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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Live for the Moment

Andrew R. Motyka · May 1, 2013

S SOMEONE WHO WENT TO HIGH SCHOOL in the 90s, I am quite familiar with the cliché, “live for the moment.” It was everywhere when I was young: this mentality that we need to forget about tomorrow and live it up today, and I thought it silly. How interesting that, liturgically, I think the exact opposite now.

Something odd struck me when I was watching the recent election of Pope Francis on television. There were thousands of people gathered in St. Peter’s Square, and almost every one of them was holding a smart phone or tablet, recording the proceedings. The people weren’t content just to be there; they wanted to record the event for posterity.

There is nothing wrong with this particular instinct. It seems quite human to me. When you witness something historical, beautiful, or otherwise remarkable, you want to save that moment, preserve it so you can revisit it in the future. How many blogs have you seen with extensive pictures or video of a particularly beautiful Mass, or a truly prayerful liturgical song?

What worries me about this phenomenon is not the technological novelty of it. I’ve wanted the kids to get off my lawn long before the smart phone. What troubles me is the inability to exist in a beautiful moment for its own sake. For every video or picture of a beautiful liturgy you see online, there was an individual standing, at Mass, recording it. When we watched the announcement of Pope Francis on TV, we were witnessing history. I couldn’t help but think, “Oh, I wish I could be there.” But then, most everyone there wasn’t really taking in what was going on around them; they were viewing it through a camera lens.

Nowhere is this phenomenon more evident than at the Nuptial Mass. Since more people dive right into the Big Business of weddings, there is almost no awareness of liturgical presence at all. Every single aspect of most weddings is scripted, right down to “fake exits” to get just the right picture. That’s not real. That’s not liturgy. That’s posing for an event that never happened. There’s a reason why many couples say, in hindsight, that they remember very few things about their wedding day. It is because they didn’t worship, didn’t celebrate, and didn’t live. They posed for pictures to be experienced on a later date.

The earthly liturgy exists in time. It is a temporal experience. Sure, it is a participation in the eternal heavenly liturgy, but we do not directly experience that timelessness. Ask any choir, and they’ll tell you that one of the greatest and simultaneously most frustrating aspects of liturgical music is that you prepare quite some time to execute a piece, then you sing it at Mass, and then it’s done. There’s another Mass next week to prepare for, and unlike Broadway, there’s no second show tomorrow.

How much more do we need to allow ourselves to become absorbed in the temporality of liturgy? Focus on the beauty of music, of art, of Word, and of the miracle going on at Mass. You get, maybe, an hour to 90 minutes of the Mass on a Sunday. Exist in the moment, and enjoy the short glimpse of eternity you get. Stop worrying about recording it for later; the liturgy, like music, exists in time. Stop being an observer and be a participant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Those who teach Latin must know how to speak to the hearts of the young, know how to treasure the very rich heritage of the Latin tradition to educate them in the path of life, and accompany them along paths rich in hope and confidence.”

— Pope Francis (7 December 2017)

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