• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Why Liturgical Bad Habits Must Be Broken

Dr. Peter Kwasniewski · April 11, 2013

UE TO THE PONTIFICATE of Benedict XVI, a steadily increasing number of Catholic clergy and faithful are increasingly likely to implement or request changes in the celebration of the liturgy so as to bring it more manifestly into continuity both with the great Catholic Tradition and with the obvious teaching of Vatican II and numerous postconciliar instructions. And predictably, there are members of the preceding generation who want to blow the whistle and say “Stop! You can’t do that. Even if you were right in what you’re asking for, we don’t want to alienate Catholics by suddenly changing the way things are being done.” And even the sympathetic will say: “We don’t want to make the same mistake as happened 40 years ago, when so many things were suddenly changed.” And perhaps now there will begin to be some who find in Pope Francis’s ars celebrandi a certain justification for the same attitude.

While one can certainly sympathize with a desire not to alienate or confuse, and while one must be gradual in making changes and careful in explaining them, it does seem that one must reject, lock, stock, and barrel, the underlying premise. To say “we don’t want to make the same mistake as happened 40 years ago by suddenly changing things” would be defensible if we were talking about indifferent matters, where the change is not from worse to better. But if what needs to be changed is itself an abuse, then the logic becomes: “We should not go from abuse to good use because it will alienate people, just as they were alienated when we went from good use to abuse.” Or: “Now that we are used to bad habits, we should not move too quickly back to good habits.” Good habits are meant to be made, bad habits are meant to be broken. The alcoholic does not benefit from toleration but from intolerance.

To not form people in a hermeneutic of continuity is to form them in a hermeneutic of rupture. There is no via media between continuity and rupture: you are either striving to follow all the teaching of the Council, the rubrics of the Ordinary Form, and documents such as Redemptionis Sacramentum, Sacramentum Caritatis, and Summorum Pontificum, or you are not so striving. To not act in favor of tradition is to act in favor of novelty, or at very least to allow novelty to prevail. Indeed, not acting is itself an action—at least an action of toleration or apparent approval. In this way, as the spiritual masters always tell us, not to be making progress is to be regressing. My argument about the liturgy is the same: if we do not correct abuses and improve our practices in accord with the mind of the Church, we are encouraging the permanence of those abuses and supporting ignorance or contempt of the mind of the Church.

“If we correct abuses and implement what Vatican II really asked for (such as that the faithful should be able to sing or say together in Latin the prayers of the Mass that belong to them), we will risk alienating some of the faithful!” Were bishops and priests worried about alienating the faithful back in the late sixties and early seventies? What of the large number of Catholics who simply quit going to church, either because they were disgusted by the changes, or felt that the whole thing no longer mattered, since it was all changing? In reality, what matters is the truth of the faith, not public opinion or approval. Catholics who are serious in their faith will understand the explanations given to them by their pastors and will remain Mass-goers; those who have a false understanding of the Church or of their place in it may, in fact, leave and never come back.

Have we, as a Church, forgotten what happens in chapter 6 of the Gospel of John? What did Jesus do when many left him because of his “hard sayings”? Did he run after them and plead with them that they should stay, because he didn’t really mean what he said? No, he let them go; indeed, he challenged the apostles: “Will you, too, leave me?” He was ready to let everyone go rather than compromise on the truth. It was Saint Peter who replied boldly that they would not leave him, for He has the words of everlasting life. Here we have the contrast between those who are Catholics for the right reason and those who are Catholics for the wrong reason. The liturgy is the most defining element of our very identity as Catholics. If it is messed up, our identity is messed up, our faith is messed up. When it is right, then it is that our faith and identity can be right.

Catholics have a right to a liturgy that is in accord with the mind of the Church and her tradition. In the long run, the Church is not built up and strengthened when her pastors ignore her conciliar teaching, repudiate her tradition, violate her rubrics and instructions, and merrily accept the status quo in all its mediocrity and disobedience. We see the Church thriving where she lovingly cultivates the memory of her Lord and of her life with him over the centuries, where she is stalwartly faithful to her laws and ideals, where she is sincere and consistent in practice, and where she gives herself body and soul to the demanding but liberating “work of God,” the sacred liturgy. Here is where renewal will begin, and nowhere else.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.