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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Live for the Moment

Andrew R. Motyka · May 1, 2013

S SOMEONE WHO WENT TO HIGH SCHOOL in the 90s, I am quite familiar with the cliché, “live for the moment.” It was everywhere when I was young: this mentality that we need to forget about tomorrow and live it up today, and I thought it silly. How interesting that, liturgically, I think the exact opposite now.

Something odd struck me when I was watching the recent election of Pope Francis on television. There were thousands of people gathered in St. Peter’s Square, and almost every one of them was holding a smart phone or tablet, recording the proceedings. The people weren’t content just to be there; they wanted to record the event for posterity.

There is nothing wrong with this particular instinct. It seems quite human to me. When you witness something historical, beautiful, or otherwise remarkable, you want to save that moment, preserve it so you can revisit it in the future. How many blogs have you seen with extensive pictures or video of a particularly beautiful Mass, or a truly prayerful liturgical song?

What worries me about this phenomenon is not the technological novelty of it. I’ve wanted the kids to get off my lawn long before the smart phone. What troubles me is the inability to exist in a beautiful moment for its own sake. For every video or picture of a beautiful liturgy you see online, there was an individual standing, at Mass, recording it. When we watched the announcement of Pope Francis on TV, we were witnessing history. I couldn’t help but think, “Oh, I wish I could be there.” But then, most everyone there wasn’t really taking in what was going on around them; they were viewing it through a camera lens.

Nowhere is this phenomenon more evident than at the Nuptial Mass. Since more people dive right into the Big Business of weddings, there is almost no awareness of liturgical presence at all. Every single aspect of most weddings is scripted, right down to “fake exits” to get just the right picture. That’s not real. That’s not liturgy. That’s posing for an event that never happened. There’s a reason why many couples say, in hindsight, that they remember very few things about their wedding day. It is because they didn’t worship, didn’t celebrate, and didn’t live. They posed for pictures to be experienced on a later date.

The earthly liturgy exists in time. It is a temporal experience. Sure, it is a participation in the eternal heavenly liturgy, but we do not directly experience that timelessness. Ask any choir, and they’ll tell you that one of the greatest and simultaneously most frustrating aspects of liturgical music is that you prepare quite some time to execute a piece, then you sing it at Mass, and then it’s done. There’s another Mass next week to prepare for, and unlike Broadway, there’s no second show tomorrow.

How much more do we need to allow ourselves to become absorbed in the temporality of liturgy? Focus on the beauty of music, of art, of Word, and of the miracle going on at Mass. You get, maybe, an hour to 90 minutes of the Mass on a Sunday. Exist in the moment, and enjoy the short glimpse of eternity you get. Stop worrying about recording it for later; the liturgy, like music, exists in time. Stop being an observer and be a participant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

I want to say one thing to you strongly, especially today: virginity for the Kingdom of God is not a “no,” it is a “yes!”

— Pope Francis (10/4/2013)

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  • PDF Download • “Anima Christi”

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