About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“I should not like to be too harsh on this commission’s labors. It numbered a certain number of genuine scholars and more than one experienced and judicious pastor. Under different circumstances, they might have accomplished excellent work. Unfortunately, on the one hand, a deadly error in judgment placed the official leadership of this committee in the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Larcaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Annibale, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”
— Fr. Bouyer, a liturgical expert appointed by Pope Paul VI

How Do You Mark Starting Pitches?
published 16 May 2019 by Jeff Ostrowski

ESTERDAY, the FSSP parish in the Archdiocese of Los Angeles had a visit from the newly-elected Superior General: Very Rev’d Father Andrzej Komorowski. One of the choirs sang a Solemn Mass, but the feast is one I hadn’t sung before:

84582 de la salle

It was necessary to “assemble” some Propers—notice how I mark starting pitches:

    * *  PDF Download • How Jeff Ostrowski Notates Starting Pitches

You might ask: “Why not just write the name of the note?” The simple answer is: that can easily have typos—and starting on the wrong pitch is not cool. That’s why I quickly use the NOH website to show starting pitches. Mr. Warren Hart sent me a fascinating excerpt from a 1940s book which marks the starting pitches in a noteworthy way. Don’t forget to read what Dr. Karl Weinmann said Re: starting pitches in the PREFACE to his fabulous five-line edition of the Graduale.

Finally, here are pictures from last night: