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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Dr. Alfred Calabrese

Dr. Alfred Calabrese · January 15, 2013

ALLED “one of the finest conductors of his generation” by maestro Robert Shaw, Alfred Calabrese enjoys a diverse career as conductor, educator, composer, scholar, and church musician. He has been director of choral activities at Southern Methodist University, Emory University, and Brevard College, Visiting Professor at Indiana University, and guest lecturer at the University of Notre Dame, the University of South Carolina, and the Conservatoire de Versailles. Since 2007 he has been Director of Music at Saint Rita Catholic Church in Dallas, TX, where he oversees a music program with six choirs including the newly established St. Rita Choral Academy, professional singers and organists, and six full and part-time staff members. Calabrese holds the Master of Music and Doctor of Music degrees in Conducting from the prestigious Jacobs School of Music at Indiana University. He has prepared choirs for several prominent conductors including John Nelson and Sir David Willcocks, and in the early 1990’s was an assistant conductor to Robert Shaw and the Grammy © Award winning Atlanta Symphony Chorus.  He worked in close collaboration with Maestro Shaw for three years, rehearsing the ASOC in works as diverse as Mahler Symphony #2, #3, and #8; Berlioz Romeo et Juliette; Janáček Glagolitic Mass, Verdi Quattro Pezzi Sacri, and the annual Christmas with Robert Shaw concerts.

*  DR. ALFRED CALABRESE • Publicity Photo (A)

*  DR. ALFRED CALABRESE • Publicity Photo (B)

Possessing an affinity for compositions for orchestra and choir, his repertoire includes, among others, major works of Bach, Brahms, Britten, Mendelssohn, Mozart, Schubert, Handel, Haydn, Stravinsky, Fauré, Duruflé, Poulenc, and Pärt, and well over 500 smaller pieces for choir alone. In 2005 he led performances of I Pagliacci and Cavalleria Rusticanafor the Atlantic Coast Opera Company. His orchestral repertoire includes symphonies and concerti of Beethoven, Mozart, Poulenc, Handel, Weber, Dvorak among others. Calabrese has been a guest conductor and clinician in America and abroad. As a clinician, he has conducted All-State and honor choirs and has participated in numerous festivals and clinics throughout the United States.  He was a guest conductor at the Conservatoire de Versailles in both 2013 and 2019 and in concerts with l’Ensemble Polyphonique de Versailles. He is presently a guest conductor with the festivals of the American Federation Pueri Cantores.

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Dr. Calabrese has been composing and arranging intermittently since 1990 and self publishes. His compositions since 2007 are primarily for the liturgy, including a nearly completed three-year cycle of Responsorial Psalms for the church year. These have been performed across the country in recent years. Presently, he is at work setting the ad libitum Communion propers as Latin motets for SAB Choir. Dr. Calabrese was born and raised in upstate New York, in the small town of Waterford. A cradle Catholic, his youth was colored and influenced by his strong Italian-American heritage, the Catholic culture of his family and the upstate area, and the beauty of his boyhood parish, St. Mary of the Assumption, Waterford, known affectionately as “the little Cathedral on the hill,” where he sang in the choir beginning at age 15. He is married to Cynthia Calabrese, a musician and development executive. They have two grown children who both work for Catholic-based organizations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: August 27, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox

Recent Posts

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  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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