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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Emporium Kevin Allen • Official Site

Emporium Kevin Allen • Official Site

EVIN ALLEN has been highly regarded as a composer of opera, chamber and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. By popular demand, his works are now being made available in EMPORIUM KEVIN ALLEN. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. He is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. Mr. Allen is also the choirmaster of the Monastery of the Holy Cross in Chicago.

🔴 Available on Amazon as of 29 June 2025:
Hymns of John Henry Cardinal Newman: Kevin Allen’s Legendary Choral Settings

+  STOWE MISSAL EUCHARISTIC MOTETS (SAB)
—For Soprano, Alto, and Bass • 28-page book • This is Volume 1 (additional volumes will be released each year) • These pieces employ the ancient communion texts from the 7th-century STOWE MISSAL.

+  MATRI DIVINAE GRATIAE (SAB)
—Simple pieces for Soprano, Alto, and Bass • sample page • 42-page book.

+ MISSA FIDELIS SERVUS
—SATB; A Cappella; Kyrie, Gloria, Credo, Sanctus, Agnus Dei • 25-page book.

+  MISSA NUN KOMM DER HEIDEN HEILAND
—SATB • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 12-page book.

+  MISSA AD TE LEVAVI
—SSA • Kyrie, Credo, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 17-page book.

+  MISSA CHRISTUS REX
—SATB with Organ • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 24-page book.

+  MISSA PRO DEFUNCTIS QUINQUE VOCUM
—“Mass for the Dead” for SSATB chorus, a cappella • 55-page book • Requiem Mass.

+  MISSA BREVIS
—“Missa Brevis” for SATB chorus, a cappella • 13-page book.

+  MISSA ORBIS FACTOR
—For Treble Chorus, Chant Schola, and Strings Conductor’s Score (Full Score) with String parts (Violin I, Violin II, Viola, Violoncello, Contrabass) • 42-page book.
MMM Note: For “Missa Orbis Factor,” the Schola and Treble Chorus will sing from The Rehearsal Score (which has piano reduction).

+  MISSA REX GENITOR
—Mass for three equal voices • 25-page book • 34 practice videos by Matthew J. Curtis.

+  CANTIONES SACRAE II
—Fifteen SATB motets • 55-page book • includes the famous “Tantum Ergo” which opens Sacred, Beautiful, & Universal • 15 free practice videos by Matthew J. Curtis.

+  MISSA REX SPLENDENS
—Mass for SA chorus, chant schola, & organ • 30-page book • based on Gregorian Chant Mass VII in the Kyriale.

+  “I Sing of a Maiden”
—SATB + ORGAN • 8 pages long.

+  MOTECTA TRIUM VOCUM
—Twelve (12) motets for three equal voices • 64-page book • includes optional Psalms in Latin & English • more than 56 free practice videos by Matthew J. Curtis.

+  Missa de Beata Virgine • SATB Chorus A Cappella
—34 pages; Kyrie, Gloria, Credo, Sanctus, Hosanna, Benedictus, Hosanna, Agnus Dei.

+  CANTIONES SACRAE SIMPLICES (SATB)
—Twelve simple SATB motets • 84-page book • includes optional Psalms in Latin & English • more than 150 free practice videos by Matthew J. Curtis • Foreword by Dr. William Mahrt • Hear a live recording of one of these motets sung at the Vatican by the choir of the Sistine Chapel.

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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