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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Hope of Sinners

Fr. David Friel · December 8, 2012

OSES. KING DAVID. Mother Teresa. John Paul II. Martha Washington. Nero. Queen Victoria. Joe DiMaggio. Venus Williams. Paul McCartney. Father Friel.

What’s the link? What do all those folks have in common? Are they all Biblical characters? No. Do they all share the same birthday? No. Were they all left-handed? No. So what do they all have in common? They’re all sinners! Every last one of them is a sinner.

In fact, you could add almost any name to that list, and they’d fit right in. One notable exception is Jesus. He wasn’t a sinner. But, then again, He’s God. If that were it, though—if Jesus were the only exception—something would be missing. After all, Jesus isn’t even a human person. He’s a Divine Person, Who took to Himself a human nature. So, if He were the only man ever to live without sin, there would really be no reason for hope.

But God is very wise, and, in the fullness of time, He planned to do something extraordinary. He planned to create a human being who would be sinless. He planned to create a human person, as the Letter to the Ephesians puts it, “without blemish.” He planned the Immaculate Conception of Mary.

By the Immaculate Conception, we mean the singular privilege given to Mary whereby she was preserved from any stain of sin from the moment of her conception onward. At no point has she ever borne the guilt of sin, because God, foreseeing Jesus’ death on the Cross, applied the merits of His Sacrifice to Mary in advance. That’s why Mary has rightly been called “nature’s solitary boast.” She is the only human person ever to have been immaculately conceived.

Moses. King David. Mother Teresa. John Paul II. Martha Washington. Nero. Queen Victoria. Joe DiMaggio. Venus Williams. Paul McCartney. Father Friel. Yes, we’re all sinners. But there’s hope for each of us. Why? Because, if God could create Mary as the Immaculate Conception, He can re-create all of us so that we might be “without blemish” in heaven.

In the words of the Miraculous Medal Novena: “O Mary, conceived without sin: pray for us, who have recourse to Thee!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

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  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

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