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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mourning Pope Benedict XVI and Trusting the Holy Spirit

Richard J. Clark · March 17, 2013

HILE POPE EMERITUS BENEDICT XVI is alive and well, it occurred to me rather suddenly that there might be something many of us are feeling, but may not know it. We are mourning his loss. It is very much like a dear friend or loved one who has moved far away. It is deeply sad. We have had no time to mourn or grieve; the Conclave was scheduled sooner than if a pope had died.

For sacred musicians, Pope Benedict XVI was (literally) a godsend, sent to us at the right time. There will likely not be another pontiff like him again, one with such passion for sung liturgy. He led by example and not by decree, yet he wrote and spoke knowledgably and prayerfully about liturgical music in a way that exuded natural authority. The evidence of his leadership is not only seen, it can be HEARD.

With the excitement of the Conclave over, many musicians are understandably expressing a great deal of anxiety regarding the unknowns about Pope Francis. Perhaps this anxiety says more about us that is does about the pope. But still, we are human and the apprehension is natural.

That being said, do we not trust the Holy Spirit? Did not the Holy Spirit guide Pope Benedict in his decision to resign? Did not millions of the faithful pray for the Holy Spirit to guide the cardinals, human and imperfect as they may be? Did not the cardinals themselves pray for guidance? Regardless, the Holy Spirit has been present throughout this historic time. God’s thoughts and ways are not our thoughts and ways. We must obediently accept the work of the Holy Spirit in our lives.

As for those of us who work “in the trenches” – in parishes – the support of the pope and wisdom of Sacrosanctum Concilium often do not impact us, quite sadly. But whether we work in a supportive environment not, it is the support of the faithful that matters. Even with a supportive pope or a supportive pastor, we can’t do much on the local level without the people’s consent. (Abraham Lincoln was keenly aware of the absolute necessity of obtaining pubic support to accomplish moral justice.) So, we still must catechize the faithful, sometimes more by example and less by words. While striving for the ideal, it is at times wise to give up something in order to gain important strides elsewhere, lest we are left with nothing. (This is also smart politics.) Truth is the daughter of time, and in time, a well-catechized congregation will be hungry for authentic sacred prayer. The Church’s vast treasury of sacred music belongs to the people! This is the truth that will bear out.

A very wise friend (whose work most of your know and respect) mentioned that Benedict’s resignation was like the moment he realized his parents could no longer fight his battles. He had to fight his own battles. And so must we.

The fire of the Spirit has already been lit under so many. The mustard seed has been planted. (The train left the station a long time ago!) The creative output from so many wonderful composers is extraordinary. (E.g., Some of us of late have been receiving extraordinarily beautiful choral settings of the propers from Chris Mueller every week!) So MANY composers are so generous. Are they going to stop composing now? I think not. If Theodore Marier could accomplish his great work in the 1970’s, than so can we in a post-Benedict era. Theodore Marier was not initially happy with some of the liturgical changes in Vatican II. However, he rolled up his sleeves and got to work when everyone else was taking a completely different direction. Let us be mindful of his leadership by example that started in a local parish.

Like the apostles, we may feel afraid and locked away in the upper room (while the women witnessed the empty tomb.) Like the apostles, the Church is left with the Holy Spirit to guide it.

We must also accept that the Holy Spirit brought us Pope Francis for VERY good reasons that are not yet revealed to us. Pope Francis is here to be the servant of the Church. In a few short days, he has also done a number of simple things that have spoken volumes about humility and simplicity. In less than a week he has led by example. Perhaps this comes naturally to him. Remember that the very first thing he asked was that we pray for him and that we pray for Pope Benedict. We must continue to pray for Pope Francis. Viva il Papa!

John 15:16: You did not choose me, but I chose you and appointed you so that you might go and bear fruit—fruit that will last—and so that whatever you ask in my name the Father will give you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“He would lecture early in the morning at St Edmund’s College, perhaps more than once, rush from thence to the British Museum, and toil there intensely for hours, all without a scrap of food, having pledged himself to dine with us.”

— A description of Father Adrian Fortescue

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  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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