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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An FYI on EP in the OF – Introduction

Andrew R. Motyka · May 15, 2013

o you’ve been asked to plan Evening Prayer (aka “Vespers”) at your parish. This is a wonderful opportunity for common prayer in your community, and is strongly recommended by the Church:

Where possible, the principal Hours should be celebrated communally in church by other groups of the faithful. The most important of these groups are the local parishes – the cells of the diocese – established under a pastor acting for the bishop. These “represent in some degree the visible Church established throughout the world.” (General Instruction on the Liturgy of the Hours #21)

The only problem is that you have no idea how this is supposed to go. Sure, you’re picked up the latest edition of Magnificat, or maybe even have a book of Christian Prayer. However, you’re a music director, and you’ve never sung Vespers before. What do you do? Let’s take a walk through Evening Prayer in the Ordinary Form, and offer some good suggestions (that are by no means exhaustive) to use in St. Joe Schmoe’s Average Parish.

Note: If you’ve been asked to prepare sung Morning Prayer, you’re in luck. It is identical to Evening Prayer in every way except for the Gospel Canticle, which is the Canticle of Zechariah in the morning where it is the Canticle of Mary in the evening. Also, Morning Prayer takes place in the morning instead of the evening, in case you need everything laid out for you.

The order of liturgy (and yes, Evening Prayer is liturgy) follows:

Introduction
Hymn
1st Psalm
2nd Psalm
Canticle
Reading
(Homily)
Responsory
Gospel Canticle (Canticle of Mary, AKA the Magnificat)
Intercessions
Our Father
Prayer
Conclusion

The first thing you might notice is that there is neither an entrance nor a concluding procession. That is simply because, in the Liturgy of the Hours, there is not the same significance of a priest’s entrance as there is in the Holy Sacrifice of the Mass. A celebration of Evening Prayer does not require a priest or deacon at all. However, if a priest or deacon leads the prayer, there are slight differences in the liturgy, especially at the introduction and conclusion.

The second thing I would call your attention to is the fact that nearly all, if not all, of this liturgy is sung. The Liturgy of the Hours is sung prayer, especially because they are primarily marked by the proclamation of the Psalms, which are the Church’s song. Keep this in mind as you prepare for this liturgy. Historically, Evening Prayer has been the focus of much effort on the part of composers, more so than any other Hour of the day. This is primarily because it took place at the end of the day, when workers could easily attend the rite, and is evidenced by the overwhelming number of choral Magnificats, which greatly outnumber their counterpart canticles in the other Hours.

Next week, we will begin with suggestions on how to handle the first parts of Evening Prayer: the introduction, Hymn, and Psalms. This is where the real “meat” of Evening Prayer is, and there are lots of options for good celebration.

For Part 1 of the series, please click HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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