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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Every Church Musician Deserves Music Lessons

Veronica Brandt · March 9, 2019

OLUNTEERING is an opportunity for growth. Just recently I took up organ lessons. I had been looking for lessons for my children. It took me a while to come around to getting lessons for myself. As the following video might illustrate, kids and adults take lessons differently.


Reasons to get music lessons:

You get to talk to a Musician. Strangely enough sometimes the level of musicianship in your church choir may only extend to being able to sing in tune. Having some dedicated music time with someone who is musically ahead of you can really help. There’s a whole universe of musical knowledge out there!

You get to feel more like a Real Musician. Feeling like an imposter when leading a choir can hold you back. Having the trust in yourself to stand up and expect respect doesn’t come automatically for most people. Going through the ordeal of facing up to music lessons and hopefully some level of satisfaction with your achievements can help give you the chutzpah to inspire your choir.

You get a new level of compassion with your own children. Have you ever tried helping a teenager with their mathematics homework? Getting them to show their working? Convincing them that spreading out their work and taking up more room on the page will save time in the long run? As someone who has already taken that journey, it seems as obvious as the nose on your face, but to the child it seems to be a useless sidetrack to the ultimate aim of writing the correct answer on your page. Though they sometimes get it right, mistakes creep in when you skimp on showing your working.

Just like showing working in mathematics, practising hands separately and slowly seems so time-consuming and yet, when you rush headlong into playing all together at speed, getting it right is a matter of luck. With singing there is the importance of good breathing and technique. All takes lots of slow practice. Having someone there with a good sense of when to push forward and when to hold back is a huge help in making progress.

You may get new choir members!!! Networking with other musicians is helpful for meeting more musical people. Attend your local choral concerts and look out for any familiar faces. Maybe there’s a quiet member of your congregation who is really interested in music who just hasn’t thought about joining in.

Although the internet is full of free resources, which are great, putting down some money for music lessons can save you much pain and frustration in the long run. Having a monetary motivation to make the lessons worthwhile feels like a positive sort of stress right now. Finding a way to offset the expense is the next piece of the puzzle. Maybe Patreon?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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