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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Lorica of St. Patrick

Fr. David Friel · March 17, 2019

F ONE were to look only at the secular celebration of St. Patrick’s Day, one might have no idea what the day is really about. St. Patrick, of course, was the first to bring the Gospel to the people of Ireland, whom he converted in enormous numbers. So, the heart of today’s celebration, in its origin, is a day of thanksgiving for having received the gift of faith.

In his Confession, St. Patrick writes this: The Lord gave me the great grace that, through me, many peoples should be reborn in God. For those of us who are actually of Irish descent, we do owe a debt to St. Patrick, in a distant, historical sense. But, more proximately, all of us have received the gift of faith at the hands of others. For many, the faith has been received through parents or grandparents, friends or co-workers. For others, perhaps it was a particular author whose writings inspired a conversion.

Today would be a good day to call to mind that person and offer a prayer of thanksgiving for the gift of faith—a gift that lies beyond all price.

NOTHER worthwhile way to mark today’s feast might be to pray one of the most treasured Irish devotions, the Lorica (Breastplate) of St. Patrick. A good rendering of the text is available here. Portions of an illuminated version crafted by the Manx designer, Archibald Knox, are also available online.

This prayer, traditionally ascribed to St. Patrick and likely actually composed in the 5th century, comes to us through the Liber hymnorum, an 11th-century manuscript containing 40 hymns in Latin and Gaelic.

This ancient Irish hymn has been set to music often in modern times. The most common metrical version is the hymn I Bind Unto Myself Today, written in 1889 by Cecil Frances Alexander, a remarkable woman who also authored Once in David’s Royal City and All Things Bright and Beautiful. A beautiful unaccompanied, SATB setting of the last stanza of the Lorica is published through CanticaNOVA (available here).

N 2015, I had the pleasure of visiting Downpatrick in County Down (Northern Ireland), traditionally regarded as the burial site of Saints Patrick, Brigid, and Columbkille (my Confirmation patron). Here are a few photographs of the site:

Downpatrick3 Downpatrick2 Downpatrick1

O GOD, Thou who were pleased to send forth Patrick,
Thy blessed confessor and bishop,
to preach Thy glory among the nations,
mercifully grant, by his merits and intercession,
that we may be able to accomplish
that work which you command us to do.
Through our Lord, Jesus Christ, Thy Son,
who lives and reigns with Thee
in the unity of the Holy Spirit,
God, forever and ever. Amen.

Collect for the Feast of St. Patrick

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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