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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Five Ways To Make Dogma “Live Loudly Within You”

Dr. Alfred Calabrese · September 18, 2017

4417 Y NOW, most everyone is aware of the uproar following the statements of Sen. Diane Feinstein during the judicial confirmation hearings of Prof. Amy Barrett of the University of Notre Dame. “The dogma lives loudly within you” stated Feinstein. Much has already been written about the obvious anti-Catholic invective in this proclamation, and many have come to the defense of Prof. Barrett and her personal and judicial integrity. That Feinstein’s sentiments were doubled down by Senator Richard Durbin of Illinois, a Catholic himself, is probably more reprehensible. The fact that he claimed to be unaware of the term “orthodox Catholic” is sad and laughable at the same time. * So the villains in this controversy have been named. But let’s not forget that there is a hero, and that is Professor Barrett.

Making your Catholic bona fides known and not wavering from them is not always a stance that lends itself to personal popularity or job security, especially in the academic ivory tower. But, you say, that shouldn’t be a problem in a Catholic university, right? Well, let’s remember from whence came the Land O’Lakes Statement. And just try Googling “Catholic professor denied tenure” and see how many hits you get.

So now that Prof. Barrett has been ‘accused’ of being a faithful and public Catholic and has taken a hit for the rest of us, the question for me, and perhaps for you, is this—is the dogma living loudly in you? For me, I think the answer is no, not yet. Because sometimes, as we have seen, it results in criticism, ridicule, unfairness, and unpopularity. Because it takes courage. And it takes courage to be a Catholic church musician. So the next question is this – can we live the dogma in our work as church musicians? Here are a few ways that I think we can:

First : Select hymns with faithful Catholic texts. This might open you up to criticism.

Second : Jettison the hymns or ‘songs’ that talk about ‘us’ or ‘me.’ This will not make you popular.

Third : Make school Masses reverent and focused on the worship of God. If this means following #1 and #2, this will also not make you popular.

Fourth : Teach, especially the children. I’ve sacrificed some rehearsal time to show videos on the Mass and to discuss it with them. Maybe that’s not the best use of time, but it lets the children know where my priorities lie and what their role in the Mass is really about.

Fifth : Talk about the Church to your choirs. Incorporate bits of theology into your teaching of new music, explain deeply the texts that come from the pens of the saints, and give your own personal statement about why this music is important to you as a Catholic. This takes courage.

These are just a few ways that we can show the dogma living loudly within us. As reprehensible as her statements were, perhaps we need to thank Sen. Feinstein for unwittingly reminding us what we are called to do, as unpopular as it may be.



NOTES FROM THIS ARTICLE:

Editor’s note : Views from the Choir Loft has never been—and will never be—a political blog. If we were in the business of pointing out dishonesty from politicians, we’d have no time left for music. That being said, it’s worth noting that Senator Durbin claims not to know what “Orthodox Catholic” means and brags about having 19 years of Roman Catholic education. However, seventy seconds later, he accidentally reveals (by subsequent statements) he knew perfectly well the meaning. It would have been better if he had not pretended to be ignorant of that term.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

In the Orthodox Churches they have kept that pristine liturgy, so beautiful. We have lost a bit the sense of adoration. They keep, they praise God, they adore God, they sing, time doesn’t count. God is the center, and this is a richness …

— Pope Francis (8/2/2013)

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  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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