About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“Ever mindful, therefore, of the basic truth that our Colored Catholic brethren share with us the same spiritual life and destiny, the same membership in the Mystical Body of Christ, the same dependence upon the Word of God, the participation in the Sacraments, especially the Most Holy Eucharist, the same need of moral and social encouragement, let there be no further discrimination or segregation in the pews, at the Communion rail, at the confessional and in parish meetings, just as there will be no segregation in the kingdom of heaven.”
— Archbishop of Archbishop of New Orleans (1953)

“For of all sad words of tongue or pen…”
published 16 July 2019 by Jeff Ostrowski

URING the creation of the Brébeuf harmonies, we tried to adopt the “standard” version whenever such a thing existed. The following hymn (WINCHESTER NEW) is often used for “On Jordan’s Bank the Baptist’s Cry”—which is an English translation of Jordanis Oras Praevia, published in 1736AD by Fr. Charles Coffin, who died 13 years later. Deep in my heart, I wonder why a D-Major chord wasn’t used by the “standard” harmonization.

Do you agree this would be very nice?

83723 Winchester New Advent Hymn

John Greenleaf Whittier (d. 1892) wrote the following:

For of all sad words of tongue or pen,
The saddest are these: “It might have been!”

On a completely unrelated note, you can purchase the Brébeuf harmonies with a 10% discount using this coupon, but notice the expiration date!