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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Directing A Choir: Are You Tough Enough?

Jeff Ostrowski · April 24, 2018

89388 laugh HE OTHER DAY, something struck me in a powerful way: by observing someone’s sense of humor, I can discern what type of person I’m dealing with. For example, when I stumble across the social media feed of an emotionally disturbed Catholic, I often discover an endless barrage of sarcasm and hatred. While I have no problem with a little sarcasm from time to time, someone who seemingly lives for nothing else is horrific to behold. Saint John Vianney spoke of people “who are never so happy as when they are spreading scandal and gossip”—and when we examine today’s social media accounts, we encounter far too many who cannot go five minutes without attacking someone else, always by means of “funny” sarcasm and hatred. Ha ha ha. 1

They say Don Bosco was hilarious to be around: always smiling and joking. Many other saints—Thomas More and Antoine Daniel, for example—were famous for their wit and jovial attitude. Those of us who have had the pleasure of meeting one of the church music giants, Fr. Robert Skeris, will have a difficult time calling to mind a more hilarious fellow, although his erudition is peerless (I realize that sounds contradictory). By the way, this “saintly” joviality has nothing to do with goofy inside jokes we come across on platforms such as Facebook. Moreover, the happiness I’m speaking of genuine, not fake. As Fr. Rutler reminds us:

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

Fake happiness is harmful, but healthy humor can help choirmasters survive.

HOSE WHO WOULD SERVE as choirmasters must be prepared for trials, setbacks, and crosses. Sooner or later, you will have to deal with an immoral priest. Sooner or later, you will be yelled at by an irate parishioner. Sooner or later, you will run into jealous colleagues who don’t accept the teachings of the Church. Sooner or later, you will encounter choir members who promise you the world…but then lose interest and disappear. Indeed, sometimes the very people you’ve shown the most kindness will betray you and even spread lies about you or your choir. You will be tempted to “retreat” and stop showing people kindness, but you must never succumb to this temptation.

Never lower yourself by trying to “get even” or fight fire with fire. Be scrupulous in guarding your integrity. Most importantly, remember we are serving the LORD, who said: “Blessèd are the merciful: for they shall obtain mercy” (Mt 5:7). And our Savior also said: “If any man will come after me, let him deny himself, and take up his cross daily, and follow me” (Lk 9:23).

Father Paul Ragueneau describes the interior life of holy Noël Chabanel as follows:

When, in addition, God withdraws His visible graces and remains hidden, although a person sighs for Him alone, and when He leaves the soul a prey to sadness, disgust, and natural aversions—these are the trials which are greater than ordinary virtue can bear. The love of God has to be strong in the heart not to be snuffed out under such circumstances. Add to this the danger, present at every moment of the day, of being attacked by a savage enemy armed with fire and flames and unheard-of torments, who would more often force you to suffer a thousand deaths before you met death itself. One certainly had to have the strength of the sons of God not to lose courage in the midst of such desolation.

I would never compare the struggles of a choirmaster to what St. Noël Chabanel underwent—none but a fool would do so. However, those of us who struggle to restore authentic sacred music can relate to Fr. Ragueneau mentioning “the trials which are greater than ordinary virtue can bear.” That is why we must never fail to invoke the intercession of St. Noël Chabanel.

On a practical level, I recommend participating in something like the Sacred Music Symposium (which still has a few spots available) because you will become friends with people undergoing the same struggles you are.



NOTES FROM THIS ARTICLE:

1   The scariest thing is to come across someone who never (authentically) laughs. This is absolutely terrifying—and extremely perverse. But I will speak about that another day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
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  • PDF Download • “Hymn for 2 Voices”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.