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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Liturgical Bad Habits Must Be Broken

Dr. Peter Kwasniewski · April 11, 2013

UE TO THE PONTIFICATE of Benedict XVI, a steadily increasing number of Catholic clergy and faithful are increasingly likely to implement or request changes in the celebration of the liturgy so as to bring it more manifestly into continuity both with the great Catholic Tradition and with the obvious teaching of Vatican II and numerous postconciliar instructions. And predictably, there are members of the preceding generation who want to blow the whistle and say “Stop! You can’t do that. Even if you were right in what you’re asking for, we don’t want to alienate Catholics by suddenly changing the way things are being done.” And even the sympathetic will say: “We don’t want to make the same mistake as happened 40 years ago, when so many things were suddenly changed.” And perhaps now there will begin to be some who find in Pope Francis’s ars celebrandi a certain justification for the same attitude.

While one can certainly sympathize with a desire not to alienate or confuse, and while one must be gradual in making changes and careful in explaining them, it does seem that one must reject, lock, stock, and barrel, the underlying premise. To say “we don’t want to make the same mistake as happened 40 years ago by suddenly changing things” would be defensible if we were talking about indifferent matters, where the change is not from worse to better. But if what needs to be changed is itself an abuse, then the logic becomes: “We should not go from abuse to good use because it will alienate people, just as they were alienated when we went from good use to abuse.” Or: “Now that we are used to bad habits, we should not move too quickly back to good habits.” Good habits are meant to be made, bad habits are meant to be broken. The alcoholic does not benefit from toleration but from intolerance.

To not form people in a hermeneutic of continuity is to form them in a hermeneutic of rupture. There is no via media between continuity and rupture: you are either striving to follow all the teaching of the Council, the rubrics of the Ordinary Form, and documents such as Redemptionis Sacramentum, Sacramentum Caritatis, and Summorum Pontificum, or you are not so striving. To not act in favor of tradition is to act in favor of novelty, or at very least to allow novelty to prevail. Indeed, not acting is itself an action—at least an action of toleration or apparent approval. In this way, as the spiritual masters always tell us, not to be making progress is to be regressing. My argument about the liturgy is the same: if we do not correct abuses and improve our practices in accord with the mind of the Church, we are encouraging the permanence of those abuses and supporting ignorance or contempt of the mind of the Church.

“If we correct abuses and implement what Vatican II really asked for (such as that the faithful should be able to sing or say together in Latin the prayers of the Mass that belong to them), we will risk alienating some of the faithful!” Were bishops and priests worried about alienating the faithful back in the late sixties and early seventies? What of the large number of Catholics who simply quit going to church, either because they were disgusted by the changes, or felt that the whole thing no longer mattered, since it was all changing? In reality, what matters is the truth of the faith, not public opinion or approval. Catholics who are serious in their faith will understand the explanations given to them by their pastors and will remain Mass-goers; those who have a false understanding of the Church or of their place in it may, in fact, leave and never come back.

Have we, as a Church, forgotten what happens in chapter 6 of the Gospel of John? What did Jesus do when many left him because of his “hard sayings”? Did he run after them and plead with them that they should stay, because he didn’t really mean what he said? No, he let them go; indeed, he challenged the apostles: “Will you, too, leave me?” He was ready to let everyone go rather than compromise on the truth. It was Saint Peter who replied boldly that they would not leave him, for He has the words of everlasting life. Here we have the contrast between those who are Catholics for the right reason and those who are Catholics for the wrong reason. The liturgy is the most defining element of our very identity as Catholics. If it is messed up, our identity is messed up, our faith is messed up. When it is right, then it is that our faith and identity can be right.

Catholics have a right to a liturgy that is in accord with the mind of the Church and her tradition. In the long run, the Church is not built up and strengthened when her pastors ignore her conciliar teaching, repudiate her tradition, violate her rubrics and instructions, and merrily accept the status quo in all its mediocrity and disobedience. We see the Church thriving where she lovingly cultivates the memory of her Lord and of her life with him over the centuries, where she is stalwartly faithful to her laws and ideals, where she is sincere and consistent in practice, and where she gives herself body and soul to the demanding but liberating “work of God,” the sacred liturgy. Here is where renewal will begin, and nowhere else.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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