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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Paul’s Choir School • Open Houses

Richard J. Clark · September 27, 2019

HE ONLY all boys Roman Catholic choir school in the United States, St. Paul’s Choir School, Harvard Square, is holding open houses soon (listed below). Additionally, the school is very happy to invite boys to “shadow” throughout the school day to get a hands-on experience. Financial aid is available. This is a special opportunity to explore a unique and life-changing Catholic education.


Educate & Elevate – Open Houses Following the Great Cathedral School Tradition

AINT PAUL’S Choir School provides boys in grades 3-8 with an extraordinary learning experience. SPCS integrates a rigorous, academic day school with the performance of choral masterworks at home, internationally, and with renowned groups such as the Boston Symphony Orchestra. Saint Paul’s features small classes and teaches the core subjects of Math, Literature, Social Studies, and Science along with Rhetoric, Latin, and Music Theory.

PDF • Download information here!

Boys who enter Saint Paul’s Choir School need only an interest in singing. Choral instruction, rigor, and practice shape them into the beautiful chorus and choristers Saint Paul’s is known for.

SPCS CORDIALLY INVITES you and your son to our Open Houses and vocal auditions on the following dates:

• Thursday, October 24 from 5:30-7:30 p.m.
• Sunday, November 3 from 12:30-2:30 p.m.
• Thursday, January 30 from 5:30-7:30 p.m.

For more information, click here to see our website or
click here to email Patrick Moran, Director of Admissions.

N A MORE PERSONAL NOTE, my son has begun his studies at Saint Paul’s Choir School. While he loved his previous school, he was thrilled to begin St. Paul’s. As parents, our interest in Saint Paul’s is just as much academic as it is musical (perhaps more). With academics—bolstered by new Headmaster, Dr. Thomas Haferd—coupled with unique performance opportunities, the boys are sought after by excellent high schools and colleges.

Most importantly, the boys are immersed in the traditions of the Catholic Faith, attending, and singing at Mass six days per week. They are guided by the Pastor and Senior Chaplain, Fr. William Kelly, who also graduated from St. Paul’s having studied with the school’s legendary founder and visionary, Theodore Marier. Notably it was at St. Paul’s where Fr. Kelly first considered the priesthood. (At the time it was called the Boston Archdiocesan Choir School. “St. Paul’s Choir School” is the original and current name.)

The greatest thing Saint Paul’s has to offer is its bedrock of Catholicism. Thomas Carroll, Superintendent of Schools for the Archdiocese of Boston implores that Catholic Schools embrace their Catholicism as their greatest strength. He writes in the Boston Pilot:

Some Catholic school leaders wrongly believe that they should de-emphasize faith as they seek to market their schools in a broadly secular society. This is a mistake. Given competition from free district schools and free charter schools, a Catholic school will not prevail by positioning itself as a tuition-charging secular (non-religious) school. Our schools can “go further with faith.” What Catholic schools offer is something more transcendent than any secular school can ever offer. This is our strength, not a weakness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Education, Saint Pauls Choir School Harvard Square Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

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  • Extreme Unction
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  • Which Mass?

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