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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Directing A Choir: Are You Tough Enough?

Jeff Ostrowski · April 24, 2018

89388 laugh HE OTHER DAY, something struck me in a powerful way: by observing someone’s sense of humor, I can discern what type of person I’m dealing with. For example, when I stumble across the social media feed of an emotionally disturbed Catholic, I often discover an endless barrage of sarcasm and hatred. While I have no problem with a little sarcasm from time to time, someone who seemingly lives for nothing else is horrific to behold. Saint John Vianney spoke of people “who are never so happy as when they are spreading scandal and gossip”—and when we examine today’s social media accounts, we encounter far too many who cannot go five minutes without attacking someone else, always by means of “funny” sarcasm and hatred. Ha ha ha. 1

They say Don Bosco was hilarious to be around: always smiling and joking. Many other saints—Thomas More and Antoine Daniel, for example—were famous for their wit and jovial attitude. Those of us who have had the pleasure of meeting one of the church music giants, Fr. Robert Skeris, will have a difficult time calling to mind a more hilarious fellow, although his erudition is peerless (I realize that sounds contradictory). By the way, this “saintly” joviality has nothing to do with goofy inside jokes we come across on platforms such as Facebook. Moreover, the happiness I’m speaking of genuine, not fake. As Fr. Rutler reminds us:

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

Fake happiness is harmful, but healthy humor can help choirmasters survive.

HOSE WHO WOULD SERVE as choirmasters must be prepared for trials, setbacks, and crosses. Sooner or later, you will have to deal with an immoral priest. Sooner or later, you will be yelled at by an irate parishioner. Sooner or later, you will run into jealous colleagues who don’t accept the teachings of the Church. Sooner or later, you will encounter choir members who promise you the world…but then lose interest and disappear. Indeed, sometimes the very people you’ve shown the most kindness will betray you and even spread lies about you or your choir. You will be tempted to “retreat” and stop showing people kindness, but you must never succumb to this temptation.

Never lower yourself by trying to “get even” or fight fire with fire. Be scrupulous in guarding your integrity. Most importantly, remember we are serving the LORD, who said: “Blessèd are the merciful: for they shall obtain mercy” (Mt 5:7). And our Savior also said: “If any man will come after me, let him deny himself, and take up his cross daily, and follow me” (Lk 9:23).

Father Paul Ragueneau describes the interior life of holy Noël Chabanel as follows:

When, in addition, God withdraws His visible graces and remains hidden, although a person sighs for Him alone, and when He leaves the soul a prey to sadness, disgust, and natural aversions—these are the trials which are greater than ordinary virtue can bear. The love of God has to be strong in the heart not to be snuffed out under such circumstances. Add to this the danger, present at every moment of the day, of being attacked by a savage enemy armed with fire and flames and unheard-of torments, who would more often force you to suffer a thousand deaths before you met death itself. One certainly had to have the strength of the sons of God not to lose courage in the midst of such desolation.

I would never compare the struggles of a choirmaster to what St. Noël Chabanel underwent—none but a fool would do so. However, those of us who struggle to restore authentic sacred music can relate to Fr. Ragueneau mentioning “the trials which are greater than ordinary virtue can bear.” That is why we must never fail to invoke the intercession of St. Noël Chabanel.

On a practical level, I recommend participating in something like the Sacred Music Symposium (which still has a few spots available) because you will become friends with people undergoing the same struggles you are.



NOTES FROM THIS ARTICLE:

1   The scariest thing is to come across someone who never (authentically) laughs. This is absolutely terrifying—and extremely perverse. But I will speak about that another day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

Nothing should be allowed that is unworthy of divine worship, nothing that is obviously profane or unfit to express the inner, sacred power of prayer. Nothing odd or unusual is allowable, since such things, far from fostering devotion in the praying community, rather shock and upset it—and impede the proper and rightful cultivation of a devotion faithful to tradition.

— Pope Paul VI • 10/13/1966

Recent Posts

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  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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