About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”
— Paul Hume (1956)

New English Hymnal • Voice-Leading
published 7 November 2017 by Jeff Ostrowski

ONSTANT CRITICS are deleterious and corrosive. The internet is full of people who find fault with everything. That being said, in the past we’ve sometimes pointed out errors in the Solesmes books—e.g. here and here—to show that even the very best make mistakes. Realizing this, we obtain the strength necessary to avoid paralysis.

Consider this page from the New English Hymnal:

4022 New English Hymnal Parallel Fifths

This is not very good voice leading, folks. They should have stuck with the harmonization in Woodward’s book. Yet, that’s one of the best hymnals.

IT IS IMPORTANT to point out and praise musicians who are accomplishing nice things. Consider what Mr. Jacob Flaherty has been up to:

    * *  Article • Palestrina’s Missa Aeterna Christi Munera

The video excerpts (which I wish were available on YouTube) sound very good. And if the recordings sound good, the real life sound must have been marvelous, as we’ve discussed.