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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hope and Prayer in this Valley of Tears

Richard J. Clark · April 19, 2013

ORGIVE ME for continuing upon this topic. The parish where I work is within a few hundred yards of the fatal bombings at the Boston Marathon. Now we awake this morning to a massive manhunt for one of the bombing suspects. All of Boston is shut down, and authorities have ordered people to stay home. Today our hearts bleed for the MIT Police officer killed in the line of duty. We pray events today are resolved peacefully.

The realities of a grieving city on lockdown have touched everyone. St. Cecilia Church is within the “crime scene” radius, so we have had to pass through Military Police security to even get to the church. (Pictured here is St. Cecilia Church on lockdown—next to the Berklee College of Music—at the corner of Massachusetts Ave. and Belvidere Street. In the background is the Prudential Tower on Boylston Street near the finish line of the Boston Marathon.)

Police and military presence is everywhere. People on the streets are grateful for the job the police and National Guard are doing. Today, everyone is a little more patient with each other and far more aware of the preciousness of life.

As I mentioned here this past Monday, the presence of God has been beautifully evident in the extraordinary kindnesses and selfless concern that countless people have shown. When the first explosion went off, so many people ran TOWARDS the explosion to help. The second explosion came twelve seconds later. Again, more people ran TOWARDS the explosions to help the grievously wounded, with no regard for their own safety.

People opened their homes to strangers to house them and comfort them. Faith in humanity is restored, with no question to the selfless charity and love strangers showed each other. The Gospel lives in Boston.

But reality sinks in. Among the anguishing pain in the news are those that perished. The eight-year-old boy who died was a student at Pope John Paul II Academy in Dorchester, a place I recently visited to learn about its extraordinary music program for children. His sister sings in the same music program as my daughter. She and her mother were gravely injured as they waited for their father to cross the finish line. Many people of Boston love and respect this remarkable family whose lives are forever changed with the cruel burden of loss and suffering. Yet, there are so many more whose lives are irrevocably changed.

For all those whose lives are changed forever, our prayer is essential. For all those who grieve along with them, prayer is essential. We need to cry out to the Lord from the depths of our being. The Lord hears our anguish. Only from the depths can we find faith to rely upon God fully and completely for our existence—faith that He hears our call—faith that He will lift us up again.

And so, all the churches of Boston are open for prayer—including our Cathedral of the Holy Cross—for healing and for hope in this valley of tears.

So why is the sacred liturgy essential at the time, more than ever? The liturgy is not, what Pope Benedict XVI describes as “…not just a liturgical ‘game.’ It is meant to be indeed a logike latreia, the ‘logicizing’ of my existence, my interior contemporaneity with the Pasch of Christ and assimilated to God.” (Spirit of the Liturgy)

Pope Benedict XVI also describes how liturgy takes hold of our lives, and makes us “contemporary” with the Pasch of Christ.:

“In the first stage the eternal is embodied in what is once-for-all. The second stage is the entry of the eternal into our present moment in the liturgical action. And the third stage is the desire of the eternal to take hold of the worshipper’s life and ultimately of all historical reality. The immediate event—the liturgy—makes sense and has a meaning for our lives only because it contains the other two dimensions.” (ibid.)

Then, in a most profound reality, Pope Benedict writes: “Mankind’s movement towards Christ meets Christ’s movement toward men.” (ibid.)

So, in Boston, we send up our sighs, our mourning, and our weeping in this valley of tears. We find hope in the encounter of the Gospel being lived out. Great suffering compels us to move towards Christ, and Christ in turn embraces us lovingly in his comforting embrace.

On a side note, I am proud of my choir that came to sing on short notice for a mass of Healing and Hope at St. Cecilia. I am profoundly proud of my choir that arrived early to pray the rosary before rehearsal before mass.

Please pray for those in need of great comfort, courage, and healing.

John 14:18 “I will not leave you comfortless: I will come to you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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