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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Roman Missal 3.0 — Installment no. 1

Fr. David Friel · February 3, 2012

A bit over two months have passed since the English-speaking world received the new translation of the “Roman Missal Three-Point-O.” Because the missal is intimately connected with Holy Mass, there is literally no end to what could be said about it.

Recently, though, I gave an adult education presentation on the topic in my parish. I limited myself to speaking on five central “highlights” and left the rest of the session to questions and answers. I would like to present those same, five central points as a five-part series in this written forum. These observations are not intended to constitute a comprehensive analysis of the missal, but I hope they will serve as insights into the treasures we have just received.

My first highlight concerns the Church as “She.” The beautiful new rendering of the Roman Canon includes these words:

“Accept and bless these gifts, these offerings, these holy and unblemished sacrifices, which we offer you firstly for your holy catholic Church. Be pleased to grant her peace, to guard, unite, and govern her throughout the whole world.”

And, in the prayer that follows the Embolism and leads into the Sign of Peace, we now pray:

“Look not on our sins, but on the faith of your Church, and graciously grant her peace and unity in accordance with your will.”

The use of the feminine singular pronoun may strike our ears strangely, since we have been referring the Holy Mother Church as “it” for the last forty-some years. The feminine pronoun is, however, a very fitting usage (and one we should employ in our own speech concerning the Church). Why?

Because the Church is the Bride of Christ, and She is our Mother. The Bible uses lots of imagery, and one of the most pervasive, overriding images of Scripture is the marriage of Christ with the Church. The image begins in Genesis and extends throughout all the prophets; it is mentioned in the Gospels, and it takes center stage as the wedding feast of the Lamb in the Book of Revelation. Cover-to-cover, the Bible is the story of the marriage between Christ and His Church. Just as in earthly marriage, this heavenly marriage necessitates the union of a man with a woman in an inseparable bond that is faithful, fruitful, and utterly free. For this reason, the Church has always been regarded as a feminine entity. Now our English liturgical prayers reflect that great truth.

Blessed Isaac of Stella makes a comparison between Mary and the Church. He points out that both are Mothers. Both, moreover & mysteriously, are virgins—women blessed with generativity, though not with sexual union. Mary is the Church in nucleo: at Bethlehem, at Nazareth, at Golgotha, at Pentecost, and at the Assumption.

Like Mary, the Church is, indeed, our Mother. May She always be honored as such!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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