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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

World’s Easiest Organ Processional (PDF)

Jeff Ostrowski · March 27, 2017

299 Vladimir Horowitz OROWITZ USED TO SPEAK of pianists who practice a piece 100 times, then go on stage and practice it for the 101st time. A few weeks ago, I was forced to listen to a pianist “practicing” by playing a piece from start to finish—over and over. She did not carefully isolate the trouble spots, searching for solutions. She gave little thought to architecture. She did not practice “in rhythms” (as Ruth Slenczynska would say). She simply played the entire thing from start to finish, slowing down at the hard spots. I wanted to scream! The point Horowitz was trying to make is that we must understand the end result. Practice should be quite different from performance. To give an example, a section that’s already perfect should not be “practiced” over and over—because doing so will lead to a stale performance. And so forth.

This easy piece will guarantee no wrong notes:

    * *  PDF Download • EASY ORGAN PROCESSIONAL

I have a confession to make: I can’t stand hearing wrong notes (unless your name is Edwin Fischer or Alfred Cortot). I would rather hear a simple piece played perfectly than a difficult piece played poorly. 1

Half the battle when playing the organ is choosing the registration. This includes eliminating any stops that are severely out of tune. The reality is, when you have 15 seconds to become acquainted with a new organ, “the simpler the better.” If you have months and months, that’s a different story. For the record, Spe Salvi is also quite easy.

Another way to get my point across would be: Nobody cares how we practice—the only thing that matters is the performance.

Practicing with the “end result” in mind is extremely draining, yet absolutely essential to a performer. Like it or not, every church musician is a performer (although we are much more than that, as Dr. Tappan reminds us).



NOTES FROM THIS ARTICLE:

1   I especially hate when organists insist on using the pedal, even though they have to greatly reduce the hymn’s tempo to accomplish this. That drives me nuts—but unfortunately this practice is widespread. Those not skilled enough to play the hymn at the correct tempo should omit pedals until they can be added without destroying the piece.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

Recent Posts

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  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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