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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy outside Liturgy

Fr. David Friel · March 25, 2018

UST RELEASED this month, a new book by Professor David W. Fagerberg presents a fascinating study of the liturgical theology of Alexander Schmemann. The new volume explores the interconnectivity of liturgy, theology, and piety in a collection of five very accessible lectures.

Schmemann (1921-1983) was a distinguished theologian and protopresbyter of the Orthodox Church. He served as the long-time dean of St. Vladimir’s Orthodox Theological Seminary in Crestwood, NY. His immensely popular book, For the Life of the World (1973), is particularly memorable for his reflection on man as homo adorans: “‘Homo sapiens,’ ‘homo faber’ . . . yes, but first of all, ‘homo adorans.’ The first and basic definition of man is that he is the priest. He stands at the center of the world and unifies it in his act of blessing God, of both receiving the world from God and offering it to God.” 1

Schmemann’s life and writings have been a major scholarly interest for Fagerberg, who is himself a liturgical theologian, lover of Chesterton, and professor at the University of Notre Dame. Among Fagerberg’s other significant books are Theologia Prima (2003), On Liturgical Asceticism (2013), and Consecrating the World: On Mundane Liturgical Theology (2016).

The new book is entitled Liturgy outside Liturgy: The Liturgical Theology of Fr. Alexander Schmemann. It is available on Amazon and elsewhere, both in paperback and electronic format.

Fagerberg explains in his introduction that this new book is a collection of five lectures given in January 2017. Three were given during the course of a seminar on Schmemann at The Academy of St. John in Sweden, while the other two were presented to a doctoral seminar and a group of lay faithful. The texts have not been altered from their format as oral presentations.

The first three lectures draw heavily upon texts written by Schmemann, while the latter two lectures present Fagerberg’s own thought drawn from Schmemann’s work and ideas.

A look at the table of contents will help to demonstrate the timeliness and interest of this book:

Foreword (Chad Hatfield, President of St. Vladimir’s Orthodox Theological Seminary)

Introduction

Part I: A Sketch of Alexander Schmemann’s Though on Liturgy, Theology, and Piety

Chapter 1: Should Liturgy Matter Outside the Church? Schmemann on the Study of Liturgy
Liturgy and the World
Defining Antinomy
The Kingdom and the World Meet in Liturgy
The Liturgical Mission to the World

Chapter 2: Can Theology be Done outside the Academy? Schmemann’s Concept of Theology
The East Path Not Taken
The Harder Path We Will Take
Liturgy as Ontological Condition for Theology
A Conversion Required

Chapter 3: Do We Need Liturgy in Our Life? Schmemann’s Connection between Liturgy and Spirituality
What Liturgical Piety is Not
What Liturgical Piety Is
Baptismal Foundations
Cosmic Priesthood
Conclusion

Part II

Chapter 4: Liturgy and the Consecration of the World
Liturgy and Cosmos
Liturgy and Anthropology
Liturgy and Hearts
Liturgy and History
Conclusion

Chapter 5: On Liturgy, Theology, and Asceticism
A Theological Definition of Liturgy
A Liturgical Definition of Theology
A Liturgical Theology of the World

For those not familiar with the writings of Alexander Schmemann, this new volume might well serve as an introduction. For those who are already familiar with Schmemann, Fagerberg’s work will help to raise new questions and synthesize thoughts from across Schmemann’s corpus.




NOTES FROM THIS ARTICLE:

1   Alexander Schmemann, For the Life of the World: Sacraments and Orthodoxy (Crestwood, NY: St Vladimir’s Seminary Press, 2002), 14-15.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Alexander Schmemann Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

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    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Jeffrey Tucker: “What are your thoughts on what passes for sacred music in most Catholic parishes today?” Richard Morris: “There’s nothing sacred about it. The tunes, rhythms, and messages are drawn mainly from secular culture. When it isn’t aesthetically repugnant and downright offensive to the Faith, it is utterly forgettable.”

— James Richard Morris (concert organist)

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