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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Resignation of Pope Benedict XVI

Jeff Ostrowski · February 27, 2013

T THIS TIME, I will share a few reflections on His Holiness, Pope Benedict XVI. I apologize that these thoughts of mine are not given in the most satisfactory order or with great eloquence. Hopefully they will still be of interest to the reader. They come from the heart.

Pope Benedict XVI is a holy, brave, brilliant servant of Jesus Christ. A few months ago (prior to Benedict announcing his resignation), we included his picture in the banner of our Blog Header. He is pictured at Mass, acting as Subdeacon, holding the Paten and wearing the Humeral Veil. This action by the Subdeacon is done during Solemn Mass, and the history of it is astounding, going back many centuries. Some time ago, I spent close to three weeks researching the liturgical history of this action. I will not share the results here (for obvious reasons), but suffice it to say that showing our Holy Father performing that action at Mass is deeply significant. I would welcome an opportunity at some later date to explain exactly why.

When Pope Benedict XVI writes, I can “hear” his voice in the written words. I can tell he is the author. He speaks to the heart. For instance, which one of us could remain unmoved after reading his Stations of the Cross? At this time, I would merely repeat that he is a brilliant theologian.

I believe his resignation is the perfect end to a truly great Pontificate. By his resignation, he is “leading the way.” He is reminding the popes who will succeed him that men are living longer these days. The average lifespan of a human being today is much greater than in 1913, 1813, 1713, or 1613. Therefore, future popes ought to follow Benedict’s lead when they become so old and feeble they can no longer adequately run the Catholic Church. They should follow Benedict’s lead by reducing the number of trips a Pope makes and concentrate more on running the Church. They should follow Benedict’s lead (when the time is right) by voluntarily renouncing “power” of being the boss of a billion Catholics. How few of our leaders show such humility! They should follow Benedict’s lead by continuing to reform the Liturgy, making sure it is truly sacred.

I believe that Pope Benedict was one of the greatest popes of all time. I was trying to think of a fitting way to honor this great servant of Jesus Christ. To this end, I will now reproduce an amazing article Pope Benedict wrote when he was still Cardinal Ratzinger. This article was written on the occasion of the retirement of Monsignor Georg Ratzinger, the Pope’s older brother. The masterful translation is by Fr. Robert Skeris, who for many years has promoted the teachings of Cardinal Ratzinger in a way very few others have. This article is truly profound, and notice that Pope Benedict does not shy away from the hard questions. Rather, he tackles them head on:

      Betwixt and Between the Regensburg Tradition and Postconciliar Reform [pdf].

I wish had words of great eloquence to speak at this time. I do not. All I can say is,

“Farewell, great Pope. Farewell, defender of the Holy Doctrine of Jesus Christ. Farewell, humble and saintly man. We love you. Please pray for us.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

Recent Posts

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  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

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