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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Queen of May

Fr. David Friel · May 16, 2012

Here in Pennsylvania (or “PA,” as we call it), we have many places of historical importance. As one of the original thirteen colonies, many significant things happened here early in (and even before) our nation’s history.

One of the local ways we remember major historical people/places/events/etc. is by Pennsylvania Historical Markers—wrought-iron blue signs with gold lettering that explain the person/place/event/etc. being commemorated.

I love these signs, and I always enjoy reading them. There’s an interesting one downtown. It stands on the sidewalk between City Hall and the Wanamaker Building (home of the world’s largest pipe organ!). It says, in part: “Mother’s Day: Founded by Anna Jarvis of Philadelphia. First officially observed in 1908. An early supporter was John Wanamaker. Mother’s Day was given federal recognition, 1914.” That sign caught my attention enough to make me look into things a bit more, and I found the original House resolution from 1914 recognizing the celebration. It describes Mother’s Day as “a public expression of love and reverence for the mothers of our country.”

Long before 1914 or 1908, however—and long before Anna Jarvis or John Wanamaker—this time of year, May, was already devoted to our Mother. For centuries, Christians have set aside this entire month to honor Mary, the Blessed Mother of us all. May crownings and other special devotions have long been “public expression[s] of [our] love and reverence” for the Blessed Mother.

It’s good and wonderful and praiseworthy to honor our human mothers on this day. But our celebration of these mothers would be lacking—it would be incomplete—if it were detached from our celebration of Mary. For whatever is good and loveable in our human mothers is a reflection of what is good and loveable in Mary. In fact, our human mothers are “good” mothers only insofar as they are good reflections of the Blessed Mother. Aren’t the best mothers honest, pure, loving, merciful, sweet, beautiful, grateful, compassionate, and gentle? And is that not the perfect description of Mary?

Mary is the ideal Mother and the ideal woman. Bishop Sheen once observed: “[Mary] is the one whom every man loves when he loves a woman, whether he knows it or not. She is what every woman wants to be, when she looks at herself. . . . She is the secret desire every woman has to be honored and fostered.”

Mary’s life, of course, was defined by her Child. It was Jesus for Whom Mary spent so much of herself, from the home at Nazareth to the Cross on Calvary. It was Jesus for Whom Mary willingly embraced suffering. It is for her Child, first and foremost, that Mary is remembered and honored. I suspect that every mother would have it the same way. Ask a mother who has found success in her profession. Ask a mother who holds some high-ranking position. Ask any mother who has reached any measure of worldly accomplishment. I suspect they will be most proud—before all else—of the children they have sent into the world.

The blue & gold historical marker that stands at Market & Juniper Streets in Philadelphia reminds us of the history of this Mother’s Day holiday. All the more, our own wonderful mothers should remind us of Mary, clothed in blue and wearing a golden crown. Celebrating motherhood without celebrating the very prototype would be futile. So, today—and throughout this month of May—we honor the Blessed Mother. We renew our love for her, and we ask for her guidance in our family life.

O Virgin most tender,
Our homage we render,
Thy love and protection,
Sweet Mother, to win;
In danger defend us,
In sorrow befriend us,
And shield our hearts
From contagion and sin.

O Mary! we crown thee with blossoms today, Queen of the Angels, Queen of the May!

(Bring Flowers of the Rarest, Traditional)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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