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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mourning Pope Benedict XVI and Trusting the Holy Spirit

Richard J. Clark · March 17, 2013

HILE POPE EMERITUS BENEDICT XVI is alive and well, it occurred to me rather suddenly that there might be something many of us are feeling, but may not know it. We are mourning his loss. It is very much like a dear friend or loved one who has moved far away. It is deeply sad. We have had no time to mourn or grieve; the Conclave was scheduled sooner than if a pope had died.

For sacred musicians, Pope Benedict XVI was (literally) a godsend, sent to us at the right time. There will likely not be another pontiff like him again, one with such passion for sung liturgy. He led by example and not by decree, yet he wrote and spoke knowledgably and prayerfully about liturgical music in a way that exuded natural authority. The evidence of his leadership is not only seen, it can be HEARD.

With the excitement of the Conclave over, many musicians are understandably expressing a great deal of anxiety regarding the unknowns about Pope Francis. Perhaps this anxiety says more about us that is does about the pope. But still, we are human and the apprehension is natural.

That being said, do we not trust the Holy Spirit? Did not the Holy Spirit guide Pope Benedict in his decision to resign? Did not millions of the faithful pray for the Holy Spirit to guide the cardinals, human and imperfect as they may be? Did not the cardinals themselves pray for guidance? Regardless, the Holy Spirit has been present throughout this historic time. God’s thoughts and ways are not our thoughts and ways. We must obediently accept the work of the Holy Spirit in our lives.

As for those of us who work “in the trenches” – in parishes – the support of the pope and wisdom of Sacrosanctum Concilium often do not impact us, quite sadly. But whether we work in a supportive environment not, it is the support of the faithful that matters. Even with a supportive pope or a supportive pastor, we can’t do much on the local level without the people’s consent. (Abraham Lincoln was keenly aware of the absolute necessity of obtaining pubic support to accomplish moral justice.) So, we still must catechize the faithful, sometimes more by example and less by words. While striving for the ideal, it is at times wise to give up something in order to gain important strides elsewhere, lest we are left with nothing. (This is also smart politics.) Truth is the daughter of time, and in time, a well-catechized congregation will be hungry for authentic sacred prayer. The Church’s vast treasury of sacred music belongs to the people! This is the truth that will bear out.

A very wise friend (whose work most of your know and respect) mentioned that Benedict’s resignation was like the moment he realized his parents could no longer fight his battles. He had to fight his own battles. And so must we.

The fire of the Spirit has already been lit under so many. The mustard seed has been planted. (The train left the station a long time ago!) The creative output from so many wonderful composers is extraordinary. (E.g., Some of us of late have been receiving extraordinarily beautiful choral settings of the propers from Chris Mueller every week!) So MANY composers are so generous. Are they going to stop composing now? I think not. If Theodore Marier could accomplish his great work in the 1970’s, than so can we in a post-Benedict era. Theodore Marier was not initially happy with some of the liturgical changes in Vatican II. However, he rolled up his sleeves and got to work when everyone else was taking a completely different direction. Let us be mindful of his leadership by example that started in a local parish.

Like the apostles, we may feel afraid and locked away in the upper room (while the women witnessed the empty tomb.) Like the apostles, the Church is left with the Holy Spirit to guide it.

We must also accept that the Holy Spirit brought us Pope Francis for VERY good reasons that are not yet revealed to us. Pope Francis is here to be the servant of the Church. In a few short days, he has also done a number of simple things that have spoken volumes about humility and simplicity. In less than a week he has led by example. Perhaps this comes naturally to him. Remember that the very first thing he asked was that we pray for him and that we pray for Pope Benedict. We must continue to pray for Pope Francis. Viva il Papa!

John 15:16: You did not choose me, but I chose you and appointed you so that you might go and bear fruit—fruit that will last—and so that whatever you ask in my name the Father will give you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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