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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mourning Pope Benedict XVI and Trusting the Holy Spirit

Richard J. Clark · March 17, 2013

HILE POPE EMERITUS BENEDICT XVI is alive and well, it occurred to me rather suddenly that there might be something many of us are feeling, but may not know it. We are mourning his loss. It is very much like a dear friend or loved one who has moved far away. It is deeply sad. We have had no time to mourn or grieve; the Conclave was scheduled sooner than if a pope had died.

For sacred musicians, Pope Benedict XVI was (literally) a godsend, sent to us at the right time. There will likely not be another pontiff like him again, one with such passion for sung liturgy. He led by example and not by decree, yet he wrote and spoke knowledgably and prayerfully about liturgical music in a way that exuded natural authority. The evidence of his leadership is not only seen, it can be HEARD.

With the excitement of the Conclave over, many musicians are understandably expressing a great deal of anxiety regarding the unknowns about Pope Francis. Perhaps this anxiety says more about us that is does about the pope. But still, we are human and the apprehension is natural.

That being said, do we not trust the Holy Spirit? Did not the Holy Spirit guide Pope Benedict in his decision to resign? Did not millions of the faithful pray for the Holy Spirit to guide the cardinals, human and imperfect as they may be? Did not the cardinals themselves pray for guidance? Regardless, the Holy Spirit has been present throughout this historic time. God’s thoughts and ways are not our thoughts and ways. We must obediently accept the work of the Holy Spirit in our lives.

As for those of us who work “in the trenches” – in parishes – the support of the pope and wisdom of Sacrosanctum Concilium often do not impact us, quite sadly. But whether we work in a supportive environment not, it is the support of the faithful that matters. Even with a supportive pope or a supportive pastor, we can’t do much on the local level without the people’s consent. (Abraham Lincoln was keenly aware of the absolute necessity of obtaining pubic support to accomplish moral justice.) So, we still must catechize the faithful, sometimes more by example and less by words. While striving for the ideal, it is at times wise to give up something in order to gain important strides elsewhere, lest we are left with nothing. (This is also smart politics.) Truth is the daughter of time, and in time, a well-catechized congregation will be hungry for authentic sacred prayer. The Church’s vast treasury of sacred music belongs to the people! This is the truth that will bear out.

A very wise friend (whose work most of your know and respect) mentioned that Benedict’s resignation was like the moment he realized his parents could no longer fight his battles. He had to fight his own battles. And so must we.

The fire of the Spirit has already been lit under so many. The mustard seed has been planted. (The train left the station a long time ago!) The creative output from so many wonderful composers is extraordinary. (E.g., Some of us of late have been receiving extraordinarily beautiful choral settings of the propers from Chris Mueller every week!) So MANY composers are so generous. Are they going to stop composing now? I think not. If Theodore Marier could accomplish his great work in the 1970’s, than so can we in a post-Benedict era. Theodore Marier was not initially happy with some of the liturgical changes in Vatican II. However, he rolled up his sleeves and got to work when everyone else was taking a completely different direction. Let us be mindful of his leadership by example that started in a local parish.

Like the apostles, we may feel afraid and locked away in the upper room (while the women witnessed the empty tomb.) Like the apostles, the Church is left with the Holy Spirit to guide it.

We must also accept that the Holy Spirit brought us Pope Francis for VERY good reasons that are not yet revealed to us. Pope Francis is here to be the servant of the Church. In a few short days, he has also done a number of simple things that have spoken volumes about humility and simplicity. In less than a week he has led by example. Perhaps this comes naturally to him. Remember that the very first thing he asked was that we pray for him and that we pray for Pope Benedict. We must continue to pray for Pope Francis. Viva il Papa!

John 15:16: You did not choose me, but I chose you and appointed you so that you might go and bear fruit—fruit that will last—and so that whatever you ask in my name the Father will give you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The Jesuits have spoiled the work of Christian antiquity, under pretext of restoring the hymns in accordance with the laws of metre and elegant language.”

— M. Ulysse Chevalier (1891)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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