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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Say the Black. Do the Red—with Love.

Richard J. Clark · April 5, 2013

HERE IS FREQUENT TENSION and struggle with liturgy: excessive liturgical creativity can lead us to forget that God’s sacred initiative is taking place during the Holy Sacrifice of the Mass. Mass is not something that we do or that we make or that we create. Certainly the Mass takes work on our part (“leitourgia”, from the Greek meaning “the people’s duty/service”), but this should not lead us to the illusion that we are driving the agenda or that we are in charge. For God’s grace works in a very different direction.

As such, many of us have experienced liturgies that are far less than ideal, perhaps where the sanctuary becomes a stage and the congregation becomes an audience. Priests and musicians are guilty of this, often with words, actions, and music that point to ourselves rather than to God. We can easily get caught up in celebrating what we have done, and not what God has done for us.

So when things go badly, it is a good opportunity for catechesis—a teaching moment that can take root when delivered with kindness. With this comes teaching not only what is ideal, but why it is ideal. Read the Black. Do the Red, but with a heart of compassion and as a teacher. This is the work of a lifetime.

In doing so we must truly be mindful that the road to the ideal must travel through the hearts and minds of real flesh and blood. After all, it is human hearts we hope to reach. Therefore, if in our ministry we are not teaching love, then we have failed.

Yet, teaching love does not preclude implementing reform, fraternal correction, or discipline. Any parent or teacher knows that love demands this. A good leader knows this, teaching and leading by example. Implementing reform with love demands a tricky balance of offering leeway with strict “tough love.”

Reform must travel through human hearts and minds in such measure that it does not instill discouragement which often leads to abandonment and rejection of sacred values and principles. Love demands keeping those in our charge on the right course as best we can, for we too are only human. We may not always succeed, and we cannot control how others respond to our best efforts. However, a thoughtful and kind approach usually wins out over time. For navigating the rough uncharted waters of human nature is perhaps the biggest challenge we face as catechists.

We are reminded of Matthew 22:36-40: “Teacher, which is the greatest commandment in the Law? Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’ All the Law and the Prophets hang on these two commandments.”

Finally, in Blessed John Paul II’s 1998 Ad Limina Address to the Bishops of the United States, On Active Participation in the Liturgy he describes our very real human experience in the context of Divine Worship.:

“The universal Church is united in the one great act of praise; but it is always the worship of a particular community in a particular culture. It is the eternal worship of Heaven, but it is also steeped in time. It gathers and builds a human community, but it is also the worship of the Divine Majesty (Sacrosanctum Concilium, 33). It is subjective in that it depends radically upon what the worshippers bring to it; but it is objective in that it transcends them as the priestly act of Christ himself, to which he associates us but which ultimately does not depend upon us (ibid., 7).”

Here, he explains what is ideal:

“..it is so important that liturgical law be respected. The priest, who is the servant of the liturgy, not its inventor or producer, has a particular responsibility in this regard, lest he empty liturgy of its true meaning or obscure its sacred character.”

Here the Holy Father explains why this is ideal:

“The core of the mystery of Christian worship is the sacrifice of Christ offered to the Father and the work of the Risen Christ who sanctifies his People through the liturgical signs.”

Let us be mindful that it is God who does great things for us. It is Christ who sanctifies us in liturgical signs. It is God whom we bless, praise, adore, and glorify. It is God to whom we give thanks for his great glory!

We do all this because we love God and because we love each other, just as He commands.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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  • PDF • “Lectionary Comparison Chart”
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  • Monsignor Klaus Gamber Speaks!

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