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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reason and Mystery

Dr. Peter Kwasniewski · December 22, 2012

OMETIMES YOU HEAR people say that reasoning and mystery are opposed to each other—that the logical deductions one finds in, say, the Summa theologiae of Saint Thomas Aquinas, or even the precise dogmatic formulations of the Church’s Magisterium, are somehow at odds with the simple acceptance of mysteries of faith that human words can never explain. But this is to see things quite incorrectly. Doctrinal definition and theological exploration only intensify the ineffable truth that no formula can exhaust, by bringing its depth of mystery more fully to light. In Catholicism both “extremes” are given full play: reason, which may go as far as it dares and can, embracing the pagan wisdom of every land and time, trembling with its fragile power like a delicate blossom proud to have burst up through the cold ground of March; mystery, which exalts to infinity the caliginous light, the luminous darkness, the incomprehensible truth of God, precisely on account of, by means of, in the “face” of, questing reason. Saint Thomas on the Trinity, the Incarnation, the Eucharist, shows us human reason at its peak, where it bows down humbly in adoration. The form of the Summa and of its every article is the archetypal form of a quest for the Grail of truth, a quest made urgent not only by the inner joy of seeking but by the continual danger of perilous detours; a pilgrimage taken by the soul journeying into God, walking by its “own” power, sustained by the power and grace of God endowing it at every moment with the power that it may call its own (participated theonomy). Each extreme of theology is what it is because of the other, and to the questing soul the denial of the one is the loss of the other. Tell reason not to search, and the unsearchable mystery will become a mystery unsearched; let haughty reason tell itself that the divine is comprehensible, and at the same moment, as though by an evil spell one must never utter, it withers at its source, collapses inwardly and dies. Dispelling mystery, you take away the heart of the mind; dispelling reason, you take away the mind of the heart. And in either event, the mind and heart of love is also afflicted for its sins. This is when clerical dissipation, ecclesial polemics, and lukewarmness have their day in the sun. Let us pray and work for a full restoration of Catholic theology, Catholic spirituality, and Catholic culture—for these three stand or fall together.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“In older times we referred to humans as the human race, but according to this foundation we are being classed with the animals on the farm, the cow, the horse, the mule […] According to this foundation, I have no right to be born, for I am the youngest of 16 children, and God bless my mother for every one of them!”

— Archbishop Schrembs (d. 1945) vs. a foundation promoting artificial contraception

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