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Views from the Choir Loft

Hope and Prayer in this Valley of Tears

Richard J. Clark · April 19, 2013

ORGIVE ME for continuing upon this topic. The parish where I work is within a few hundred yards of the fatal bombings at the Boston Marathon. Now we awake this morning to a massive manhunt for one of the bombing suspects. All of Boston is shut down, and authorities have ordered people to stay home. Today our hearts bleed for the MIT Police officer killed in the line of duty. We pray events today are resolved peacefully.

The realities of a grieving city on lockdown have touched everyone. St. Cecilia Church is within the “crime scene” radius, so we have had to pass through Military Police security to even get to the church. (Pictured here is St. Cecilia Church on lockdown—next to the Berklee College of Music—at the corner of Massachusetts Ave. and Belvidere Street. In the background is the Prudential Tower on Boylston Street near the finish line of the Boston Marathon.)

Police and military presence is everywhere. People on the streets are grateful for the job the police and National Guard are doing. Today, everyone is a little more patient with each other and far more aware of the preciousness of life.

As I mentioned here this past Monday, the presence of God has been beautifully evident in the extraordinary kindnesses and selfless concern that countless people have shown. When the first explosion went off, so many people ran TOWARDS the explosion to help. The second explosion came twelve seconds later. Again, more people ran TOWARDS the explosions to help the grievously wounded, with no regard for their own safety.

People opened their homes to strangers to house them and comfort them. Faith in humanity is restored, with no question to the selfless charity and love strangers showed each other. The Gospel lives in Boston.

But reality sinks in. Among the anguishing pain in the news are those that perished. The eight-year-old boy who died was a student at Pope John Paul II Academy in Dorchester, a place I recently visited to learn about its extraordinary music program for children. His sister sings in the same music program as my daughter. She and her mother were gravely injured as they waited for their father to cross the finish line. Many people of Boston love and respect this remarkable family whose lives are forever changed with the cruel burden of loss and suffering. Yet, there are so many more whose lives are irrevocably changed.

For all those whose lives are changed forever, our prayer is essential. For all those who grieve along with them, prayer is essential. We need to cry out to the Lord from the depths of our being. The Lord hears our anguish. Only from the depths can we find faith to rely upon God fully and completely for our existence—faith that He hears our call—faith that He will lift us up again.

And so, all the churches of Boston are open for prayer—including our Cathedral of the Holy Cross—for healing and for hope in this valley of tears.

So why is the sacred liturgy essential at the time, more than ever? The liturgy is not, what Pope Benedict XVI describes as “…not just a liturgical ‘game.’ It is meant to be indeed a logike latreia, the ‘logicizing’ of my existence, my interior contemporaneity with the Pasch of Christ and assimilated to God.” (Spirit of the Liturgy)

Pope Benedict XVI also describes how liturgy takes hold of our lives, and makes us “contemporary” with the Pasch of Christ.:

“In the first stage the eternal is embodied in what is once-for-all. The second stage is the entry of the eternal into our present moment in the liturgical action. And the third stage is the desire of the eternal to take hold of the worshipper’s life and ultimately of all historical reality. The immediate event—the liturgy—makes sense and has a meaning for our lives only because it contains the other two dimensions.” (ibid.)

Then, in a most profound reality, Pope Benedict writes: “Mankind’s movement towards Christ meets Christ’s movement toward men.” (ibid.)

So, in Boston, we send up our sighs, our mourning, and our weeping in this valley of tears. We find hope in the encounter of the Gospel being lived out. Great suffering compels us to move towards Christ, and Christ in turn embraces us lovingly in his comforting embrace.

On a side note, I am proud of my choir that came to sing on short notice for a mass of Healing and Hope at St. Cecilia. I am profoundly proud of my choir that arrived early to pray the rosary before rehearsal before mass.

Please pray for those in need of great comfort, courage, and healing.

John 14:18 “I will not leave you comfortless: I will come to you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

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