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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

August 1970 • “Graduale Simplex Doc” (12 pages)

Jeff Ostrowski · January 5, 2026

HOSE HUMAN BEINGS who remain tethered to reality—and by ‘reality’ I mean the Sacramental life, with constant cognizance of one’s eternal destiny—take pains to avoid sensationalism, tabloid journalism, and people whose entire existence is dedicated to amassing “clicks.” I certainly don’t want to be considered a sensationalist lunatic; and precisely for that reason I usually avoid mentioning the GRADUALE SIMPLEX. If one speaks with honesty about that book, one quickly descends into language that makes one come across as hysterical, unrestrained, and melodramatic.

Speaking Candidly • The fact is, the GRADUALE SIMPLEX was a colossal failure. Similar to polyester vestments and church wreckovations, its sad legacy is bound up with everything irresponsible about the 1960s liturgical reforms. Indeed, when Msgr. Hannibal Bugnini sang this book’s praises in his 1983 tome (La riforma liturgica) his unbridled dishonesty makes him come across as a lunatic. The claims made by Bugnini vis-à-vis the GRADUALE SIMPLEX—even its contents—are simply false.

I recently came across a fascinating 12-page document (by Father Herman J. Graf) which describes the GRADUALE SIMPLEX:

*  PDF Download • GRADUALE SIMPLEX—12 pages
—Published in August of 1970 by Father Herman J Graf (Society of the Divine Word).

Our readers will find much in this document utterly engrossing. At the same time, some of the statements are contradictory and—especially with the benefit of hindsight—come across as infected through and through with a Pollyannaish view of “change for the sake of change.”

Pandora’s Box • As far as the radical reformers were concerned, the GRADUALE SIMPLEX had one purpose (and one purpose only). Its promulgation by the CONSILIUM introduced a principle: viz. that the Propria Missae could lawfully be replaced. Once that crevice was opened, it was “game over.” The radical reformers drove an Eighteen-Wheeler through that loophole. It was like Pandora’s box … and the rest was history. Without exaggeration, I can affirm that no change made after Vatican II (with the possible exception of versus populum) did more harm to the authentic renewal of the sacred liturgy than that principle.

The Catholic Church is still reeling from shameful abuse of that ‘principle’ but—as we mentioned in a recent article—the Propria Missae have begun a remarkable and wonderful comeback over the last 20 years, which no one in the 1980s or 1990s could have even hoped for!

Pius XII Psalter • What this author (Father Graf) has to say about the Pius XII Psalter vs. the VULGATA is extremely fascinating information. Apart from this source, I’ve been able find precious little about this subject, although Yves Chiron and Very Rev’d Charles Jerome Callan (noted author, beloved teacher, and founder of the Homiletic and Pastoral Review) also provide valuable insights.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: BEA PSALTER, Graduale Simplex, Pope Pius XII Psalter Last Updated: January 8, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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