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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

August 1970 • “Graduale Simplex Doc” (12 pages)

Jeff Ostrowski · January 5, 2026

HOSE HUMAN BEINGS who remain tethered to reality—and by ‘reality’ I mean the Sacramental life, with constant cognizance of one’s eternal destiny—take pains to avoid sensationalism, tabloid journalism, and people whose entire existence is dedicated to amassing “clicks.” I certainly don’t want to be considered a sensationalist lunatic; and precisely for that reason I usually avoid mentioning the GRADUALE SIMPLEX. If one speaks with honesty about that book, one quickly descends into language that makes one come across as hysterical, unrestrained, and melodramatic.

Speaking Candidly • The fact is, the GRADUALE SIMPLEX was a colossal failure. Similar to polyester vestments and church wreckovations, its sad legacy is bound up with everything irresponsible about the 1960s liturgical reforms. Indeed, when Msgr. Hannibal Bugnini sang this book’s praises in his 1983 tome (La riforma liturgica) his unbridled dishonesty makes him come across as a lunatic. The claims made by Bugnini vis-à-vis the GRADUALE SIMPLEX—even its contents—are simply false.

I recently came across a fascinating 12-page document (by Father Herman J. Graf) which describes the GRADUALE SIMPLEX:

*  PDF Download • GRADUALE SIMPLEX—12 pages
—Published in August of 1970 by Father Herman J Graf (Society of the Divine Word).

Our readers will find much in this document utterly engrossing. At the same time, some of the statements are contradictory and—especially with the benefit of hindsight—come across as infected through and through with a Pollyannaish view of “change for the sake of change.”

Pandora’s Box • As far as the radical reformers were concerned, the GRADUALE SIMPLEX had one purpose (and one purpose only). Its promulgation by the CONSILIUM introduced a principle: viz. that the Propria Missae could lawfully be replaced. Once that crevice was opened, it was “game over.” The radical reformers drove an Eighteen-Wheeler through that loophole. It was like Pandora’s box … and the rest was history. Without exaggeration, I can affirm that no change made after Vatican II (with the possible exception of versus populum) did more harm to the authentic renewal of the sacred liturgy than that principle.

The Catholic Church is still reeling from shameful abuse of that ‘principle’ but—as we mentioned in a recent article—the Propria Missae have begun a remarkable and wonderful comeback over the last 20 years, which no one in the 1980s or 1990s could have even hoped for!

Pius XII Psalter • What this author (Father Graf) has to say about the Pius XII Psalter vs. the VULGATA is extremely fascinating information. Apart from this source, I’ve been able find precious little about this subject, although Yves Chiron and Very Rev’d Charles Jerome Callan (noted author, beloved teacher, and founder of the Homiletic and Pastoral Review) also provide valuable insights.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: BEA PSALTER, Graduale Simplex, Pope Pius XII Psalter Last Updated: January 8, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

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