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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Paul’s Choir School • Open Houses

Richard J. Clark · September 27, 2019

HE ONLY all boys Roman Catholic choir school in the United States, St. Paul’s Choir School, Harvard Square, is holding open houses soon (listed below). Additionally, the school is very happy to invite boys to “shadow” throughout the school day to get a hands-on experience. Financial aid is available. This is a special opportunity to explore a unique and life-changing Catholic education.


Educate & Elevate – Open Houses Following the Great Cathedral School Tradition

AINT PAUL’S Choir School provides boys in grades 3-8 with an extraordinary learning experience. SPCS integrates a rigorous, academic day school with the performance of choral masterworks at home, internationally, and with renowned groups such as the Boston Symphony Orchestra. Saint Paul’s features small classes and teaches the core subjects of Math, Literature, Social Studies, and Science along with Rhetoric, Latin, and Music Theory.

PDF • Download information here!

Boys who enter Saint Paul’s Choir School need only an interest in singing. Choral instruction, rigor, and practice shape them into the beautiful chorus and choristers Saint Paul’s is known for.

SPCS CORDIALLY INVITES you and your son to our Open Houses and vocal auditions on the following dates:

• Thursday, October 24 from 5:30-7:30 p.m.
• Sunday, November 3 from 12:30-2:30 p.m.
• Thursday, January 30 from 5:30-7:30 p.m.

For more information, click here to see our website or
click here to email Patrick Moran, Director of Admissions.

N A MORE PERSONAL NOTE, my son has begun his studies at Saint Paul’s Choir School. While he loved his previous school, he was thrilled to begin St. Paul’s. As parents, our interest in Saint Paul’s is just as much academic as it is musical (perhaps more). With academics—bolstered by new Headmaster, Dr. Thomas Haferd—coupled with unique performance opportunities, the boys are sought after by excellent high schools and colleges.

Most importantly, the boys are immersed in the traditions of the Catholic Faith, attending, and singing at Mass six days per week. They are guided by the Pastor and Senior Chaplain, Fr. William Kelly, who also graduated from St. Paul’s having studied with the school’s legendary founder and visionary, Theodore Marier. Notably it was at St. Paul’s where Fr. Kelly first considered the priesthood. (At the time it was called the Boston Archdiocesan Choir School. “St. Paul’s Choir School” is the original and current name.)

The greatest thing Saint Paul’s has to offer is its bedrock of Catholicism. Thomas Carroll, Superintendent of Schools for the Archdiocese of Boston implores that Catholic Schools embrace their Catholicism as their greatest strength. He writes in the Boston Pilot:

Some Catholic school leaders wrongly believe that they should de-emphasize faith as they seek to market their schools in a broadly secular society. This is a mistake. Given competition from free district schools and free charter schools, a Catholic school will not prevail by positioning itself as a tuition-charging secular (non-religious) school. Our schools can “go further with faith.” What Catholic schools offer is something more transcendent than any secular school can ever offer. This is our strength, not a weakness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Education, Saint Pauls Choir School Harvard Square Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

Recent Posts

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  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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