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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Liturgical Bad Habits Must Be Broken

Dr. Peter Kwasniewski · April 11, 2013

UE TO THE PONTIFICATE of Benedict XVI, a steadily increasing number of Catholic clergy and faithful are increasingly likely to implement or request changes in the celebration of the liturgy so as to bring it more manifestly into continuity both with the great Catholic Tradition and with the obvious teaching of Vatican II and numerous postconciliar instructions. And predictably, there are members of the preceding generation who want to blow the whistle and say “Stop! You can’t do that. Even if you were right in what you’re asking for, we don’t want to alienate Catholics by suddenly changing the way things are being done.” And even the sympathetic will say: “We don’t want to make the same mistake as happened 40 years ago, when so many things were suddenly changed.” And perhaps now there will begin to be some who find in Pope Francis’s ars celebrandi a certain justification for the same attitude.

While one can certainly sympathize with a desire not to alienate or confuse, and while one must be gradual in making changes and careful in explaining them, it does seem that one must reject, lock, stock, and barrel, the underlying premise. To say “we don’t want to make the same mistake as happened 40 years ago by suddenly changing things” would be defensible if we were talking about indifferent matters, where the change is not from worse to better. But if what needs to be changed is itself an abuse, then the logic becomes: “We should not go from abuse to good use because it will alienate people, just as they were alienated when we went from good use to abuse.” Or: “Now that we are used to bad habits, we should not move too quickly back to good habits.” Good habits are meant to be made, bad habits are meant to be broken. The alcoholic does not benefit from toleration but from intolerance.

To not form people in a hermeneutic of continuity is to form them in a hermeneutic of rupture. There is no via media between continuity and rupture: you are either striving to follow all the teaching of the Council, the rubrics of the Ordinary Form, and documents such as Redemptionis Sacramentum, Sacramentum Caritatis, and Summorum Pontificum, or you are not so striving. To not act in favor of tradition is to act in favor of novelty, or at very least to allow novelty to prevail. Indeed, not acting is itself an action—at least an action of toleration or apparent approval. In this way, as the spiritual masters always tell us, not to be making progress is to be regressing. My argument about the liturgy is the same: if we do not correct abuses and improve our practices in accord with the mind of the Church, we are encouraging the permanence of those abuses and supporting ignorance or contempt of the mind of the Church.

“If we correct abuses and implement what Vatican II really asked for (such as that the faithful should be able to sing or say together in Latin the prayers of the Mass that belong to them), we will risk alienating some of the faithful!” Were bishops and priests worried about alienating the faithful back in the late sixties and early seventies? What of the large number of Catholics who simply quit going to church, either because they were disgusted by the changes, or felt that the whole thing no longer mattered, since it was all changing? In reality, what matters is the truth of the faith, not public opinion or approval. Catholics who are serious in their faith will understand the explanations given to them by their pastors and will remain Mass-goers; those who have a false understanding of the Church or of their place in it may, in fact, leave and never come back.

Have we, as a Church, forgotten what happens in chapter 6 of the Gospel of John? What did Jesus do when many left him because of his “hard sayings”? Did he run after them and plead with them that they should stay, because he didn’t really mean what he said? No, he let them go; indeed, he challenged the apostles: “Will you, too, leave me?” He was ready to let everyone go rather than compromise on the truth. It was Saint Peter who replied boldly that they would not leave him, for He has the words of everlasting life. Here we have the contrast between those who are Catholics for the right reason and those who are Catholics for the wrong reason. The liturgy is the most defining element of our very identity as Catholics. If it is messed up, our identity is messed up, our faith is messed up. When it is right, then it is that our faith and identity can be right.

Catholics have a right to a liturgy that is in accord with the mind of the Church and her tradition. In the long run, the Church is not built up and strengthened when her pastors ignore her conciliar teaching, repudiate her tradition, violate her rubrics and instructions, and merrily accept the status quo in all its mediocrity and disobedience. We see the Church thriving where she lovingly cultivates the memory of her Lord and of her life with him over the centuries, where she is stalwartly faithful to her laws and ideals, where she is sincere and consistent in practice, and where she gives herself body and soul to the demanding but liberating “work of God,” the sacred liturgy. Here is where renewal will begin, and nowhere else.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?

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