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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hope and Prayer in this Valley of Tears

Richard J. Clark · April 19, 2013

ORGIVE ME for continuing upon this topic. The parish where I work is within a few hundred yards of the fatal bombings at the Boston Marathon. Now we awake this morning to a massive manhunt for one of the bombing suspects. All of Boston is shut down, and authorities have ordered people to stay home. Today our hearts bleed for the MIT Police officer killed in the line of duty. We pray events today are resolved peacefully.

The realities of a grieving city on lockdown have touched everyone. St. Cecilia Church is within the “crime scene” radius, so we have had to pass through Military Police security to even get to the church. (Pictured here is St. Cecilia Church on lockdown—next to the Berklee College of Music—at the corner of Massachusetts Ave. and Belvidere Street. In the background is the Prudential Tower on Boylston Street near the finish line of the Boston Marathon.)

Police and military presence is everywhere. People on the streets are grateful for the job the police and National Guard are doing. Today, everyone is a little more patient with each other and far more aware of the preciousness of life.

As I mentioned here this past Monday, the presence of God has been beautifully evident in the extraordinary kindnesses and selfless concern that countless people have shown. When the first explosion went off, so many people ran TOWARDS the explosion to help. The second explosion came twelve seconds later. Again, more people ran TOWARDS the explosions to help the grievously wounded, with no regard for their own safety.

People opened their homes to strangers to house them and comfort them. Faith in humanity is restored, with no question to the selfless charity and love strangers showed each other. The Gospel lives in Boston.

But reality sinks in. Among the anguishing pain in the news are those that perished. The eight-year-old boy who died was a student at Pope John Paul II Academy in Dorchester, a place I recently visited to learn about its extraordinary music program for children. His sister sings in the same music program as my daughter. She and her mother were gravely injured as they waited for their father to cross the finish line. Many people of Boston love and respect this remarkable family whose lives are forever changed with the cruel burden of loss and suffering. Yet, there are so many more whose lives are irrevocably changed.

For all those whose lives are changed forever, our prayer is essential. For all those who grieve along with them, prayer is essential. We need to cry out to the Lord from the depths of our being. The Lord hears our anguish. Only from the depths can we find faith to rely upon God fully and completely for our existence—faith that He hears our call—faith that He will lift us up again.

And so, all the churches of Boston are open for prayer—including our Cathedral of the Holy Cross—for healing and for hope in this valley of tears.

So why is the sacred liturgy essential at the time, more than ever? The liturgy is not, what Pope Benedict XVI describes as “…not just a liturgical ‘game.’ It is meant to be indeed a logike latreia, the ‘logicizing’ of my existence, my interior contemporaneity with the Pasch of Christ and assimilated to God.” (Spirit of the Liturgy)

Pope Benedict XVI also describes how liturgy takes hold of our lives, and makes us “contemporary” with the Pasch of Christ.:

“In the first stage the eternal is embodied in what is once-for-all. The second stage is the entry of the eternal into our present moment in the liturgical action. And the third stage is the desire of the eternal to take hold of the worshipper’s life and ultimately of all historical reality. The immediate event—the liturgy—makes sense and has a meaning for our lives only because it contains the other two dimensions.” (ibid.)

Then, in a most profound reality, Pope Benedict writes: “Mankind’s movement towards Christ meets Christ’s movement toward men.” (ibid.)

So, in Boston, we send up our sighs, our mourning, and our weeping in this valley of tears. We find hope in the encounter of the Gospel being lived out. Great suffering compels us to move towards Christ, and Christ in turn embraces us lovingly in his comforting embrace.

On a side note, I am proud of my choir that came to sing on short notice for a mass of Healing and Hope at St. Cecilia. I am profoundly proud of my choir that arrived early to pray the rosary before rehearsal before mass.

Please pray for those in need of great comfort, courage, and healing.

John 14:18 “I will not leave you comfortless: I will come to you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

“Vatican II did not say anything about the direction of the celebrant. […] I love both directions of celebrating Mass. Both are full of meaning for me. Both help me to encounter Christ—and that is, after all, the purpose of the liturgy.”

— Christoph Cardinal Schönborn (February 2007)

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  • Grotesque Pairing • “Passion Chorale”

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