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Views from the Choir Loft

St. Joseph Triduum — Installment No. 1

Fr. David Friel · March 15, 2012

The Solemnity of Saint Joseph is for many Catholics (especially Italians) a beloved annual respite from the Great Fast of Lent. I would like to offer three reflections in the coming days as a sort of “triduum” as we approach this feast on March 19th.

How many men named Joseph would you guess are mentioned in the Bible? I was surprised that I was able to find at least twelve different Josephs.

1. Joseph, the husband of Mary (Luke 1:27)
2. Joseph, the son of Jacob (Genesis 37-50)
3. Joseph, the father of Igal (Numbers 13:7)
4. Joseph, son of Asaph, a musician of David (1 Chronicles 5:2, 9)
5. Joseph, a Jew who divorced his Gentile wife after the captivity (Ezra 10:42)
6. Joseph, a chief priest (Nehemiah 12:14)
7. Joseph, son of Mattathias (Luke 3:24)
8. Joseph, father of Judah (Luke 3:30)
9. Joseph of Arimathea, buried Jesus in his personal tomb (John 19:38)
10. Joseph, son of Juda (Luke 3:26)
11. Joseph Barsabas, also called Justus (Acts 1:23-25)
12. Joseph, a Levite of Cyprus (Acts 4:36)

The most obvious Joseph is the foster father of Jesus, but he is certainly not the only one. I propose that we may be able to learn from a closer inspection of two of the other Josephs. Thus, our first reflection will consider the man we shall call Joseph of Egypt, the son of Jacob who becomes a major character in the Book of Genesis. In the second reflection, we shall reflect upon Joseph of Arimathea, the man in whose tomb Jesus was buried. And finally, in the third reflection, we shall focus solely upon Joseph of Nazareth, the foster father of Jesus.

Most people know more about Joseph, the son of Jacob, than they might think. He is the Joseph who wore the “coat of many colors.” He is the Joseph who had wild dreams and could interpret other people’s dreams. He is the Joseph who was one of twelve brothers. So, things started out fairly well for this Joseph. He had a good background.

But things went rapidly downhill. His brothers all turned on him and decided to kill him. Then, rather than actually kill him, they decided to sell him into slavery in Egypt for twenty pieces of silver. While he was in Egypt, a woman named Potiphar tried to seduce him, but, when he resisted, she made a wrongful accusation against him. Then he was thrown into prison unjustly, all the while cut off from his home and family.

What caused everything to fall apart? Genesis 37:3 presents the ironic key to understanding this sudden turn of fate. In that verse, it is written that “Israel [Jacob] loved Joseph best of all his sons, for he was the child of his old age.” It is this love, strangely, that becomes the cause of Joseph’s downfall. Because Jacob had shown favoritism to his son Joseph, the other eleven brothers became jealous. They saw the way their father treated him better, and it became the key to his undoing.

Jacob, had he been a wiser father, could have approached his children differently. I have a brother and two sisters, for example, and we used to pester my mom when we were kids, asking her which one of us she loved best. My brother, who is the oldest, would claim to be “the one she loved first.” I, as the youngest, would claim to be “the one she loved most.” But, my mother, in her wisdom, has always given the same reply: “I love each of you equally.”

So, what does the Old Testament story of Joseph of Egypt have to teach us? It tells us something about the love of a father, which needs to be constant & fair & strong. Whereas Jacob made a mistake by favoring one son over his others, God the Father never makes that mistake. God the Father, to be sure, has an intense love for Jesus, His Son. But here is an unfathomable truth: God does not love us any less! All of us who have been baptized are God’s children by adoption—truly beloved sons & daughters. And He loves all of us with the same intensity with which He loves Jesus. What an incredible blessing: God the Father does not love us any less than He loves God the Son.

Saint Joseph was a good Jew who knew his Bible, so he would have known & loved & been inspired by this story of his namesake, Joseph of Egypt. Although Saint Joseph had only one son, not twelve, he is still a father to all of us, inasmuch as he is the “Patron of the Universal Church.” He would have learned from the mistake of Jacob, who “loved Joseph best of all his sons.” Centuries later, this story taught Saint Joseph how to love Jesus with constant, fair, and strong—fatherly—love.

And now, Saint Joseph, just like God the Father, looks upon us and says: “I love each of you equally.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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