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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Joseph Triduum — Installment No. 2

Fr. David Friel · March 19, 2012

In the first part of this series, we considered Joseph of Egypt, the character from the end of Genesis. Today, we turn our attention to one of the New Testament Josephs.

What do we know about Joseph of Arimathea? He was evidently a wealthy man, since he could afford to have a tomb hewn out of rock for himself. He was from a placed called Arimathea, which was a town of Judah (c.f., Luke 23:51). According to a description in the third Gospel (Luke 23:50), he may have been a member of the Sanhedrin. He is, furthermore, described as “a disciple of Jesus,” but, notably, “a secret one, for fear of the Jews” (John 19:38). So he was a man of faith, but a man, in some ways, ashamed of his faith.

Although we don’t know a great deal about him, what we do know is very telling. In the mind of the Gospel writers, the early life of Joseph of Arimathea is totally inconsequential. All that matters is the scene immediately following the death of Jesus. This single afternoon defined his entire character. It is, in fact, the only day of his life for which history remembers him.

There are two major things Joseph of Arimathea did on this particular day that are worthy of our special attention. The first is described in the Gospel of Luke: “He went to Pilate and asked for the Body of Jesus” (Luke 23:52). That word, “asked,” really catches my attention. In Greek, it’s a very strong word (ᾐτήσατο). It can mean to ask, or beg, or desire, or crave, or even demand.

Imagine that: Joseph of Arimathea desired, even craved the body of Jesus. Don’t you imagine Joseph of Nazareth felt that same way as Mary was pregnant with Jesus? Don’t you think he craved to see Who this little Child would be? The initiative of Joseph to go to Pilate and ask for the Body of Jesus is simply amazing.

The second major thing that Joseph of Arimathea did that day is described in the Gospel of John: “In the place where [Jesus] had been crucified there was a garden, and in the garden a new tomb, in which no one had yet been buried. . . . So they laid Jesus there” (John 19:41-42). Had it not been for this one great act of generosity, in which he gave our Lord a tomb, the name “Joseph of Arimathea” would have been forgotten centuries ago. But, instead, because of his generosity, he is well remembered. It is also significant that it was not just any tomb, but “a new tomb, in which no man had yet been buried.” As Bishop Sheen famously said, Jesus was “born of a virgin womb [and] buried in a virgin tomb, . . . ‘and a Joseph did betroth them both’” (Life of Christ, Chapter 53). He goes on to add, “Born in a stranger’s cave [at Bethlehem, Jesus was] buried in a stranger’s grave” near Calvary.

And it all came to pass because a man named Joseph—Joseph of Arimathea—gave of his wealth to perform a corporal work of mercy for his Lord. We could consider it the first memorial contribution in the history of the Church, but I don’t think he had a nameplate put on the tomb (!). By giving Jesus a tomb, of course, Joseph was not consigning Him to death. Quite the contrary in fact. By giving Him a tomb, Joseph gave the Lord a place to come to life again.

There is a tremendous beauty in these two great acts of Joseph of Arimathea—the acts whereby he “asked for the Body of Jesus” and offered Him a tomb. Joseph the Carpenter did something similar. He “craved” for the Body of Jesus in the stable at Bethlehem. Then, by many hidden acts of generosity in Nazareth, he offered Jesus a place—a home—to come to fullness of life.

Now, in our own day, each one of us is called to repeat these same very acts. Whenever we come to Mass or adoration or benediction, we are called to “desire,” to “crave” for the Body of Jesus in the Eucharist. Then, as we receive Him physically into our bodies, we are called to give Jesus a place within ourselves to come to life again.

Do we truly crave after the Lord? Are we generous enough to give Him a place in our hearts? May our craving lead us to the Eucharist, and may the Eucharist bring Jesus to life within us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The plan to definitively abolish the traditional Tridentine Mass … if it is true, seems to me to be an insult to the history of the Church and to Sacred Tradition, a diabolical project that seeks to break with the Church of Christ, the apostles, and the saints.”

— The Vatican’s chief liturgist (appointed by Pope Francis) from 2014-2021

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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