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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Watershed Make A Difference?

Jeff Ostrowski · September 13, 2017

4450 picture S YOU KNOW, all of us here at Watershed are volunteers. We have no staff and no salaries. Every so often, my fellow bloggers and I wonder if we are making an impact on the “real world.”

Here’s something powerful we recently received from Maryland:

Dear Corpus Christi Watershed,

I wanted to send a note to tell you what an incredible blessing your webpage and blog have been to me.

I am a vocalist and have been all my life. I am very studied, though I have no formal degree in music (in high school, thinking I’d never pay the bills with music, I got a degree in something else that makes no money and required a Master’s degree for employment!). I am an educator by trade. When I had my first child, I quit working full time but was asked shortly after to cantor at my parish—I wasn’t even fully Catholic at the time! Through much prayer, I discerned God was calling me to lead my parish’s music program when our brand new pastor came to our parish in 2013. I was hired as a part-time music director in early 2014 (right before finishing RCIA and being received into the Church at Easter Vigil).

For the past 3.5 years, I have been systematically implementing much of the good advice and practice I’ve gleaned from reading Views from the Choir Loft and endlessly exploring the Watershed website. Formerly our parish had folk Masses, Breaking Bread Missals, a volunteer choir that didn’t formally practice, and cantors only at big events. Now we have mostly organ-led Masses every weekend and feast, a more traditional Missal and Hymnal—allowing us to implement the communion antiphon—a regularly meeting and practicing choir, and (last year) we regularly sang in 2-part harmonies!

This past spring, you re-posted the Polyphonic rehearsal videos on Facebook and I knew I had to take advantage of that golden resource. Our county’s deanery planned a Fatima pilgrimage: a celebration the 13th of the month for six straight months at a different parish around the county. I knew when I saw those rehearsal videos that we had to utilize them for our turn (which was tonight).

I have an all-female choir of about 8 dedicated women who sing every Sunday. During Christmas and Easter I convene a “festival choir” and get a few more volunteers to make our bigger Masses more special. So, I recruited another 15 men and women to join us for tonight’s Mass, using music almost entirely from your page:

—Guerrero’s Missa Iste Sanctus

—Hymn to Mary

—Hail, Holy Queen

—A communion antiphon for the Marian Mass we chose that Richard Rice whipped up for me when I cried for help on the CMAA page a few days ago!

—Filled out the time with a few well known Marian and Eucharistic hymns.

We had about 250-300 in attendance (full for our little parish). It was a huge success! My pastor was blown away at the beauty of the Mass setting by Guerrero. The people in attendance were just floored by how the 4-part choir enhanced the Mass. To quote our priest and echoed by others, they felt “like we were in heaven.” One older gentleman and his wife approached me after Mass and thanked me for the pleasant surprise. He said “I already knew I was going to witness the miracle of the Blessed Sacrament tonight, but never did I think I’d open a program and see the MISSA ISTE SANCTUS.”

I just cannot thank you enough for how much your ministry has helped me grow and helped me introduce my parish to the incredible sounds that the human voice is capable of. I hope you’ll share some of my story on your blog and social media to encourage others to get out of their comfort zone and try beautiful things in their liturgies! My only regret is that with the stress of the night, I didn’t get any video or audio to send to Jeff Ostrowski so he could he could hear how all his soprano singing was worth it—to see little old ladies and scared young tenors singing sacred polyphony for the first time in their lives!


For whatever reason, these last two weeks have been full of heavy crosses.

A letter like this was so gratifying to receive!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

Recent Posts

  • PDF • “Music List” (Sunday, 28 December)
  • Should Catholics Sing Protestant Christmas Carols?
  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.