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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Joseph Triduum — Installment No. 2

Fr. David Friel · March 19, 2012

In the first part of this series, we considered Joseph of Egypt, the character from the end of Genesis. Today, we turn our attention to one of the New Testament Josephs.

What do we know about Joseph of Arimathea? He was evidently a wealthy man, since he could afford to have a tomb hewn out of rock for himself. He was from a placed called Arimathea, which was a town of Judah (c.f., Luke 23:51). According to a description in the third Gospel (Luke 23:50), he may have been a member of the Sanhedrin. He is, furthermore, described as “a disciple of Jesus,” but, notably, “a secret one, for fear of the Jews” (John 19:38). So he was a man of faith, but a man, in some ways, ashamed of his faith.

Although we don’t know a great deal about him, what we do know is very telling. In the mind of the Gospel writers, the early life of Joseph of Arimathea is totally inconsequential. All that matters is the scene immediately following the death of Jesus. This single afternoon defined his entire character. It is, in fact, the only day of his life for which history remembers him.

There are two major things Joseph of Arimathea did on this particular day that are worthy of our special attention. The first is described in the Gospel of Luke: “He went to Pilate and asked for the Body of Jesus” (Luke 23:52). That word, “asked,” really catches my attention. In Greek, it’s a very strong word (ᾐτήσατο). It can mean to ask, or beg, or desire, or crave, or even demand.

Imagine that: Joseph of Arimathea desired, even craved the body of Jesus. Don’t you imagine Joseph of Nazareth felt that same way as Mary was pregnant with Jesus? Don’t you think he craved to see Who this little Child would be? The initiative of Joseph to go to Pilate and ask for the Body of Jesus is simply amazing.

The second major thing that Joseph of Arimathea did that day is described in the Gospel of John: “In the place where [Jesus] had been crucified there was a garden, and in the garden a new tomb, in which no one had yet been buried. . . . So they laid Jesus there” (John 19:41-42). Had it not been for this one great act of generosity, in which he gave our Lord a tomb, the name “Joseph of Arimathea” would have been forgotten centuries ago. But, instead, because of his generosity, he is well remembered. It is also significant that it was not just any tomb, but “a new tomb, in which no man had yet been buried.” As Bishop Sheen famously said, Jesus was “born of a virgin womb [and] buried in a virgin tomb, . . . ‘and a Joseph did betroth them both’” (Life of Christ, Chapter 53). He goes on to add, “Born in a stranger’s cave [at Bethlehem, Jesus was] buried in a stranger’s grave” near Calvary.

And it all came to pass because a man named Joseph—Joseph of Arimathea—gave of his wealth to perform a corporal work of mercy for his Lord. We could consider it the first memorial contribution in the history of the Church, but I don’t think he had a nameplate put on the tomb (!). By giving Jesus a tomb, of course, Joseph was not consigning Him to death. Quite the contrary in fact. By giving Him a tomb, Joseph gave the Lord a place to come to life again.

There is a tremendous beauty in these two great acts of Joseph of Arimathea—the acts whereby he “asked for the Body of Jesus” and offered Him a tomb. Joseph the Carpenter did something similar. He “craved” for the Body of Jesus in the stable at Bethlehem. Then, by many hidden acts of generosity in Nazareth, he offered Jesus a place—a home—to come to fullness of life.

Now, in our own day, each one of us is called to repeat these same very acts. Whenever we come to Mass or adoration or benediction, we are called to “desire,” to “crave” for the Body of Jesus in the Eucharist. Then, as we receive Him physically into our bodies, we are called to give Jesus a place within ourselves to come to life again.

Do we truly crave after the Lord? Are we generous enough to give Him a place in our hearts? May our craving lead us to the Eucharist, and may the Eucharist bring Jesus to life within us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The production of this book was too far advanced for notice to be taken of the new translation of the Hebrew psalter into Latin by the professor of the Biblical Institute at Rome. The Holy Father’s permission to use it in the divine office when properly adapted for the purpose will prove a welcome boon.”

— Father Cuthbert Lattey (15 Nov. 1944)

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  • “Dies Irae” • A Monstrous Translation

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