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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Enrico Zoffoli and the Passion of the Lord

Aurelio Porfiri · July 17, 2014

0319_Pope_Fran-XL F THERE IS ONE THING I have really come to despise, it is this kind of sweet Christianity that is so much in fashion in the last decades. Everything is good, everyone is nice, everything is allowed. This kind of honey atmosphere really makes me sick, because it is really far from true Christianity. As Pope Francis said, the church is more like a field hospital.

Many have criticized him for this, but I find this is a deeply Christian definition that takes into account the sickness of our souls, beyond the suffocating hypocrisy that surrounds us. Indeed the church is there to console those that are fighting in the spiritual fight, “Il combattimento spirituale”, as it says in a famous book by Lorenzo Scupoli (1530-1610).

Our liturgies are now the receptacle of sad shows with uplifting music “for the youths”, as if in life all is joyful and gracious. It is not. I know many people fight to show that scientific Darwinism is a theory. I am not in the position to judge about that. But social Darwinism is a reality, people fighting each other pursuing their own agenda. The church is not different. How many church men, priests and laypeople, are just following their own agenda to be served by the church and not to serve the church? So, this emphasis on the joyful Christianity I think is misleading, to say the least.

IT WILL NOT BE BAD here for me to remember a man that has meant a great deal to me. Father Enrico Zoffoli (1915-1996) was a Passionist, a philosopher and a man sincerely seeking God. I met him when he was already nearing 80 and I became one of his philosophy students. I remember talking with him about all his upcoming books (he wrote many, I think over 70) and for some of them I followed the whole process through his confidences. He was a man sincerely seeking God and defending the church, and for this he made many enemies. My girlfriend of that time and I were very close to him. I remember him on his death bed calling us “his angels”.

He was a member of the Pontifical Academy of Saint Thomas, an elite pontifical institution for philosophers and theologians. And this academy—in commemoration of him—organized a seminar with speakers, among them, Father Raimondo Spiazzi (1918-2002), a famous Dominican preacher, that I also had the pleasure to meet several times. On the occasion of the commemoration I presented one of my oratorios called “Via Crucis”, dedicated to padre Zoffoli using his texts. Padre Zoffoli in his books always emphasizes one point: the Mass is the memory of the Passion of the Lord, his Sacrifice, and so to move the emphasis on the Resurrection is misleading.

In a 1994 book called “Questa e’ la Messa, non altro!” (This is the Mass, not other!), there is this passage:

“This is, in essence, Christian theology of the mystery of the Cross; for whom the glory of the Risen Christ would be an illusion, if was not real and infinitely meritorious the atoning immolation of the Crucified Christ. Catholic worship, does not know neither offer others in the Eucharistic liturgy; and it is for this that, if the Mass would not be the Sacrament of the Sacrifice; the Church – as visible, religious, hierarchical society – would never been in existence” (pg. 18, my translation).

A few lines after saying this he emphasizes again: “Dunque, per Gesu’ – e per noi – la Passione e’ tutto, la Passione decide tutto” (And so, for Jesus – and for us – the Passion is everything, the Passion decides everything). How far is this from many of our forced joyful liturgies?

I have had the fortune of having my books reviewed in national newspapers by well-known journalists. My last book, “Il canto dei secoli” (The song of the centuries) was quoted by Camillo Langone (Il Foglio, November 19, 2013) in his column called “Preghiera” (Prayer). And after appreciating my pointing out this issue of the forced joyful liturgies, he raises this praise to Saint Cecilia: “Saint Cecilia, pray for us little loved, lovers of austere liturgical music, severe, even sad, we that in church are looking for the reasons of pain, because the reasons for pleasure we can find everywhere”. And I cannot say it better than this.


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many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Enrico Zoffoli Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

There is a lack of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form. The system of discussion is bad … Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place … Father Bugnini has only one interest: press ahead and finish.

— Cardinal Antonelli (Peritus during the Second Vatican Council)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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