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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Watershed Make A Difference?

Jeff Ostrowski · September 13, 2017

4450 picture S YOU KNOW, all of us here at Watershed are volunteers. We have no staff and no salaries. Every so often, my fellow bloggers and I wonder if we are making an impact on the “real world.”

Here’s something powerful we recently received from Maryland:

Dear Corpus Christi Watershed,

I wanted to send a note to tell you what an incredible blessing your webpage and blog have been to me.

I am a vocalist and have been all my life. I am very studied, though I have no formal degree in music (in high school, thinking I’d never pay the bills with music, I got a degree in something else that makes no money and required a Master’s degree for employment!). I am an educator by trade. When I had my first child, I quit working full time but was asked shortly after to cantor at my parish—I wasn’t even fully Catholic at the time! Through much prayer, I discerned God was calling me to lead my parish’s music program when our brand new pastor came to our parish in 2013. I was hired as a part-time music director in early 2014 (right before finishing RCIA and being received into the Church at Easter Vigil).

For the past 3.5 years, I have been systematically implementing much of the good advice and practice I’ve gleaned from reading Views from the Choir Loft and endlessly exploring the Watershed website. Formerly our parish had folk Masses, Breaking Bread Missals, a volunteer choir that didn’t formally practice, and cantors only at big events. Now we have mostly organ-led Masses every weekend and feast, a more traditional Missal and Hymnal—allowing us to implement the communion antiphon—a regularly meeting and practicing choir, and (last year) we regularly sang in 2-part harmonies!

This past spring, you re-posted the Polyphonic rehearsal videos on Facebook and I knew I had to take advantage of that golden resource. Our county’s deanery planned a Fatima pilgrimage: a celebration the 13th of the month for six straight months at a different parish around the county. I knew when I saw those rehearsal videos that we had to utilize them for our turn (which was tonight).

I have an all-female choir of about 8 dedicated women who sing every Sunday. During Christmas and Easter I convene a “festival choir” and get a few more volunteers to make our bigger Masses more special. So, I recruited another 15 men and women to join us for tonight’s Mass, using music almost entirely from your page:

—Guerrero’s Missa Iste Sanctus

—Hymn to Mary

—Hail, Holy Queen

—A communion antiphon for the Marian Mass we chose that Richard Rice whipped up for me when I cried for help on the CMAA page a few days ago!

—Filled out the time with a few well known Marian and Eucharistic hymns.

We had about 250-300 in attendance (full for our little parish). It was a huge success! My pastor was blown away at the beauty of the Mass setting by Guerrero. The people in attendance were just floored by how the 4-part choir enhanced the Mass. To quote our priest and echoed by others, they felt “like we were in heaven.” One older gentleman and his wife approached me after Mass and thanked me for the pleasant surprise. He said “I already knew I was going to witness the miracle of the Blessed Sacrament tonight, but never did I think I’d open a program and see the MISSA ISTE SANCTUS.”

I just cannot thank you enough for how much your ministry has helped me grow and helped me introduce my parish to the incredible sounds that the human voice is capable of. I hope you’ll share some of my story on your blog and social media to encourage others to get out of their comfort zone and try beautiful things in their liturgies! My only regret is that with the stress of the night, I didn’t get any video or audio to send to Jeff Ostrowski so he could he could hear how all his soprano singing was worth it—to see little old ladies and scared young tenors singing sacred polyphony for the first time in their lives!


For whatever reason, these last two weeks have been full of heavy crosses.

A letter like this was so gratifying to receive!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“My one great desire is that during the sacred functions all the faithful should sing the melodies of the liturgy and the sacred hymns with a full voice.”

— Pope Saint Pius X

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  • Good Friday Flowers

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.