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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Dr. Alfred Calabrese

Dr. Alfred Calabrese · January 15, 2013

ALLED “one of the finest conductors of his generation” by maestro Robert Shaw, Alfred Calabrese enjoys a diverse career as conductor, educator, composer, scholar, and church musician. He has been director of choral activities at Southern Methodist University, Emory University, and Brevard College, Visiting Professor at Indiana University, and guest lecturer at the University of Notre Dame, the University of South Carolina, and the Conservatoire de Versailles. Since 2007 he has been Director of Music at Saint Rita Catholic Church in Dallas, TX, where he oversees a music program with six choirs including the newly established St. Rita Choral Academy, professional singers and organists, and six full and part-time staff members. Calabrese holds the Master of Music and Doctor of Music degrees in Conducting from the prestigious Jacobs School of Music at Indiana University. He has prepared choirs for several prominent conductors including John Nelson and Sir David Willcocks, and in the early 1990’s was an assistant conductor to Robert Shaw and the Grammy © Award winning Atlanta Symphony Chorus.  He worked in close collaboration with Maestro Shaw for three years, rehearsing the ASOC in works as diverse as Mahler Symphony #2, #3, and #8; Berlioz Romeo et Juliette; Janáček Glagolitic Mass, Verdi Quattro Pezzi Sacri, and the annual Christmas with Robert Shaw concerts.

*  DR. ALFRED CALABRESE • Publicity Photo (A)

*  DR. ALFRED CALABRESE • Publicity Photo (B)

Possessing an affinity for compositions for orchestra and choir, his repertoire includes, among others, major works of Bach, Brahms, Britten, Mendelssohn, Mozart, Schubert, Handel, Haydn, Stravinsky, Fauré, Duruflé, Poulenc, and Pärt, and well over 500 smaller pieces for choir alone. In 2005 he led performances of I Pagliacci and Cavalleria Rusticanafor the Atlantic Coast Opera Company. His orchestral repertoire includes symphonies and concerti of Beethoven, Mozart, Poulenc, Handel, Weber, Dvorak among others. Calabrese has been a guest conductor and clinician in America and abroad. As a clinician, he has conducted All-State and honor choirs and has participated in numerous festivals and clinics throughout the United States.  He was a guest conductor at the Conservatoire de Versailles in both 2013 and 2019 and in concerts with l’Ensemble Polyphonique de Versailles. He is presently a guest conductor with the festivals of the American Federation Pueri Cantores.

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Dr. Calabrese has been composing and arranging intermittently since 1990 and self publishes. His compositions since 2007 are primarily for the liturgy, including a nearly completed three-year cycle of Responsorial Psalms for the church year. These have been performed across the country in recent years. Presently, he is at work setting the ad libitum Communion propers as Latin motets for SAB Choir. Dr. Calabrese was born and raised in upstate New York, in the small town of Waterford. A cradle Catholic, his youth was colored and influenced by his strong Italian-American heritage, the Catholic culture of his family and the upstate area, and the beauty of his boyhood parish, St. Mary of the Assumption, Waterford, known affectionately as “the little Cathedral on the hill,” where he sang in the choir beginning at age 15. He is married to Cynthia Calabrese, a musician and development executive. They have two grown children who both work for Catholic-based organizations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: August 27, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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