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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Paul’s Choir School • Open Houses

Richard J. Clark · September 27, 2019

HE ONLY all boys Roman Catholic choir school in the United States, St. Paul’s Choir School, Harvard Square, is holding open houses soon (listed below). Additionally, the school is very happy to invite boys to “shadow” throughout the school day to get a hands-on experience. Financial aid is available. This is a special opportunity to explore a unique and life-changing Catholic education.


Educate & Elevate – Open Houses Following the Great Cathedral School Tradition

AINT PAUL’S Choir School provides boys in grades 3-8 with an extraordinary learning experience. SPCS integrates a rigorous, academic day school with the performance of choral masterworks at home, internationally, and with renowned groups such as the Boston Symphony Orchestra. Saint Paul’s features small classes and teaches the core subjects of Math, Literature, Social Studies, and Science along with Rhetoric, Latin, and Music Theory.

PDF • Download information here!

Boys who enter Saint Paul’s Choir School need only an interest in singing. Choral instruction, rigor, and practice shape them into the beautiful chorus and choristers Saint Paul’s is known for.

SPCS CORDIALLY INVITES you and your son to our Open Houses and vocal auditions on the following dates:

• Thursday, October 24 from 5:30-7:30 p.m.
• Sunday, November 3 from 12:30-2:30 p.m.
• Thursday, January 30 from 5:30-7:30 p.m.

For more information, click here to see our website or
click here to email Patrick Moran, Director of Admissions.

N A MORE PERSONAL NOTE, my son has begun his studies at Saint Paul’s Choir School. While he loved his previous school, he was thrilled to begin St. Paul’s. As parents, our interest in Saint Paul’s is just as much academic as it is musical (perhaps more). With academics—bolstered by new Headmaster, Dr. Thomas Haferd—coupled with unique performance opportunities, the boys are sought after by excellent high schools and colleges.

Most importantly, the boys are immersed in the traditions of the Catholic Faith, attending, and singing at Mass six days per week. They are guided by the Pastor and Senior Chaplain, Fr. William Kelly, who also graduated from St. Paul’s having studied with the school’s legendary founder and visionary, Theodore Marier. Notably it was at St. Paul’s where Fr. Kelly first considered the priesthood. (At the time it was called the Boston Archdiocesan Choir School. “St. Paul’s Choir School” is the original and current name.)

The greatest thing Saint Paul’s has to offer is its bedrock of Catholicism. Thomas Carroll, Superintendent of Schools for the Archdiocese of Boston implores that Catholic Schools embrace their Catholicism as their greatest strength. He writes in the Boston Pilot:

Some Catholic school leaders wrongly believe that they should de-emphasize faith as they seek to market their schools in a broadly secular society. This is a mistake. Given competition from free district schools and free charter schools, a Catholic school will not prevail by positioning itself as a tuition-charging secular (non-religious) school. Our schools can “go further with faith.” What Catholic schools offer is something more transcendent than any secular school can ever offer. This is our strength, not a weakness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Education, Saint Pauls Choir School Harvard Square Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

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