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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Enrico Zoffoli and the Passion of the Lord

Aurelio Porfiri · July 17, 2014

0319_Pope_Fran-XL F THERE IS ONE THING I have really come to despise, it is this kind of sweet Christianity that is so much in fashion in the last decades. Everything is good, everyone is nice, everything is allowed. This kind of honey atmosphere really makes me sick, because it is really far from true Christianity. As Pope Francis said, the church is more like a field hospital.

Many have criticized him for this, but I find this is a deeply Christian definition that takes into account the sickness of our souls, beyond the suffocating hypocrisy that surrounds us. Indeed the church is there to console those that are fighting in the spiritual fight, “Il combattimento spirituale”, as it says in a famous book by Lorenzo Scupoli (1530-1610).

Our liturgies are now the receptacle of sad shows with uplifting music “for the youths”, as if in life all is joyful and gracious. It is not. I know many people fight to show that scientific Darwinism is a theory. I am not in the position to judge about that. But social Darwinism is a reality, people fighting each other pursuing their own agenda. The church is not different. How many church men, priests and laypeople, are just following their own agenda to be served by the church and not to serve the church? So, this emphasis on the joyful Christianity I think is misleading, to say the least.

IT WILL NOT BE BAD here for me to remember a man that has meant a great deal to me. Father Enrico Zoffoli (1915-1996) was a Passionist, a philosopher and a man sincerely seeking God. I met him when he was already nearing 80 and I became one of his philosophy students. I remember talking with him about all his upcoming books (he wrote many, I think over 70) and for some of them I followed the whole process through his confidences. He was a man sincerely seeking God and defending the church, and for this he made many enemies. My girlfriend of that time and I were very close to him. I remember him on his death bed calling us “his angels”.

He was a member of the Pontifical Academy of Saint Thomas, an elite pontifical institution for philosophers and theologians. And this academy—in commemoration of him—organized a seminar with speakers, among them, Father Raimondo Spiazzi (1918-2002), a famous Dominican preacher, that I also had the pleasure to meet several times. On the occasion of the commemoration I presented one of my oratorios called “Via Crucis”, dedicated to padre Zoffoli using his texts. Padre Zoffoli in his books always emphasizes one point: the Mass is the memory of the Passion of the Lord, his Sacrifice, and so to move the emphasis on the Resurrection is misleading.

In a 1994 book called “Questa e’ la Messa, non altro!” (This is the Mass, not other!), there is this passage:

“This is, in essence, Christian theology of the mystery of the Cross; for whom the glory of the Risen Christ would be an illusion, if was not real and infinitely meritorious the atoning immolation of the Crucified Christ. Catholic worship, does not know neither offer others in the Eucharistic liturgy; and it is for this that, if the Mass would not be the Sacrament of the Sacrifice; the Church – as visible, religious, hierarchical society – would never been in existence” (pg. 18, my translation).

A few lines after saying this he emphasizes again: “Dunque, per Gesu’ – e per noi – la Passione e’ tutto, la Passione decide tutto” (And so, for Jesus – and for us – the Passion is everything, the Passion decides everything). How far is this from many of our forced joyful liturgies?

I have had the fortune of having my books reviewed in national newspapers by well-known journalists. My last book, “Il canto dei secoli” (The song of the centuries) was quoted by Camillo Langone (Il Foglio, November 19, 2013) in his column called “Preghiera” (Prayer). And after appreciating my pointing out this issue of the forced joyful liturgies, he raises this praise to Saint Cecilia: “Saint Cecilia, pray for us little loved, lovers of austere liturgical music, severe, even sad, we that in church are looking for the reasons of pain, because the reasons for pleasure we can find everywhere”. And I cannot say it better than this.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Enrico Zoffoli Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Orlando de Lassus died in Munich on 14 June 1594, the selfsame day his employer decided to dismiss him for economic reasons. He never saw the letter.”

— New Grove

Recent Posts

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  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
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