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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Live for the Moment

Andrew R. Motyka · May 1, 2013

S SOMEONE WHO WENT TO HIGH SCHOOL in the 90s, I am quite familiar with the cliché, “live for the moment.” It was everywhere when I was young: this mentality that we need to forget about tomorrow and live it up today, and I thought it silly. How interesting that, liturgically, I think the exact opposite now.

Something odd struck me when I was watching the recent election of Pope Francis on television. There were thousands of people gathered in St. Peter’s Square, and almost every one of them was holding a smart phone or tablet, recording the proceedings. The people weren’t content just to be there; they wanted to record the event for posterity.

There is nothing wrong with this particular instinct. It seems quite human to me. When you witness something historical, beautiful, or otherwise remarkable, you want to save that moment, preserve it so you can revisit it in the future. How many blogs have you seen with extensive pictures or video of a particularly beautiful Mass, or a truly prayerful liturgical song?

What worries me about this phenomenon is not the technological novelty of it. I’ve wanted the kids to get off my lawn long before the smart phone. What troubles me is the inability to exist in a beautiful moment for its own sake. For every video or picture of a beautiful liturgy you see online, there was an individual standing, at Mass, recording it. When we watched the announcement of Pope Francis on TV, we were witnessing history. I couldn’t help but think, “Oh, I wish I could be there.” But then, most everyone there wasn’t really taking in what was going on around them; they were viewing it through a camera lens.

Nowhere is this phenomenon more evident than at the Nuptial Mass. Since more people dive right into the Big Business of weddings, there is almost no awareness of liturgical presence at all. Every single aspect of most weddings is scripted, right down to “fake exits” to get just the right picture. That’s not real. That’s not liturgy. That’s posing for an event that never happened. There’s a reason why many couples say, in hindsight, that they remember very few things about their wedding day. It is because they didn’t worship, didn’t celebrate, and didn’t live. They posed for pictures to be experienced on a later date.

The earthly liturgy exists in time. It is a temporal experience. Sure, it is a participation in the eternal heavenly liturgy, but we do not directly experience that timelessness. Ask any choir, and they’ll tell you that one of the greatest and simultaneously most frustrating aspects of liturgical music is that you prepare quite some time to execute a piece, then you sing it at Mass, and then it’s done. There’s another Mass next week to prepare for, and unlike Broadway, there’s no second show tomorrow.

How much more do we need to allow ourselves to become absorbed in the temporality of liturgy? Focus on the beauty of music, of art, of Word, and of the miracle going on at Mass. You get, maybe, an hour to 90 minutes of the Mass on a Sunday. Exist in the moment, and enjoy the short glimpse of eternity you get. Stop worrying about recording it for later; the liturgy, like music, exists in time. Stop being an observer and be a participant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

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