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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Queen of May

Fr. David Friel · May 16, 2012

Here in Pennsylvania (or “PA,” as we call it), we have many places of historical importance. As one of the original thirteen colonies, many significant things happened here early in (and even before) our nation’s history.

One of the local ways we remember major historical people/places/events/etc. is by Pennsylvania Historical Markers—wrought-iron blue signs with gold lettering that explain the person/place/event/etc. being commemorated.

I love these signs, and I always enjoy reading them. There’s an interesting one downtown. It stands on the sidewalk between City Hall and the Wanamaker Building (home of the world’s largest pipe organ!). It says, in part: “Mother’s Day: Founded by Anna Jarvis of Philadelphia. First officially observed in 1908. An early supporter was John Wanamaker. Mother’s Day was given federal recognition, 1914.” That sign caught my attention enough to make me look into things a bit more, and I found the original House resolution from 1914 recognizing the celebration. It describes Mother’s Day as “a public expression of love and reverence for the mothers of our country.”

Long before 1914 or 1908, however—and long before Anna Jarvis or John Wanamaker—this time of year, May, was already devoted to our Mother. For centuries, Christians have set aside this entire month to honor Mary, the Blessed Mother of us all. May crownings and other special devotions have long been “public expression[s] of [our] love and reverence” for the Blessed Mother.

It’s good and wonderful and praiseworthy to honor our human mothers on this day. But our celebration of these mothers would be lacking—it would be incomplete—if it were detached from our celebration of Mary. For whatever is good and loveable in our human mothers is a reflection of what is good and loveable in Mary. In fact, our human mothers are “good” mothers only insofar as they are good reflections of the Blessed Mother. Aren’t the best mothers honest, pure, loving, merciful, sweet, beautiful, grateful, compassionate, and gentle? And is that not the perfect description of Mary?

Mary is the ideal Mother and the ideal woman. Bishop Sheen once observed: “[Mary] is the one whom every man loves when he loves a woman, whether he knows it or not. She is what every woman wants to be, when she looks at herself. . . . She is the secret desire every woman has to be honored and fostered.”

Mary’s life, of course, was defined by her Child. It was Jesus for Whom Mary spent so much of herself, from the home at Nazareth to the Cross on Calvary. It was Jesus for Whom Mary willingly embraced suffering. It is for her Child, first and foremost, that Mary is remembered and honored. I suspect that every mother would have it the same way. Ask a mother who has found success in her profession. Ask a mother who holds some high-ranking position. Ask any mother who has reached any measure of worldly accomplishment. I suspect they will be most proud—before all else—of the children they have sent into the world.

The blue & gold historical marker that stands at Market & Juniper Streets in Philadelphia reminds us of the history of this Mother’s Day holiday. All the more, our own wonderful mothers should remind us of Mary, clothed in blue and wearing a golden crown. Celebrating motherhood without celebrating the very prototype would be futile. So, today—and throughout this month of May—we honor the Blessed Mother. We renew our love for her, and we ask for her guidance in our family life.

O Virgin most tender,
Our homage we render,
Thy love and protection,
Sweet Mother, to win;
In danger defend us,
In sorrow befriend us,
And shield our hearts
From contagion and sin.

O Mary! we crown thee with blossoms today, Queen of the Angels, Queen of the May!

(Bring Flowers of the Rarest, Traditional)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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