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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Andrew’s Orations

Fr. David Friel · November 30, 2012

HE ORATIONS for today’s feast of Saint Andrew are a fine example of the genius of the Roman Rite. That genius has become all the more clear through the 2010 English translation of the Missal. The new Missal, by its precision & fidelity, transmits many more nuances from the original Latin than the former Sacramentary had conveyed. In Andrew’s orations, the case is clear.

The Collect uses four titles to describe Andrew, whom the Orthodox remember as the Πρωτόκλητος (“First Called”) among our Lord’s disciples. It is fitting that this first oration should incorporate titles, so as to recall the identity and role of the saint being celebrated. The titles in the Collect appear in this order: Apostle, preacher, pastor, and intercessor. These ideas were weakly captured in the Sacramentary thusly: apostle, to preach, guide, and friend. I find all four titles to be rendered with greater strength in the new prayer. Apostle is now capitalized, the label of preacher is stronger than the infinitive, pastor means much more than guide, and an intercessor is something far more defined (though not other) than a friend.

The new Prayer over the Offerings magnificently prays that the elements “which we bring” to the altar may please God “by what we have brought and be given life by what you have accepted.” The structure of the prayer highlights the action of bringing and receiving gifts in such a prominent manner that, as I offered Mass this morning, the prayer immediately called to mind the feeding of the five thousand, where it was Andrew who noticed the boy with the loaves and fishes and brought them to the Lord. This brilliant allusion is so subdued as to be unrecognizable in the former Prayer over the Gifts.

The Prayer after Communion, also, alludes to an aspect of this great saint’s life. It has long been held that Andrew was martyred on a cross in the form of a Greek chi, equivalent to the letter X. This tradition is obliquely referenced by the new oration in its request that “we, who carry in our body the Death of Christ, may merit to live with him in glory.” The marvelous Pauline language of that prayer had formerly been rendered into the anemic line, “By sharing in Christ’s suffering may we live with him for ever.”

These three orations inspire me not only to seek the intercession of Saint Andrew, but also to acknowledge the inherent genius of the Roman Rite. I am grateful to God that this genius now flowers forth more fully from the Roman Missal in English.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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