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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Round Yon Virgin

Fr. David Friel · May 12, 2013

URELY, YOU HAVE SEEN the painting of two arms outstretched toward one another, with the fingertips not quite touching each other. That scene is one of the centerpieces of the ceiling artwork in the Sistine Chapel. One of the two arms in the fresco is the right arm of God the Father, and the other is the arm of Adam, the first man. The artist rather dramatically depicts through those arms the passionate love of God, Who, ever since creating man, has constantly been reaching out to us.

Where is God’s other arm? We usually only see a cropped image of the two hands, but have you ever looked at the fuller panel to see what God the Father is doing with His left hand? What we see is this: God’s left arm is around the shoulder of a mother holding her child. That’s a remarkable detail! Michelangelo is teaching us that, even as God creates mankind and reaches out to us, He has already thought of, and in fact is embracing, the mother & child.

Motherhood is one of the great ideas God had for the world when He fashioned it, and every one of us has been the beneficiary. There is no way into this world without a mother—not even for the Son of God, Himself. The topic of motherhood makes me think of the long prayer Jesus prayed the night before He died, on the first Holy Thursday. I have a favorite line from that prayer. Jesus, speaking to His Father about us, says this: “Father, they are your gift to Me. I wish that where I am they also may be with me.” That is the way Jesus honestly thinks about us, His children, His sheep, His people. He considers us a gift!

Can’t you hear that line being spoken by your mother? Whether you’re an only child or one of 10, every mother worthy of the name would say the same thing about her children: “Father, they are your gift to me. I wish that where I am they also may be with me.” In so many ways, our society no longer sees children as a gift, and that is tragic. We need to reclaim the sense that children are pure gift—not an entitlement, not a burden, not something to be avoided, not to be taken advantage of or mistreated, and certainly not a choice. We also need to reclaim a healthy veneration for the role of mothers, since nothing could ever replace a good mother—no man, no machine, and no government program. Mothers are indispensable because of the love they bring into the world. Is there any warmer image—any image that better captures love & peace & joy—than the image of a mother holding her child?

The universal Church places just such an image before us. Today, the secular world celebrates Mother’s Day, which is a good & worthy celebration. But, in the Church, every year throughout the month of May, we honor the one great Mother whom we all mutually share. In so many statues and images of the Blessed Mother, we recognize the innate beauty of the Mother holding her Child. In my home parish growing up, our statue of Mary also showed her holding the brown scapular. For me personally, I wear the brown scapular as a daily reminder to me that Mary is, in fact, my Mother, and that I am a child in her arms. If you have never worn the scapular, I encourage you to be invested in it.

Some people think we Catholics focus too much on Mary. Many of our Protestant brothers & sisters think we are Mary worshippers. But those charges don’t make sense. For the same reason the world today recognizes natural mothers, the Church every May (and all year long) celebrates the gift of supernatural motherhood. In the words of St. Maximilian Kolbe: “ Do not be afraid to love the Immaculata too much, because we could never equal the love that Jesus has for her.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

Recent Posts

  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”

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