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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Response to the Flood

Fr. David Friel · March 1, 2012

When the world seemed lost and gone too far astray, God brought mankind back by means of the great flood. Two-by-two, representatives of every creature had to pile onboard the ark to be saved.

Even now, God uses the same mechanism to bring us back. From the earliest Christian centuries, the great saints and Fathers have always seen in the ark a symbol of the Church. Indeed, now, in our times, we must all pile onboard the ark of the Church to be saved.

Although we can never be baptized again, God empowers His Church with another Sacrament that can bring us back from the evil and sin that still persists in our lives. God offers us the Sacrament of Penance so that, “through the ministry of the Church,” we may be kept safe from the floodwaters that surround us.

This Lent, let’s get on board. Let’s make use of the Sacrament of Reconciliation. Let’s climb aboard the ark of the Church. Waves are coming, I assure you. As a priest of Philadelphia, I know well that the tide is rising and, before this Lent is over, we will be surrounded by many floods. But the solution is not to break free—to somehow try to make a go of it on our own, jumping ship in the hope of finding our way to some illusory island of refuge.

Doing that, we are destined to drown. The real solution, as always, is actually to step closer to the heart of the Church. The Church, after all, is not just some incorporation founded by men. The Church is our Mother, given to us by Christ, Himself. The Church is the Ark of our salvation! This is what it means to believe that extra ecclesia nulla salus (“outside the Church, there is no salvation”). It was the ark that spared Noah from the flood; it was Baptism that spared us from original sin; and it is confession that spares us from our personal sins. Apart from Christ & His Church, we are nothing but hapless sinners.

Perhaps each of us could reach out to someone we know who has somehow become disenfranchised from the Church and invite them to come onboard with us. Even today, thousands of years after the flood, it’s still easier to go two-by-two than to do it alone.

God’s promise to Noah was that “the waters shall never again become a flood to destroy all mortal beings” (Genesis 9:15). How similar are Christ’s words to Peter: “Upon this rock, I will build My Church, and the gates of the netherworld shall not prevail against it” (Matthew 16:18). From another angle, Bishop Sheen once reflected that “there are not more than 100 people in the world who truly hate the Catholic Church, but there are millions who hate what they perceive to be the Catholic Church.”

This Lent, let’s fall in love with the Church for Who She really is. She is not a sinking ship. She is the Ark of our salvation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

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