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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Tale Of Two Monsignori: Schmitt & Vyverman

Jeff Ostrowski · April 22, 2013

EADERS KNOW very well my admiration for Flor Peeters and his associates at the Lemmens Institute, so I need not repeat that at this time. However, I need to remind readers the Lemmens Institute is located in a place called “Mechelen” in Belgium. It turns out “Mechelen” can also be written as “Mechlin” and “Malines,” depending on which language a person is using at the moment. In the article below, I notice that Msgr. Schmitt (who liked to be called “Father Schmitt”) spells the region as “Malignes.” Fr. Schmitt was a notoriously bad editor when it comes to spelling and proofreading (and he often made fun of his abilities in these areas). I’m not sure whether “Malignes” is technically a correct variant spelling or simply an error on his part. Very soon, this Blog will allow comments. If we had comments enabled right now, I’m sure some Dutch-speaker could tell me whether it was a typo. In any event, I thought it would be fun to use “Malign” in the subtitle (hence: Did Schmitt malign Vyverman of Malines?).

Here’s the article I spoke of by Fr. Schmitt:

* *  7521 • Article by Msgr. Frank Schmitt (Winter, 1962) [pdf]

As alluded to above, Msgr. Jules Vyverman was an associate of Flor Peeters at the Lemmens Institute. Vyverman contributed to the Nova Organi Harmonia, along with Msgr. Jules Van Nuffel, Marinus de Jong, Gustaaf Nees, Henri Durieux, and Father Edgard de Laet. A picture of Vyverman is in the upper right corner.

In Schmitt’s article, he mentions a chant method by Msgr. Vyverman. I’ve never seen it. I sure would like to obtain it someday.

As I was reading, I saw that Schmitt spelled Joseph Gogniat as Joseph Cogniat. I thought to myself, “Ouch, there’s a typo.” Reading more, I saw that Schmitt spelled Gogniat as Cogniat a second time. That would seem to indicate he truly forgot Gogniat’s name, which is really odd considering Schmitt’s admiration for Dr. Peter Wagner and his student (Gogniat).

P.S.

Don’t be to bothered by Schmitt’s attacks on the Solesmes ictus. This is a constant theme (obsession?) with him. It would have been better for Schmitt to have simply said, “I don’t like the ictus. I don’t find it helpful to make my choirs sing beautifully.” Instead, he chose to write volume after volume about the ictus. In the end, it made very little difference. Schmitt pushed for Rembert Weakland to be CMAA President. (Weakland is a disgraced Catholic bishop who did tremendous harm to the Catholic Church). Schmitt thought having a bishop as President would make the Conference of Catholic Bishops listen to the CMAA. It totally backfired. Weakland ended up pushing for the “hootenanny Mass” and I think he only lasted one year as CMAA President.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Francis P Schmitt Last Updated: September 13, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“After a discussion lasting several days, in which arguments for and against were discussed, the Council fathers came to the clear conclusion—wholly in agreement with the Council of Trent—that Latin must be retained as the language of cult in the Latin rite, although exceptional cases were possible and even welcome.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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