions on how to handle the first parts of Evening Prayer: the introduction, Hymn, and Psalms. This is where the real “meat” of Evening Prayer is, and there are lots of options for good celebration.

For Part 1 of the series, please click HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

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  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?

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