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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New England Catholic Choral Festival & Mass • 2019

Richard J. Clark · January 11, 2019

T’S NEVER just about the music. Singing liturgical music from the great rich heritage of our Roman Catholic faith is about something else: nurturing faith through the Sacred Liturgy.

If you are not familiar with the American Federation Pueri Cantores choir festivals, I urge you to explore this opportunity which is open to any young singers. Girls and boys (grades 4-12) are welcome to sing in the New England Choral Festival and Mass. This festival is not reserved for an exclusive club of singers. Rather it is wide open to those hoping to learn more about our rich heritage of Roman Catholic sacred music from Gregorian Chant to sacred music of the present day. The festival culminates with hundreds of students combining as one choir singing for the Mass. This takes place in a nurturing, positive, and joyful environment!

As the rehearsal accompanist and organist for last year’s Festival in Boston, I can attest to this wonderfully positive environment. (As an adult, even I greatly enjoyed it and could learn from it!) Cardinal Seán Patrick O’Malley was last year’s celebrant and homilist which added to a marvelously faith filled experience. (My hope is to host the 2020 New England Festival at the newly renovated Cathedral of the Holy Cross. Stay tuned.)

HIS YEAR’S New England Festival will take place Saturday, April 6, 2019 from 11am culminating with Mass at 5:15 pm • St. Mary’s Church, 12 William St., Newport, RI 02840. The church is gorgeous, and interestingly is the site of the wedding of President John F. Kennedy and Jacqueline Kennedy.

• Download information, Schedule, registration, repertoire, etc. here:
• PDF Download • New England Catholic Youth Choral Festival and Mass • 2019.

• You can also download the Public Domain music for the festival here. Recordings made available to make this process much easier.

WHY PARTICIPATE?

“Participation in Pueri Cantores can be a formational and transformational experience through the Liturgy for both choristers and conductors.” (Pueri Cantores website)

• Offer your singers a combined worship experience with Catholic school and parish youth choirs from all around the region and network with your conductor colleagues

• Teach accessible, historically balanced repertoire from the great treasury of Catholic sacred music that can be incorporated into your choir’s repertoire

• Receive advanced conducting training from one of the leading Catholic conductors in the nation

• School conductors whose choirs participate will be offered 8 Professional Development Credits by AFPC, corporate partner of the National Catholic Educational Association (NCEA)

I urge all educators, conductors, and parents to consider taking part in this one-day experience. Its joy may resonate for years to come.

HIS YEAR’S clinician will be Dr. Steven R. Seigart, conductor, organist, and composer based in the NYC area. An extraordinary talent, he is currently the Director of Music at The Church of Saint Joseph in Bronxville, NY, where he directs five choirs, founded the period-instrument Orchestra of Saint Joseph, and oversees the St. Joseph Concert Series.

We hope to see you there!

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: American Federation Pueri Cantores Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“We went to the early Mass to receive Communion because there was no distribution of Communion at the High Mass. After Mass was the breakfast, which was always of better quality than on ordinary days. Then after the breakfast we all returned to church for the Solemn Mass.”

— Dom Ermin Vitry, OSB

Recent Posts

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  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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