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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Lorica of St. Patrick

Fr. David Friel · March 17, 2019

F ONE were to look only at the secular celebration of St. Patrick’s Day, one might have no idea what the day is really about. St. Patrick, of course, was the first to bring the Gospel to the people of Ireland, whom he converted in enormous numbers. So, the heart of today’s celebration, in its origin, is a day of thanksgiving for having received the gift of faith.

In his Confession, St. Patrick writes this: The Lord gave me the great grace that, through me, many peoples should be reborn in God. For those of us who are actually of Irish descent, we do owe a debt to St. Patrick, in a distant, historical sense. But, more proximately, all of us have received the gift of faith at the hands of others. For many, the faith has been received through parents or grandparents, friends or co-workers. For others, perhaps it was a particular author whose writings inspired a conversion.

Today would be a good day to call to mind that person and offer a prayer of thanksgiving for the gift of faith—a gift that lies beyond all price.

NOTHER worthwhile way to mark today’s feast might be to pray one of the most treasured Irish devotions, the Lorica (Breastplate) of St. Patrick. A good rendering of the text is available here. Portions of an illuminated version crafted by the Manx designer, Archibald Knox, are also available online.

This prayer, traditionally ascribed to St. Patrick and likely actually composed in the 5th century, comes to us through the Liber hymnorum, an 11th-century manuscript containing 40 hymns in Latin and Gaelic.

This ancient Irish hymn has been set to music often in modern times. The most common metrical version is the hymn I Bind Unto Myself Today, written in 1889 by Cecil Frances Alexander, a remarkable woman who also authored Once in David’s Royal City and All Things Bright and Beautiful. A beautiful unaccompanied, SATB setting of the last stanza of the Lorica is published through CanticaNOVA (available here).

N 2015, I had the pleasure of visiting Downpatrick in County Down (Northern Ireland), traditionally regarded as the burial site of Saints Patrick, Brigid, and Columbkille (my Confirmation patron). Here are a few photographs of the site:

Downpatrick3 Downpatrick2 Downpatrick1

O GOD, Thou who were pleased to send forth Patrick,
Thy blessed confessor and bishop,
to preach Thy glory among the nations,
mercifully grant, by his merits and intercession,
that we may be able to accomplish
that work which you command us to do.
Through our Lord, Jesus Christ, Thy Son,
who lives and reigns with Thee
in the unity of the Holy Spirit,
God, forever and ever. Amen.

Collect for the Feast of St. Patrick

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

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