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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

An FYI on EP in the OF – Introduction

Andrew R. Motyka · May 15, 2013

o you’ve been asked to plan Evening Prayer (aka “Vespers”) at your parish. This is a wonderful opportunity for common prayer in your community, and is strongly recommended by the Church:

Where possible, the principal Hours should be celebrated communally in church by other groups of the faithful. The most important of these groups are the local parishes – the cells of the diocese – established under a pastor acting for the bishop. These “represent in some degree the visible Church established throughout the world.” (General Instruction on the Liturgy of the Hours #21)

The only problem is that you have no idea how this is supposed to go. Sure, you’re picked up the latest edition of Magnificat, or maybe even have a book of Christian Prayer. However, you’re a music director, and you’ve never sung Vespers before. What do you do? Let’s take a walk through Evening Prayer in the Ordinary Form, and offer some good suggestions (that are by no means exhaustive) to use in St. Joe Schmoe’s Average Parish.

Note: If you’ve been asked to prepare sung Morning Prayer, you’re in luck. It is identical to Evening Prayer in every way except for the Gospel Canticle, which is the Canticle of Zechariah in the morning where it is the Canticle of Mary in the evening. Also, Morning Prayer takes place in the morning instead of the evening, in case you need everything laid out for you.

The order of liturgy (and yes, Evening Prayer is liturgy) follows:

Introduction
Hymn
1st Psalm
2nd Psalm
Canticle
Reading
(Homily)
Responsory
Gospel Canticle (Canticle of Mary, AKA the Magnificat)
Intercessions
Our Father
Prayer
Conclusion

The first thing you might notice is that there is neither an entrance nor a concluding procession. That is simply because, in the Liturgy of the Hours, there is not the same significance of a priest’s entrance as there is in the Holy Sacrifice of the Mass. A celebration of Evening Prayer does not require a priest or deacon at all. However, if a priest or deacon leads the prayer, there are slight differences in the liturgy, especially at the introduction and conclusion.

The second thing I would call your attention to is the fact that nearly all, if not all, of this liturgy is sung. The Liturgy of the Hours is sung prayer, especially because they are primarily marked by the proclamation of the Psalms, which are the Church’s song. Keep this in mind as you prepare for this liturgy. Historically, Evening Prayer has been the focus of much effort on the part of composers, more so than any other Hour of the day. This is primarily because it took place at the end of the day, when workers could easily attend the rite, and is evidenced by the overwhelming number of choral Magnificats, which greatly outnumber their counterpart canticles in the other Hours.

Next week, we will begin with suggestions on how to handle the first parts of Evening Prayer: the introduction, Hymn, and Psalms. This is where the real “meat” of Evening Prayer is, and there are lots of options for good celebration.

For Part 1 of the series, please click HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

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