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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Enrico Zoffoli and the Passion of the Lord

Aurelio Porfiri · July 17, 2014

0319_Pope_Fran-XL F THERE IS ONE THING I have really come to despise, it is this kind of sweet Christianity that is so much in fashion in the last decades. Everything is good, everyone is nice, everything is allowed. This kind of honey atmosphere really makes me sick, because it is really far from true Christianity. As Pope Francis said, the church is more like a field hospital.

Many have criticized him for this, but I find this is a deeply Christian definition that takes into account the sickness of our souls, beyond the suffocating hypocrisy that surrounds us. Indeed the church is there to console those that are fighting in the spiritual fight, “Il combattimento spirituale”, as it says in a famous book by Lorenzo Scupoli (1530-1610).

Our liturgies are now the receptacle of sad shows with uplifting music “for the youths”, as if in life all is joyful and gracious. It is not. I know many people fight to show that scientific Darwinism is a theory. I am not in the position to judge about that. But social Darwinism is a reality, people fighting each other pursuing their own agenda. The church is not different. How many church men, priests and laypeople, are just following their own agenda to be served by the church and not to serve the church? So, this emphasis on the joyful Christianity I think is misleading, to say the least.

IT WILL NOT BE BAD here for me to remember a man that has meant a great deal to me. Father Enrico Zoffoli (1915-1996) was a Passionist, a philosopher and a man sincerely seeking God. I met him when he was already nearing 80 and I became one of his philosophy students. I remember talking with him about all his upcoming books (he wrote many, I think over 70) and for some of them I followed the whole process through his confidences. He was a man sincerely seeking God and defending the church, and for this he made many enemies. My girlfriend of that time and I were very close to him. I remember him on his death bed calling us “his angels”.

He was a member of the Pontifical Academy of Saint Thomas, an elite pontifical institution for philosophers and theologians. And this academy—in commemoration of him—organized a seminar with speakers, among them, Father Raimondo Spiazzi (1918-2002), a famous Dominican preacher, that I also had the pleasure to meet several times. On the occasion of the commemoration I presented one of my oratorios called “Via Crucis”, dedicated to padre Zoffoli using his texts. Padre Zoffoli in his books always emphasizes one point: the Mass is the memory of the Passion of the Lord, his Sacrifice, and so to move the emphasis on the Resurrection is misleading.

In a 1994 book called “Questa e’ la Messa, non altro!” (This is the Mass, not other!), there is this passage:

“This is, in essence, Christian theology of the mystery of the Cross; for whom the glory of the Risen Christ would be an illusion, if was not real and infinitely meritorious the atoning immolation of the Crucified Christ. Catholic worship, does not know neither offer others in the Eucharistic liturgy; and it is for this that, if the Mass would not be the Sacrament of the Sacrifice; the Church – as visible, religious, hierarchical society – would never been in existence” (pg. 18, my translation).

A few lines after saying this he emphasizes again: “Dunque, per Gesu’ – e per noi – la Passione e’ tutto, la Passione decide tutto” (And so, for Jesus – and for us – the Passion is everything, the Passion decides everything). How far is this from many of our forced joyful liturgies?

I have had the fortune of having my books reviewed in national newspapers by well-known journalists. My last book, “Il canto dei secoli” (The song of the centuries) was quoted by Camillo Langone (Il Foglio, November 19, 2013) in his column called “Preghiera” (Prayer). And after appreciating my pointing out this issue of the forced joyful liturgies, he raises this praise to Saint Cecilia: “Saint Cecilia, pray for us little loved, lovers of austere liturgical music, severe, even sad, we that in church are looking for the reasons of pain, because the reasons for pleasure we can find everywhere”. And I cannot say it better than this.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Enrico Zoffoli Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

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