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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Latin Mass Has Come Such A Long Way!

Jeff Ostrowski · April 8, 2013

ELOW, I HAVE LINKED to a 1984 article written by Msgr. Richard Schuler. One of the things he talks about is the Papal legislation during the 1980s which allowed for a greater use of the 1962 Missal (also called the “Tridentine Rite,” the “Extraordinary Form,” or the “Traditional Latin Mass”).

How far we have come since then! In the 1990s, when I first started attending the Latin Mass, it was still very much “underground.” We feared to tell priests and bishops we attended this Mass (even though it was approved by the Diocese) because persecution often resulted. This is not an old wives’ tale: I could easily share with the reader concrete examples from my personal experiences.

      * *  1984 Article by Monsignor Richard J. Schuler [pdf]

Thanks to the efforts of Pope Benedict XVI, no Latin Rite priest can now be denied the opportunity of celebrating the Extraordinary Form. The Latin Mass is here to stay. Priestly vocations for Religious Orders which offer the Traditional Mass are absolutely bursting at the seams. I’ve even noticed that people who hate the Traditional Mass cannot stop talking about it. They think about constantly. They write about it constantly. They obsess about it. The Latin Mass has come such a long way.

Msgr. Schuler was a pretty good writer. His articles are usually “jam-packed” with information, and this one is no different. I could say a lot about it, but rather than “shooting my mouth off,” I will limit myself to the following:

It is true also that the introduction to the first edition of the missal of Pope Paul VI had to be withdrawn because it so poorly expressed the true nature of the Mass as a sacramental sacrifice.

Does anybody have access to a digital copy of this first edition introduction? If so, please E-mail it to me.

Unfortunately, the objections often overshadowed many good revisions, e.g. the end of the celebrant’s repeating of words sung by the choir or the congregation; the addition of many new scripture readings; the end of the secret inaudibility of the celebrant’s prayers; the demand for a more active role of the congregation; the simplification of many ceremonial details, etc.

I am afraid Msgr. Schuler is not quite correct here. In the judgement of many, several of the items he listed are not necessarily “good revisions.” For example, László Dobszay has explained that the mere fact of having more scripture readings does not make “better” liturgy. Otherwise, why not include the entire Bible? Currently, the Ordinary Form has three readings on Sunday. Would four make a “better” liturgy? How about six? How about nine? How about twenty? You get the picture.

Another fable introduced by the promoters of a new rite was the error that the new Mass had to be celebrated versus populum at a table altar erected near the congregation. Old altars were removed, even against the wishes of the people; new table altars were set up, some very poorly designed and even unworthy of the Mass celebrated on them. To promote the use of the altar versus populum, the English translation of the new missal of Paul VI even mistranslates the Latin original or leaves out entirely the rubrics of the Missale Romanum which in at least five places indicates that the priest should turn toward the people to say “The Lord be with you,” “Pray brethren,” “This is the Lamb of God,” etc. The Latin has sacerdos conversus ad populum dicit, but the English takes no notice of conversus which clearly means “having turned toward the people.” The norm for the new missal of Pope Paul VI is the priest at an altar which is not versus populum. Furthermore, the altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.

Notice that Monsignor Richard J. Schuler says the 1962 Missal can be celebrated “facing the people” … and he’s correct!  He’s talking about this document:

1962 (and 1964) RUBRICS:

V, §3   •   If the Altar faces the people, the Celebrant does not turn his back to the Altar when saying Dominus vobiscum, Orate, fratres, Ite, missa est, or when giving the blessing, but having kissed the Altar in the middle, there extending and joining his hands, as above, facing the people, greets them and gives the blessing.

XII, §2   •   If the Celebrant is at an Altar facing the people, he does not turn around, but standing as he was, blesses the people, as above, at the middle of the Altar. Then he goes to the Gospel side, and reads the Gospel of St. John.

My understanding is that some priests celebrated this way to make it possible to read the Epistle “to the people” (since the rubrics specified it must be read at the Altar). Fr. Deryck Hanshell, in his 1980 article on the Tridentine Mass [pdf], also seems to agree:

Of course they like the altar “the right way round.” Some might indeed be disappointed if in many if not most churches Mass in the old rite were to be celebrated “facing the people,” as according to the old rubrics it may be.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

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