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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Enrico Zoffoli and the Passion of the Lord

Aurelio Porfiri · July 17, 2014

0319_Pope_Fran-XL F THERE IS ONE THING I have really come to despise, it is this kind of sweet Christianity that is so much in fashion in the last decades. Everything is good, everyone is nice, everything is allowed. This kind of honey atmosphere really makes me sick, because it is really far from true Christianity. As Pope Francis said, the church is more like a field hospital.

Many have criticized him for this, but I find this is a deeply Christian definition that takes into account the sickness of our souls, beyond the suffocating hypocrisy that surrounds us. Indeed the church is there to console those that are fighting in the spiritual fight, “Il combattimento spirituale”, as it says in a famous book by Lorenzo Scupoli (1530-1610).

Our liturgies are now the receptacle of sad shows with uplifting music “for the youths”, as if in life all is joyful and gracious. It is not. I know many people fight to show that scientific Darwinism is a theory. I am not in the position to judge about that. But social Darwinism is a reality, people fighting each other pursuing their own agenda. The church is not different. How many church men, priests and laypeople, are just following their own agenda to be served by the church and not to serve the church? So, this emphasis on the joyful Christianity I think is misleading, to say the least.

IT WILL NOT BE BAD here for me to remember a man that has meant a great deal to me. Father Enrico Zoffoli (1915-1996) was a Passionist, a philosopher and a man sincerely seeking God. I met him when he was already nearing 80 and I became one of his philosophy students. I remember talking with him about all his upcoming books (he wrote many, I think over 70) and for some of them I followed the whole process through his confidences. He was a man sincerely seeking God and defending the church, and for this he made many enemies. My girlfriend of that time and I were very close to him. I remember him on his death bed calling us “his angels”.

He was a member of the Pontifical Academy of Saint Thomas, an elite pontifical institution for philosophers and theologians. And this academy—in commemoration of him—organized a seminar with speakers, among them, Father Raimondo Spiazzi (1918-2002), a famous Dominican preacher, that I also had the pleasure to meet several times. On the occasion of the commemoration I presented one of my oratorios called “Via Crucis”, dedicated to padre Zoffoli using his texts. Padre Zoffoli in his books always emphasizes one point: the Mass is the memory of the Passion of the Lord, his Sacrifice, and so to move the emphasis on the Resurrection is misleading.

In a 1994 book called “Questa e’ la Messa, non altro!” (This is the Mass, not other!), there is this passage:

“This is, in essence, Christian theology of the mystery of the Cross; for whom the glory of the Risen Christ would be an illusion, if was not real and infinitely meritorious the atoning immolation of the Crucified Christ. Catholic worship, does not know neither offer others in the Eucharistic liturgy; and it is for this that, if the Mass would not be the Sacrament of the Sacrifice; the Church – as visible, religious, hierarchical society – would never been in existence” (pg. 18, my translation).

A few lines after saying this he emphasizes again: “Dunque, per Gesu’ – e per noi – la Passione e’ tutto, la Passione decide tutto” (And so, for Jesus – and for us – the Passion is everything, the Passion decides everything). How far is this from many of our forced joyful liturgies?

I have had the fortune of having my books reviewed in national newspapers by well-known journalists. My last book, “Il canto dei secoli” (The song of the centuries) was quoted by Camillo Langone (Il Foglio, November 19, 2013) in his column called “Preghiera” (Prayer). And after appreciating my pointing out this issue of the forced joyful liturgies, he raises this praise to Saint Cecilia: “Saint Cecilia, pray for us little loved, lovers of austere liturgical music, severe, even sad, we that in church are looking for the reasons of pain, because the reasons for pleasure we can find everywhere”. And I cannot say it better than this.


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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Enrico Zoffoli Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron). It would be difficult to phrase things more clearly than the pope: viz. the ADALBERT PROPERS are for recited Masses, the GRADUALE PROPERS are for Masses with singing.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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