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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Education

Dr. Lucas Tappan · September 26, 2017

LMT Mass at Clear Creek NY READER OF MY POSTS has come to expect a certain maniacal preoccupation with the education of our children in the art of sacred music, however, I want to focus on another incredibly important area of education: our clergy and especially our seminarians. Perhaps this issue is of a more fundamental importance than the training of choristers because it places the horse before the cart and might finally allow the Church to heal in matters liturgical since the bishop, and the priest in his stead, really is the custodian of the sacred liturgy in his local area, and only he has the power to effect widespread and healthy change.

Perhaps this topic is on my mind because of a recent wedding I provided music for where the priest joked his way through the couple’s vows and even had both the bride and groom stand with him behind the altar throughout the entire consecration and then asked each to distribute the Precious Blood on either side of him as he distributed Holy Communion to the congregation. When he asked before Mass if I would sing Sabath Prayer from Fiddler on the Roof for the Responsorial Psalm I simply smiled and played dumb and said I didn’t have a copy of if. It was the most bizarre wedding I have ever attended (with certain parts cut here and others added there), so much so that I was unusually at peace knowing the likelihood of ever experiencing such a circus again would be minimal to say the least (most of these clerics are entering the twilight of their lives). A priest once commented to me that he made it through one of our nation’s prominent seminaries in the 90s without ever having had a class on the sacred liturgy, which might account in part for the travesty previously mentioned, but I think the problem runs much deeper. Most of the clergy I know truly love the Sacred Liturgy and say the Black and do the Red, but that isn’t enough.

I feel that as Americans we have always taken a very pragmatic approach to all of our problems and seek to solve them as quickly and as efficiently as possible without much “stopping to smell the Roses.” This worked well enough before the Second Vatican Council when the Church maintained a strong central moral authority and society nominally upheld traditional Christian mores. Priests could sacramentalize their parishioners and keep them on the strait and narrow efficiently enough and collections assured that lighting and heating bills and the sisters (in that order) got paid. Efficiency makes for a wonderful taskmaster but a terrible lover and under this Culture of Efficiency the beloved suffered. The Church ran efficiently, but in the post-war years the heart of the Church in the western world grew cold and the Sacred Liturgy, that incredible place where man truly met God and was embraced by Him, became nothing more than one’s weekly obligation to avoid mortal sin.

I liken the effects of such a relationship over time to that of spouses whose love has grown cold. In the beginning the husband is always cognizant of his wife’s emotional needs and shows appreciation for the great work she does for the family and often indulges in small acts of love for her—a vase of flowers here and an embrace and heartfelt words of thanks there—but after time tiredness sets in and the husband assumes that his wife no longer needs to be told “I love you” because she already knows, and besides, where is his appreciation? In this new state the husband feels his time and his and his wife’s money are more efficiently put to use securing a new roof for the house. Love grows cold.

Of course, the cultural revolution of the 1960s didn’t help, and thankfully we are past much of that and I am truly edified by so many of the priests I know. At the same time, I find the tentacles of efficiency still lurking in the shadows. We live in a time when there is so much work to be done to bring about the Kingdom of God that we are tempted to boil down our coarse of action to finding the perfect evangelization program that will fill our pews efficiently, turn on the lights again, and maybe even furnish the parish with sisters one day, too. I feel we run the temptation of turning the Mass into the means of confecting the Holy Eucharist and the Divine Office into the private mental prayer of the priest. While the Church is given the gift of the Holy Eucharist at Mass and while the Divine Office is an essential part of a priest’s prayer life, such a reduction of the work and power of the Sacred Liturgy turns God into nothing more than a Divine dispenser of spiritual medication as opposed to the all powerful and Triune God, the Father who created Heaven and Earth and Who sent His only-begotten Son with the Holy Spirit to redeem mankind and Who carries out this work within the Sacred Liturgy.

Perhaps I am just a Benedictine at heart but I feel the Opus Dei (Work of God) must truly be given pride of place in our personal lives and in the life of the Church so that God can accomplish His Will in us and in all of creation to the glory of His name. The Sacred Liturgy and the Sacraments have the power to do just that. Unfortunately this is neither efficient to teach nor simple to learn.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

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