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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Every Church Musician Deserves Music Lessons

Veronica Brandt · March 9, 2019

OLUNTEERING is an opportunity for growth. Just recently I took up organ lessons. I had been looking for lessons for my children. It took me a while to come around to getting lessons for myself. As the following video might illustrate, kids and adults take lessons differently.


Reasons to get music lessons:

You get to talk to a Musician. Strangely enough sometimes the level of musicianship in your church choir may only extend to being able to sing in tune. Having some dedicated music time with someone who is musically ahead of you can really help. There’s a whole universe of musical knowledge out there!

You get to feel more like a Real Musician. Feeling like an imposter when leading a choir can hold you back. Having the trust in yourself to stand up and expect respect doesn’t come automatically for most people. Going through the ordeal of facing up to music lessons and hopefully some level of satisfaction with your achievements can help give you the chutzpah to inspire your choir.

You get a new level of compassion with your own children. Have you ever tried helping a teenager with their mathematics homework? Getting them to show their working? Convincing them that spreading out their work and taking up more room on the page will save time in the long run? As someone who has already taken that journey, it seems as obvious as the nose on your face, but to the child it seems to be a useless sidetrack to the ultimate aim of writing the correct answer on your page. Though they sometimes get it right, mistakes creep in when you skimp on showing your working.

Just like showing working in mathematics, practising hands separately and slowly seems so time-consuming and yet, when you rush headlong into playing all together at speed, getting it right is a matter of luck. With singing there is the importance of good breathing and technique. All takes lots of slow practice. Having someone there with a good sense of when to push forward and when to hold back is a huge help in making progress.

You may get new choir members!!! Networking with other musicians is helpful for meeting more musical people. Attend your local choral concerts and look out for any familiar faces. Maybe there’s a quiet member of your congregation who is really interested in music who just hasn’t thought about joining in.

Although the internet is full of free resources, which are great, putting down some money for music lessons can save you much pain and frustration in the long run. Having a monetary motivation to make the lessons worthwhile feels like a positive sort of stress right now. Finding a way to offset the expense is the next piece of the puzzle. Maybe Patreon?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

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