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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Emporium Kevin Allen • Official Site

Emporium Kevin Allen • Official Site

EVIN ALLEN has been highly regarded as a composer of opera, chamber and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. By popular demand, his works are now being made available in EMPORIUM KEVIN ALLEN. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. He is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. Mr. Allen is also the choirmaster of the Monastery of the Holy Cross in Chicago.

🔴 Available on Amazon as of 29 June 2025:
Hymns of John Henry Cardinal Newman: Kevin Allen’s Legendary Choral Settings

+  STOWE MISSAL EUCHARISTIC MOTETS (SAB)
—For Soprano, Alto, and Bass • 28-page book • This is Volume 1 (additional volumes will be released each year) • These pieces employ the ancient communion texts from the 7th-century STOWE MISSAL.

+  MATRI DIVINAE GRATIAE (SAB)
—Simple pieces for Soprano, Alto, and Bass • sample page • 42-page book.

+ MISSA FIDELIS SERVUS
—SATB; A Cappella; Kyrie, Gloria, Credo, Sanctus, Agnus Dei • 25-page book.

+  MISSA NUN KOMM DER HEIDEN HEILAND
—SATB • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 12-page book.

+  MISSA AD TE LEVAVI
—SSA • Kyrie, Credo, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 17-page book.

+  MISSA CHRISTUS REX
—SATB with Organ • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 24-page book.

+  MISSA PRO DEFUNCTIS QUINQUE VOCUM
—“Mass for the Dead” for SSATB chorus, a cappella • 55-page book • Requiem Mass.

+  MISSA BREVIS
—“Missa Brevis” for SATB chorus, a cappella • 13-page book.

+  MISSA ORBIS FACTOR
—For Treble Chorus, Chant Schola, and Strings Conductor’s Score (Full Score) with String parts (Violin I, Violin II, Viola, Violoncello, Contrabass) • 42-page book.
MMM Note: For “Missa Orbis Factor,” the Schola and Treble Chorus will sing from The Rehearsal Score (which has piano reduction).

+  MISSA REX GENITOR
—Mass for three equal voices • 25-page book • 34 practice videos by Matthew J. Curtis.

+  CANTIONES SACRAE II
—Fifteen SATB motets • 55-page book • includes the famous “Tantum Ergo” which opens Sacred, Beautiful, & Universal • 15 free practice videos by Matthew J. Curtis.

+  MISSA REX SPLENDENS
—Mass for SA chorus, chant schola, & organ • 30-page book • based on Gregorian Chant Mass VII in the Kyriale.

+  “I Sing of a Maiden”
—SATB + ORGAN • 8 pages long.

+  MOTECTA TRIUM VOCUM
—Twelve (12) motets for three equal voices • 64-page book • includes optional Psalms in Latin & English • more than 56 free practice videos by Matthew J. Curtis.

+  Missa de Beata Virgine • SATB Chorus A Cappella
—34 pages; Kyrie, Gloria, Credo, Sanctus, Hosanna, Benedictus, Hosanna, Agnus Dei.

+  CANTIONES SACRAE SIMPLICES (SATB)
—Twelve simple SATB motets • 84-page book • includes optional Psalms in Latin & English • more than 150 free practice videos by Matthew J. Curtis • Foreword by Dr. William Mahrt • Hear a live recording of one of these motets sung at the Vatican by the choir of the Sistine Chapel.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

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  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

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