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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Dr. Lucas Tappan

Dr. Lucas Tappan · December 21, 2012

UCAS TAPPAN is the Director of Liturgy and Music for Most Pure Heart of Mary Catholic Church in Topeka, KS, as well as the founder and director of the Most Pure Heart of Mary Schola Cantorum, an after-school choral foundation in the tradition of the EUROPEAN CATHEDRAL CHOIR SCHOOL. The Schola Cantorum serves more than 50 children from the parish and surrounding area, serving to pass on the Church’s great musical and liturgical heritage. Dr. Tappan graduated in 2004 from Benedictine College in Atchison, KS—where he studied organ under Fr. Blaine Schultz, OSB, and Dr. Ruth Krusemark—earning degrees in Music and Theology. He earned his Master of Music in Church Music (organ performance) in 2009 from the University of Kansas and in 2014 was granted a Doctorate of Musical Arts in Church Music (choral conducting) from the same institution. His teachers included Michael Bauer (organ), James Higdon (organ), and Paul Tucker (choral conducting).

*  DR. LUCAS TAPPAN • Publicity Photo (A)

*  DR. LUCAS TAPPAN • Publicity Photo (B)

In 2012, Dr. Tappan was privileged to spend six weeks observing the training of choristers at the Madeleine Choir School at the Cathedral of the Madeleine in Salt Lake City, Utah—an experience that has greatly shaped the way he trains choristers. The Gentlemen and Children of the MPHM Schola Cantorum released their first CD in November 2014, and in January of 2016 they traveled to Rome to sing at St. Peter’s Basilica—joining the Sistine Chapel Choir—alongside several other children’s choirs from the Americas and Europe for the first CHILDREN’S FESTIVAL FOR EPIPHANY, sponsored by the Fondazione Pro Musica e Arte Sacra.

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Each summer, Dr. Tappan returns to Benedictine College for two weeks to work with high school students in a program that allows them to study music alongside theology. Dr. Tappan lives in Kansas with his wife and four children, where he pursues a wide range of interests from all things German to playing the Scottish bagpipes. However, a number of years ago he and his wife purchased a 1936 colonial, and because the only thing that works in an old home is the owner, his free time is not as free as he would like. Dr. Tappan may be contacted at: theartofthechorister@gmail.com.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: July 11, 2025

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

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  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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