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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Biography • Dr. Alfred Calabrese

Dr. Alfred Calabrese · January 15, 2013

ALLED “one of the finest conductors of his generation” by maestro Robert Shaw, Alfred Calabrese enjoys a diverse career as conductor, educator, composer, scholar, and church musician. He has been director of choral activities at Southern Methodist University, Emory University, and Brevard College, Visiting Professor at Indiana University, and guest lecturer at the University of Notre Dame, the University of South Carolina, and the Conservatoire de Versailles. Since 2007 he has been Director of Music at Saint Rita Catholic Church in Dallas, TX, where he oversees a music program with six choirs including the newly established St. Rita Choral Academy, professional singers and organists, and six full and part-time staff members. Calabrese holds the Master of Music and Doctor of Music degrees in Conducting from the prestigious Jacobs School of Music at Indiana University. He has prepared choirs for several prominent conductors including John Nelson and Sir David Willcocks, and in the early 1990’s was an assistant conductor to Robert Shaw and the Grammy © Award winning Atlanta Symphony Chorus.  He worked in close collaboration with Maestro Shaw for three years, rehearsing the ASOC in works as diverse as Mahler Symphony #2, #3, and #8; Berlioz Romeo et Juliette; Janáček Glagolitic Mass, Verdi Quattro Pezzi Sacri, and the annual Christmas with Robert Shaw concerts.

*  DR. ALFRED CALABRESE • Publicity Photo (A)

*  DR. ALFRED CALABRESE • Publicity Photo (B)

Possessing an affinity for compositions for orchestra and choir, his repertoire includes, among others, major works of Bach, Brahms, Britten, Mendelssohn, Mozart, Schubert, Handel, Haydn, Stravinsky, Fauré, Duruflé, Poulenc, and Pärt, and well over 500 smaller pieces for choir alone. In 2005 he led performances of I Pagliacci and Cavalleria Rusticanafor the Atlantic Coast Opera Company. His orchestral repertoire includes symphonies and concerti of Beethoven, Mozart, Poulenc, Handel, Weber, Dvorak among others. Calabrese has been a guest conductor and clinician in America and abroad. As a clinician, he has conducted All-State and honor choirs and has participated in numerous festivals and clinics throughout the United States.  He was a guest conductor at the Conservatoire de Versailles in both 2013 and 2019 and in concerts with l’Ensemble Polyphonique de Versailles. He is presently a guest conductor with the festivals of the American Federation Pueri Cantores.

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Dr. Calabrese has been composing and arranging intermittently since 1990 and self publishes. His compositions since 2007 are primarily for the liturgy, including a nearly completed three-year cycle of Responsorial Psalms for the church year. These have been performed across the country in recent years. Presently, he is at work setting the ad libitum Communion propers as Latin motets for SAB Choir. Dr. Calabrese was born and raised in upstate New York, in the small town of Waterford. A cradle Catholic, his youth was colored and influenced by his strong Italian-American heritage, the Catholic culture of his family and the upstate area, and the beauty of his boyhood parish, St. Mary of the Assumption, Waterford, known affectionately as “the little Cathedral on the hill,” where he sang in the choir beginning at age 15. He is married to Cynthia Calabrese, a musician and development executive. They have two grown children who both work for Catholic-based organizations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: August 27, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

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  • “Music List” • 5th Sunday of Easter (Year C)
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