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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mardi Gras and Burying the Alleluia

Richard J. Clark · February 8, 2013

HE HEBREW WORD, “הללויה” or “Hallelujah,” is a word of unsurpassed joy. It is an acclamation of praise, thanksgiving and victory.

“Hallelujah” is really a two–word phrase meaning “Praise Yah.” It is a joyous and unabashed song of praise to God and appears many times in the Book of Psalms, most prominently in Psalms 111-117 and 145-150.

Untranslated by the early Christians, we have adopted the Hebrew word “Hallelujah” as our own. Using it again and again, most notably during Eastertide, we joyfully sing our praises for Christ’s triumph and victory over sin and death. Christ’s Sacrifice has become our Paschal meal. The tomb is empty. Alleluia! Alleluia!

Free Download:
PDF • “Alleluia” (for SAB Choir; Dedicated to Fernando Mavar-Ruiz and Melissa Malvar-Keylock)

However, this Sunday, (and for some on Tuesday at daily mass) we sing our final “Alleluias” as we prepare to begin our Lenten journey towards the Easter celebration of Christ’s glorious Resurrection. Likened to the exile of the Israelites in Babylon, the practice of “fasting” from singing or saying the word “Alleluia” began in some places perhaps as early as the fifth century. The popular practice of “burying the Alleluia” had its beginnings in a lay-led ritual, which included a solemn procession to the church cemetery with a scroll or even a coffin inscribed with the word “Alleluia.” The “Alleluia” was literally buried in the cemetery, leaving the people with the hope and anticipation of its Easter Sunday resurrection.

Where does that leave us this coming week during Mardi Gras and Ash Wednesday? Affectionately known as “Fat Tuesday,” Mardi Gras is not merely one day, but a carnival season ending just before Ash Wednesday. “Fat Tuesday” is our last night of eating richer, fatty foods before the ritual fasting of the Lenten season. It is on this day that we express our last superlative praise of God by exclaiming “Alleluia.”

Just as on Mardi Gras we savor one final taste of indulgent sumptuousness, let us savor these last “Alleluias” as we would a last joyous meal with friends, confidants, family, and dear loved ones. Sing out and delight in this final sumptuous exuberance of God’s praise. Let its memory sustain us through the balance of this bleak winter; let its power strengthen us as we carry our own burdens and shoulder our particular crosses.

The hymn Alleluia, Song of Gladness (The Hymnal 1982, #122, 123; Words: Latin, 11th Cent.; trans. John Mason Neale) evokes the exile of the Israelites in Babylon as well as the fasting from singing “Alleluia” as we enter into Lent. Beginning with verse 2:

Alleluia, thou resoundest, true Jerusalem and free
Alleluia, joyful mother, all thy children sing with thee;
But by Babylon’s sad waters mourning exiles now are we.

Alleluia though we cherish and would chant for evermore
Alleluia in our singing, let us for a while give o’er
As our Savior in his fasting pleasures of the world forbore.

In the final verse, we patiently anticipate singing “Alleluia” in our Easter joy:

Therefore in our hymns we pray thee, grant us, blessed Trinity,
At the last to keep thine Easter with thy faithful saints on high;
There to thee for ever singing alleluia joyfully.

After this Sunday, our Alleluia is buried for the next six Sundays, not to be sung again until the Great Vigil of Easter when we stay awake and keep watch for the Resurrection of our Savior, Christ the Lord.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Both priests and people in this country [viz. ENGLAND] were largely taken by surprise by the recent restoration of the Easter Vigil, by the changes in the laws of fasting for Holy Communion, and the advent of the Evening Mass.”

— Dom Oswald Sumner (1955)

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