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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Emporium Kevin Allen • Official Site

Emporium Kevin Allen • Official Site

EVIN ALLEN has been highly regarded as a composer of opera, chamber and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. By popular demand, his works are now being made available in EMPORIUM KEVIN ALLEN. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. He is the founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata. Mr. Allen is also the choirmaster of the Monastery of the Holy Cross in Chicago.

+  STOWE MISSAL EUCHARISTIC MOTETS (SAB)
—For Soprano, Alto, and Bass • 28-page book • This is Volume 1 (additional volumes will be released each year) • These pieces employ the ancient communion texts from the 7th-century STOWE MISSAL.

+  MATRI DIVINAE GRATIAE (SAB)
—Simple pieces for Soprano, Alto, and Bass • sample page • 42-page book.

+ MISSA FIDELIS SERVUS
—SATB; A Cappella; Kyrie, Gloria, Credo, Sanctus, Agnus Dei • 25-page book.

+  MISSA NUN KOMM DER HEIDEN HEILAND
—SATB • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 12-page book.

+  MISSA AD TE LEVAVI
—SSA • Kyrie, Credo, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 17-page book.

+  MISSA CHRISTUS REX
—SATB with Organ • Kyrie, Gloria, Sanctus & Hosanna, Benedictus & Hosanna, Agnus Dei • sample page • 24-page book.

+  MISSA PRO DEFUNCTIS QUINQUE VOCUM
—“Mass for the Dead” for SSATB chorus, a cappella • 55-page book • Requiem Mass.

+  MISSA BREVIS
—“Missa Brevis” for SATB chorus, a cappella • 13-page book.

+  MISSA ORBIS FACTOR
—For Treble Chorus, Chant Schola, and Strings Conductor’s Score (Full Score) with String parts (Violin I, Violin II, Viola, Violoncello, Contrabass) • 42-page book.
MMM Note: For “Missa Orbis Factor,” the Schola and Treble Chorus will sing from The Rehearsal Score (which has piano reduction).

+  MISSA REX GENITOR
—Mass for three equal voices • 25-page book • 34 practice videos by Matthew J. Curtis.

+  CANTIONES SACRAE II
—Fifteen SATB motets • 55-page book • includes the famous “Tantum Ergo” which opens Sacred, Beautiful, & Universal • 15 free practice videos by Matthew J. Curtis.

+  MISSA REX SPLENDENS
—Mass for SA chorus, chant schola, & organ • 30-page book • based on Gregorian Chant Mass VII in the Kyriale.

+  “I Sing of a Maiden”
—SATB + ORGAN • 8 pages long.

+  MOTECTA TRIUM VOCUM
—Twelve (12) motets for three equal voices • 64-page book • includes optional Psalms in Latin & English • more than 56 free practice videos by Matthew J. Curtis.

+  Missa de Beata Virgine • SATB Chorus A Cappella
—34 pages; Kyrie, Gloria, Credo, Sanctus, Hosanna, Benedictus, Hosanna, Agnus Dei.

+  CANTIONES SACRAE SIMPLICES (SATB)
—Twelve simple SATB motets • 84-page book • includes optional Psalms in Latin & English • more than 150 free practice videos by Matthew J. Curtis • Foreword by Dr. William Mahrt • Hear a live recording of one of these motets sung at the Vatican by the choir of the Sistine Chapel.

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Corpus Christi Watershed

President’s Corner

    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

  • Proof Which All Can Immediately See!
  • New Bulletin Article • “8 June 2025”
  • “The Adalbert Propers” • Six (6) Quotations
  • PDF Download • “Entrance Chant” for 29 June … Which Falls on a Sunday This Year!
  • “Music List” • 6th Sunday of Easter (Year C)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.