• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Latin Mass Has Come Such A Long Way!

Jeff Ostrowski · April 8, 2013

ELOW, I HAVE LINKED to a 1984 article written by Msgr. Richard Schuler. One of the things he talks about is the Papal legislation during the 1980s which allowed for a greater use of the 1962 Missal (also called the “Tridentine Rite,” the “Extraordinary Form,” or the “Traditional Latin Mass”).

How far we have come since then! In the 1990s, when I first started attending the Latin Mass, it was still very much “underground.” We feared to tell priests and bishops we attended this Mass (even though it was approved by the Diocese) because persecution often resulted. This is not an old wives’ tale: I could easily share with the reader concrete examples from my personal experiences.

      * *  1984 Article by Monsignor Richard J. Schuler [pdf]

Thanks to the efforts of Pope Benedict XVI, no Latin Rite priest can now be denied the opportunity of celebrating the Extraordinary Form. The Latin Mass is here to stay. Priestly vocations for Religious Orders which offer the Traditional Mass are absolutely bursting at the seams. I’ve even noticed that people who hate the Traditional Mass cannot stop talking about it. They think about constantly. They write about it constantly. They obsess about it. The Latin Mass has come such a long way.

Msgr. Schuler was a pretty good writer. His articles are usually “jam-packed” with information, and this one is no different. I could say a lot about it, but rather than “shooting my mouth off,” I will limit myself to the following:

It is true also that the introduction to the first edition of the missal of Pope Paul VI had to be withdrawn because it so poorly expressed the true nature of the Mass as a sacramental sacrifice.

Does anybody have access to a digital copy of this first edition introduction? If so, please E-mail it to me.

Unfortunately, the objections often overshadowed many good revisions, e.g. the end of the celebrant’s repeating of words sung by the choir or the congregation; the addition of many new scripture readings; the end of the secret inaudibility of the celebrant’s prayers; the demand for a more active role of the congregation; the simplification of many ceremonial details, etc.

I am afraid Msgr. Schuler is not quite correct here. In the judgement of many, several of the items he listed are not necessarily “good revisions.” For example, László Dobszay has explained that the mere fact of having more scripture readings does not make “better” liturgy. Otherwise, why not include the entire Bible? Currently, the Ordinary Form has three readings on Sunday. Would four make a “better” liturgy? How about six? How about nine? How about twenty? You get the picture.

Another fable introduced by the promoters of a new rite was the error that the new Mass had to be celebrated versus populum at a table altar erected near the congregation. Old altars were removed, even against the wishes of the people; new table altars were set up, some very poorly designed and even unworthy of the Mass celebrated on them. To promote the use of the altar versus populum, the English translation of the new missal of Paul VI even mistranslates the Latin original or leaves out entirely the rubrics of the Missale Romanum which in at least five places indicates that the priest should turn toward the people to say “The Lord be with you,” “Pray brethren,” “This is the Lamb of God,” etc. The Latin has sacerdos conversus ad populum dicit, but the English takes no notice of conversus which clearly means “having turned toward the people.” The norm for the new missal of Pope Paul VI is the priest at an altar which is not versus populum. Furthermore, the altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.

Notice that Monsignor Richard J. Schuler says the 1962 Missal can be celebrated “facing the people” … and he’s correct!  He’s talking about this document:

1962 (and 1964) RUBRICS:

V, §3   •   If the Altar faces the people, the Celebrant does not turn his back to the Altar when saying Dominus vobiscum, Orate, fratres, Ite, missa est, or when giving the blessing, but having kissed the Altar in the middle, there extending and joining his hands, as above, facing the people, greets them and gives the blessing.

XII, §2   •   If the Celebrant is at an Altar facing the people, he does not turn around, but standing as he was, blesses the people, as above, at the middle of the Altar. Then he goes to the Gospel side, and reads the Gospel of St. John.

My understanding is that some priests celebrated this way to make it possible to read the Epistle “to the people” (since the rubrics specified it must be read at the Altar). Fr. Deryck Hanshell, in his 1980 article on the Tridentine Mass [pdf], also seems to agree:

Of course they like the altar “the right way round.” Some might indeed be disappointed if in many if not most churches Mass in the old rite were to be celebrated “facing the people,” as according to the old rubrics it may be.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.