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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Round Yon Virgin

Fr. David Friel · May 12, 2013

URELY, YOU HAVE SEEN the painting of two arms outstretched toward one another, with the fingertips not quite touching each other. That scene is one of the centerpieces of the ceiling artwork in the Sistine Chapel. One of the two arms in the fresco is the right arm of God the Father, and the other is the arm of Adam, the first man. The artist rather dramatically depicts through those arms the passionate love of God, Who, ever since creating man, has constantly been reaching out to us.

Where is God’s other arm? We usually only see a cropped image of the two hands, but have you ever looked at the fuller panel to see what God the Father is doing with His left hand? What we see is this: God’s left arm is around the shoulder of a mother holding her child. That’s a remarkable detail! Michelangelo is teaching us that, even as God creates mankind and reaches out to us, He has already thought of, and in fact is embracing, the mother & child.

Motherhood is one of the great ideas God had for the world when He fashioned it, and every one of us has been the beneficiary. There is no way into this world without a mother—not even for the Son of God, Himself. The topic of motherhood makes me think of the long prayer Jesus prayed the night before He died, on the first Holy Thursday. I have a favorite line from that prayer. Jesus, speaking to His Father about us, says this: “Father, they are your gift to Me. I wish that where I am they also may be with me.” That is the way Jesus honestly thinks about us, His children, His sheep, His people. He considers us a gift!

Can’t you hear that line being spoken by your mother? Whether you’re an only child or one of 10, every mother worthy of the name would say the same thing about her children: “Father, they are your gift to me. I wish that where I am they also may be with me.” In so many ways, our society no longer sees children as a gift, and that is tragic. We need to reclaim the sense that children are pure gift—not an entitlement, not a burden, not something to be avoided, not to be taken advantage of or mistreated, and certainly not a choice. We also need to reclaim a healthy veneration for the role of mothers, since nothing could ever replace a good mother—no man, no machine, and no government program. Mothers are indispensable because of the love they bring into the world. Is there any warmer image—any image that better captures love & peace & joy—than the image of a mother holding her child?

The universal Church places just such an image before us. Today, the secular world celebrates Mother’s Day, which is a good & worthy celebration. But, in the Church, every year throughout the month of May, we honor the one great Mother whom we all mutually share. In so many statues and images of the Blessed Mother, we recognize the innate beauty of the Mother holding her Child. In my home parish growing up, our statue of Mary also showed her holding the brown scapular. For me personally, I wear the brown scapular as a daily reminder to me that Mary is, in fact, my Mother, and that I am a child in her arms. If you have never worn the scapular, I encourage you to be invested in it.

Some people think we Catholics focus too much on Mary. Many of our Protestant brothers & sisters think we are Mary worshippers. But those charges don’t make sense. For the same reason the world today recognizes natural mothers, the Church every May (and all year long) celebrates the gift of supernatural motherhood. In the words of St. Maximilian Kolbe: “ Do not be afraid to love the Immaculata too much, because we could never equal the love that Jesus has for her.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

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