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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Participating Actively despite all of that Active Participation

Andrew R. Motyka · April 10, 2013

t’s something I’ve confessed more than once: my failure to engage in what is happening during the Mass. Despite the fact that I am singing, playing the organ, or conducting for almost half of the Mass, I often completely fail to participate. How can this be? Isn’t this what is meant by the “active participation” that is one of the liturgical goals of the Second Vatican Council? Isn’t the involvement of the laity in the liturgy a success? Well, yes, but not necessarily in the way you think.

What am I doing here, if this is my internal monologue:

Downbeat tenors, sopranos on two. Basses next, followed by altos. Offbeat entrances by basses, then tenors, altos, sopranos. Don’t forget to crescendo across the stong beat…

Why, I’m conducting the first phrase of Giovanni Croce’s O Sacrum Convivium this coming Sunday, the Third Sunday of Easter.

Do you know what I’m not doing? Praying:

O Sacred Banquet in which Christ is received…

Sure, you might argue that I am praying this piece in a different way than the congregation is, but I am not engaging the music, and certainly not the action of the liturgy, in the same way that the non-singer or non-director is. I’m working right now.

And that’s fine. We all have our jobs and our roles in liturgy. However, I’m a Catholic, too, and should be actively participating in the liturgy (there’s that phrase again). I should be praying. The question here is, “How do we engage the liturgy prayerfully when we’re busy doing all of the ‘things’ that need our attention?”

It isn’t easy. There are a few tips I’ve figured out over the years, but I can’t say I’ve mastered them. Here are some starting points, though:

1. Prepare for the liturgy.

Oh, why didn’t you say so? Here I’ve been just showing up and doing it all this time. Actually, what I mean is to take care of all of the mundane “extras” before the Mass begins. I make a binder that has every piece of my music in it, in order, so I don’t have to “fish” for a single thing once the Mass begins. This includes all of the hymns, ordinaries, choir pieces, and even organ interludes. Don’t leave anything to chance; the fewer non-liturgical concerns you have during Mass, the better.

2. Prepare for the liturgy.

If I have to focus on every single cue, on every fingering passage, or on every entrance, I’ve lost the battle for liturgical focus before I’ve even begun. These things need to be worked out long before the bells ring to begin the Mass. I strongly recommend using an old musician’s trick, which consists of studying and repeating the planned music several times before executing it live. Sometimes we call this trick “practice.”

3. Prepare for the liturgy.

Seeing a trend here? The reality is that none of us is ever really perfectly disposed for prayer. We get distracted by all sorts of things (You think I have it bad? Ask my wife, who watches my two children, ages 4 and 5, during Mass. She’s my heroine). Take a minute before Mass and pray to the Holy Spirit that you be focused on the prayers of the Mass. Ready yourself spiritually to engage in the mysteries before you begin. This puts you in the proper disposition prior to the first downbeat.

So how do you actively participate despite all of that participation? Focus yourself during the non-musical moments. Don’t look for the next piece of music. Don’t micro-manage your choir regarding the next entrance. You’ve done the preparation. Now pray: there’s a miracle going on up there on the altar, and you don’t want to miss it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Worse, composers are now setting the introits of the missal [instead of the Graduale] to music, even to chant, though these texts were explicitly for spoken recitation only.”

— ‘Dr. William Mahrt (Fall, 2015)’

Recent Posts

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  • A Nice Hymn In Spanish
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  • New Marian Organ Work • a Triptych on “Lumen Ad Revelatiónem”
  • “Music List” • 21st in Ordinary Time (Year C)

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