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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

A Tale Of Two Monsignori: Schmitt & Vyverman

Jeff Ostrowski · April 22, 2013

EADERS KNOW very well my admiration for Flor Peeters and his associates at the Lemmens Institute, so I need not repeat that at this time. However, I need to remind readers the Lemmens Institute is located in a place called “Mechelen” in Belgium. It turns out “Mechelen” can also be written as “Mechlin” and “Malines,” depending on which language a person is using at the moment. In the article below, I notice that Msgr. Schmitt (who liked to be called “Father Schmitt”) spells the region as “Malignes.” Fr. Schmitt was a notoriously bad editor when it comes to spelling and proofreading (and he often made fun of his abilities in these areas). I’m not sure whether “Malignes” is technically a correct variant spelling or simply an error on his part. Very soon, this Blog will allow comments. If we had comments enabled right now, I’m sure some Dutch-speaker could tell me whether it was a typo. In any event, I thought it would be fun to use “Malign” in the subtitle (hence: Did Schmitt malign Vyverman of Malines?).

Here’s the article I spoke of by Fr. Schmitt:

* *  7521 • Article by Msgr. Frank Schmitt (Winter, 1962) [pdf]

As alluded to above, Msgr. Jules Vyverman was an associate of Flor Peeters at the Lemmens Institute. Vyverman contributed to the Nova Organi Harmonia, along with Msgr. Jules Van Nuffel, Marinus de Jong, Gustaaf Nees, Henri Durieux, and Father Edgard de Laet. A picture of Vyverman is in the upper right corner.

In Schmitt’s article, he mentions a chant method by Msgr. Vyverman. I’ve never seen it. I sure would like to obtain it someday.

As I was reading, I saw that Schmitt spelled Joseph Gogniat as Joseph Cogniat. I thought to myself, “Ouch, there’s a typo.” Reading more, I saw that Schmitt spelled Gogniat as Cogniat a second time. That would seem to indicate he truly forgot Gogniat’s name, which is really odd considering Schmitt’s admiration for Dr. Peter Wagner and his student (Gogniat).

P.S.

Don’t be to bothered by Schmitt’s attacks on the Solesmes ictus. This is a constant theme (obsession?) with him. It would have been better for Schmitt to have simply said, “I don’t like the ictus. I don’t find it helpful to make my choirs sing beautifully.” Instead, he chose to write volume after volume about the ictus. In the end, it made very little difference. Schmitt pushed for Rembert Weakland to be CMAA President. (Weakland is a disgraced Catholic bishop who did tremendous harm to the Catholic Church). Schmitt thought having a bishop as President would make the Conference of Catholic Bishops listen to the CMAA. It totally backfired. Weakland ended up pushing for the “hootenanny Mass” and I think he only lasted one year as CMAA President.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Francis P Schmitt Last Updated: September 13, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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