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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Live for the Moment

Andrew R. Motyka · May 1, 2013

S SOMEONE WHO WENT TO HIGH SCHOOL in the 90s, I am quite familiar with the cliché, “live for the moment.” It was everywhere when I was young: this mentality that we need to forget about tomorrow and live it up today, and I thought it silly. How interesting that, liturgically, I think the exact opposite now.

Something odd struck me when I was watching the recent election of Pope Francis on television. There were thousands of people gathered in St. Peter’s Square, and almost every one of them was holding a smart phone or tablet, recording the proceedings. The people weren’t content just to be there; they wanted to record the event for posterity.

There is nothing wrong with this particular instinct. It seems quite human to me. When you witness something historical, beautiful, or otherwise remarkable, you want to save that moment, preserve it so you can revisit it in the future. How many blogs have you seen with extensive pictures or video of a particularly beautiful Mass, or a truly prayerful liturgical song?

What worries me about this phenomenon is not the technological novelty of it. I’ve wanted the kids to get off my lawn long before the smart phone. What troubles me is the inability to exist in a beautiful moment for its own sake. For every video or picture of a beautiful liturgy you see online, there was an individual standing, at Mass, recording it. When we watched the announcement of Pope Francis on TV, we were witnessing history. I couldn’t help but think, “Oh, I wish I could be there.” But then, most everyone there wasn’t really taking in what was going on around them; they were viewing it through a camera lens.

Nowhere is this phenomenon more evident than at the Nuptial Mass. Since more people dive right into the Big Business of weddings, there is almost no awareness of liturgical presence at all. Every single aspect of most weddings is scripted, right down to “fake exits” to get just the right picture. That’s not real. That’s not liturgy. That’s posing for an event that never happened. There’s a reason why many couples say, in hindsight, that they remember very few things about their wedding day. It is because they didn’t worship, didn’t celebrate, and didn’t live. They posed for pictures to be experienced on a later date.

The earthly liturgy exists in time. It is a temporal experience. Sure, it is a participation in the eternal heavenly liturgy, but we do not directly experience that timelessness. Ask any choir, and they’ll tell you that one of the greatest and simultaneously most frustrating aspects of liturgical music is that you prepare quite some time to execute a piece, then you sing it at Mass, and then it’s done. There’s another Mass next week to prepare for, and unlike Broadway, there’s no second show tomorrow.

How much more do we need to allow ourselves to become absorbed in the temporality of liturgy? Focus on the beauty of music, of art, of Word, and of the miracle going on at Mass. You get, maybe, an hour to 90 minutes of the Mass on a Sunday. Exist in the moment, and enjoy the short glimpse of eternity you get. Stop worrying about recording it for later; the liturgy, like music, exists in time. Stop being an observer and be a participant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

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